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A comedy film is a category of film which emphasizes humor. These films are designed to make the audience laugh through amusement. Films in this style traditionally have a happy ending. One of the oldest genres in film—and derived from the classical comedy in theatre—some of the earliest silent films were comedies, as slapstick comedy often relies on visual depictions, without requiring sound. When sound films became more prevalent during the 1920s, comedy films took another swing, as laughter could result from burlesque situations but also dialogue.
Film editing is both a creative and a technical part of the post-production process of filmmaking. The term is derived from the traditional process of working with film which increasingly involves the use of digital technology.
A camera operator, or depending on the context cameraman or camerawoman, is a professional operator of a film camera or video camera as part of a film crew. The term "cameraman" does not imply that a male is performing the task.
The Gemini Awards were awards given by the Academy of Canadian Cinema & Television between 1986–2011 to recognize the achievements of Canada's television industry. The Gemini Awards are analogous to the Emmy Awards given in the United States and the BAFTA Television Awards in the United Kingdom. First held in 1986 to replace the ACTRA Award, the ceremony celebrated Canadian television productions with awards in 87 categories, along with other special awards such as lifetime achievement awards. The Academy had previously presented the one-off Bijou Awards in 1981, inclusive of some television productions.
In journalism, electronic news-gathering (ENG) is when reporters and editors make use of electronic video and audio technologies in order to gather and present news. ENG can involve anything from a single reporter with a single professional video camera, to an entire television crew taking a truck on location. This term was coined during the rise of videotape technology in the 1970s. This term was commonly used in the television news in the 1980s and '90s, but is used less frequently now, as the technology has become commonplace. Sometimes the term videography is now used instead for news gathering on a smaller scale, often with hand-held equipment.
Nonlinear narrative, disjointed narrative or disrupted narrative is a narrative technique, sometimes used in literature, film, hypertext websites and other narratives, where events are portrayed, for example, out of chronological order or in other ways where the narrative does not follow the direct causality pattern of the events featured, such as parallel distinctive plot lines, dream immersions or narrating another story inside the main plot-line. Most of the time, it is used to mimic the structure and recall of a character, but has been used for other reasons as well.
Cutting on action or matching on action refers to film editing and video editing techniques where the editor cuts from one shot to another view that matches the first shot's action.
Peter Taylor was an English film editor with more than 30 film credits. Perhaps his best remembered contribution is the editing of the 1957 film The Bridge on the River Kwai.
A film – also called a movie, motion picture, moving picture, picture or photoplay – is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, feelings, beauty, or atmosphere through the use of moving images. These images are generally accompanied by sound and, more rarely, other sensory stimulations. The word "cinema", short for cinematography, is often used to refer to filmmaking and the film industry, and to the art form that is the result of it.
Memorandum is a one-hour 1965 documentary co-directed by Donald Brittain and John Spotton, following Bernard Laufer, a Jewish Holocaust survivor, on an emotional pilgrimage back to the Bergen-Belsen concentration camp. Produced by John Kemeny for the National Film Board of Canada, the film received several awards including a Golden Gate Award from the San Francisco International Film Festival. Considered by many critics to be Brittain's finest work, the film's title refers to Hitler's memorandum about the "final solution."
In film and television, drama is a category or genre of narrative fiction intended to be more serious than humorous in tone. Drama of this kind is usually qualified with additional terms that specify its particular super-genre, macro-genre, or micro-genre, such as soap opera, police crime drama, political drama, legal drama, historical drama, domestic drama, teen drama, and comedy-drama (dramedy). These terms tend to indicate a particular setting or subject-matter, or else they qualify the otherwise serious tone of a drama with elements that encourage a broader range of moods. To these ends, a primary element in a drama is the occurrence of conflict—emotional, social, or otherwise—and its resolution in the course of the storyline.
Post-classical editing is a style of film editing characterized by shorter shot lengths, faster cuts between shots, and containing more jump shots and close-ups than classical editing characteristic of films prior to the 1960s.
Lou Lombardo was an American filmmaker whose editing of the 1969 film The Wild Bunch has been called "seminal". In all, Lombardo is credited on more than twenty-five feature films. Noted mainly for his work as a film and television editor, he also worked as a cameraman, director, and producer. In his obituary, Stephen Prince wrote, "Lou Lombardo's seminal contribution to the history of editing is his work on The Wild Bunch (1969), directed by Sam Peckinpah. The complex montages of violence that Lombardo created for that film influenced generations of filmmakers and established the modern cinematic textbook for editing violent gun battles." Several critics have remarked on the "strange, elastic quality" of time in the film, and have discerned the film's influence in the work of directors John Woo, Quentin Tarantino, Kathryn Bigelow, and the Wachowskis, among others. While Lombardo's collaboration with Peckinpah lasted just a few years, his career was intertwined with that of director Robert Altman for more than thirty years. Lombardo edited Altman's 1971 film McCabe & Mrs. Miller (1971), which had "a radical approach to the use of dialogue and indeed other sound, both in and beyond the frame." Towards the end of his career Lombardo edited Moonstruck (1987) and two other films directed by Norman Jewison. While his editing is now considered "revolutionary" and "brilliant", Lombardo was never nominated for editing awards during his career.
The Canadian Screen Awards are awards given for artistic and technical merit in the film industry recognizing excellence in Canadian film, English-language television, and digital media productions. Given annually by the Academy of Canadian Cinema & Television, the awards recognize excellence in cinematic achievements, as assessed by the Academy's voting membership.
Chuck Gloman is an American academic author and professor. He is the ex-department chair of the television and film program at DeSales University in Center Valley, Pennsylvania.
Producing Great Sound for Film and Video: Expert Tips from Preproduction to Final Mix is a non-fiction, filmmaking handbook. It covers the process of acquiring professional quality sound for motion picture productions.
Eric R. Williams is an American screenwriter, professor, cinematic virtual reality director, and new media storyteller. He is known for developing alternative narrative and documentary techniques that take advantage of digital technologies.
CityVarsity School of Media and Creative Arts is a private higher education institution in South Africa with campuses in Cape Town and Johannesburg. It falls under Educor and offers full-time, short, and online degrees, diplomas, and certificates in the creative arts and media.
References
- 1 2 Writing the short film, second edition, backcover
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- the point of returns article on director Ed Hunt published in Cinema Canada, December 1976/ January 1977 Number 33
