Maribor is the second-largest city in Slovenia and the largest city of the traditional region of Lower Styria. It is the seat of the Urban Municipality of Maribor and the Drava statistical region. Maribor is also the economic, administrative, educational, and cultural centre of eastern Slovenia.
Ljubljana is the capital and largest city of Slovenia, located along a trade route between the northern Adriatic Sea and the Danube region, north of the country's largest marsh, inhabited since prehistoric times. It is the country's cultural, educational, economic, political and administrative center and the seat of Urban Municipality of Ljubljana.
Telepresence is the appearance or sensation of a person being present at a place other than their true location, via telerobotics or video.
Eduardo Kac is a Brazilian and American contemporary artist whose portfolio encompasses various forms of art including performance art, poetry, holography, interactive art, digital and online art, and BioArt. Recognized for his space art and transgenic works, Kac works with biotechnology to create organisms with new genetic attributes. His interdisciplinary approach has seen the use of diverse mediums, from fax and photocopying to fractals, RFID implants, virtual reality, networks, robotics, satellites, telerobotics, virtual reality and DNA synthesis.
Digital poetry is a form of electronic literature, displaying a wide range of approaches to poetry, with a prominent and crucial use of computers. Digital poetry can be available in form of CD-ROM, DVD, as installations in art galleries, in certain cases also recorded as digital video or films, as digital holograms, on the World Wide Web or Internet, and as mobile phone apps.
Radiotelevizija Slovenija – usually abbreviated to RTV Slovenija – is Slovenia's national public broadcasting organization.
A virtual museum is a digital entity that draws on the characteristics of a museum, in order to complement, enhance, or augment the museum experience through personalization, interactivity, and richness of content. Virtual museums can perform as the digital footprint of a physical museum, or can act independently, while maintaining the authoritative status as bestowed by the International Council of Museums (ICOM) in its definition of a museum. In tandem with the ICOM mission of a physical museum, the virtual museum is also committed to public access; to both the knowledge systems embedded in the collections and the systematic, and coherent organization of their display, as well as to their long-term preservation. As with a traditional museum, a virtual museum can be designed around specific objects, or can consist of online exhibitions created from primary or secondary resources. Moreover, a virtual museum can refer to the mobile or World Wide Web offerings of traditional museums ; or can be born digital content such as, 3D environments, net art, virtual reality and digital art. Often, discussed in conjunction with other cultural institutions, a museum by definition, is essentially separate from its sister institutions such as a library or an archive. Virtual museums are usually, but not exclusively delivered electronically when they are denoted as online museums, hypermuseum, digital museum, cybermuseums or web museums.
Novi Sad is one of the most important Serbian centers of higher education and research, with four universities, numerous professional, technical, and private colleges, and a couple of research institutes.
BioArt is an art practice where artists work with biology, live tissues, bacteria, living organisms, and life processes. Using scientific processes and practices such as biology and life science practices, microscopy, and biotechnology the artworks are produced in laboratories, galleries, or artists' studios. The scope of BioArt is a range considered by some artists to be strictly limited to "living forms", while other artists include art that uses the imagery of contemporary medicine and biological research, or require that it address a controversy or blind spot posed by the very character of the life sciences.
Cyberpipe was a hackerspace in Ljubljana, Slovenia, established in 2001 as a part of the K6/4 Institute. After a breakup with the parent organization and moving to a different location in 2013, it ceased most operations in 2015.
In the fields of urban planning, urban regeneration and e-government, the term piazza telematica has been used in Italy since the early 1990s by a number of community network and local institutions for promoting the insertion, inside the urban upgrading processes, of the principles of sustainable development and of accessibility for all to IT tools for assuring the Right of Citizenship: the possibilities to participate in public decision processes, to access to the knowledge and training, to take part of the social local community life.
Zharko Basheski is a Macedonian sculptor and professor in the Sculpture Department at the Faculty of Fine Arts in Skopje. His work falls under the hyperrealism movement, with a specific focus on the human body.
The Embassy of Slovenia in Washington, D.C. is the Republic of Slovenia's diplomatic mission to the United States. The embassy in Washington is also responsible for representing Slovenia in Mexico. The chancery is located just off Embassy Row at 2410 California Street NW in the Kalorama neighborhood. Consular assistance is also provided by Slovenia's network of consulates in the U.S. and Mexico.
Boštjan Burger is a Slovenian informatician, geographer, a panoramic and VR panoramic photographer and a speleologist. He was founder of the Burger Landmarks website and had retired as computer programmer in the 1990s to become a geographic researcher on the hydrology of waterfalls. He used VR panoramas as a tool in the research of landscapes. He was greatly influenced by geographer Don Bain for documenting the landscape with VR panoramas and Hans Nyberg for his use of QuickTime VR fullscreen panoramas.
Suzana Kostić is a Serbian conductor, music educator and music scholar. Her performance specialties are choral music and large-scale works for solo voices, chorus, and orchestra. She is also known for the premiere performances of works by contemporary Balkan composers.
Media art history is an interdisciplinary field of research that explores the current developments as well as the history and genealogy of new media art, digital art, and electronic art. On the one hand, media art histories addresses the contemporary interplay of art, technology, and science. On the other, it aims to reveal the historical relationships and aspects of the ‘afterlife’ in new media art by means of a historical comparative approach. This strand of research encompasses questions of the history of media and perception, of so-called archetypes, as well as those of iconography and the history of ideas. Moreover, one of the main agendas of media art histories is to point out the role of digital technologies for contemporary, post-industrial societies and to counteract the marginalization of according art practices and art objects: ″Digital technology has fundamentally changed the way art is made. Over the last forty years, media art has become a significant part of our networked information society. Although there are well-attended international festivals, collaborative research projects, exhibitions and database documentation resources, media art research is still marginal in universities, museums and archives. It remains largely under-resourced in our core cultural institutions.″
Kathy Rae Huffman is an American curator, writer, producer, researcher, lecturer and expert for video and media art. Since the early 1980s, Huffman is said to have helped establish video and new media art, online and interactive art, installation and performance art in the visual arts world. She has curated, written about, and coordinated events for numerous international art institutes, consulted and juried for festivals and alternative arts organisations. Huffman not only introduced video and digital computer art to museum exhibitions, she also pioneered tirelessly to bring television channels and video artists together, in order to show video artworks on TV. From the early 1990s until 2014, Huffman was based in Europe, and embraced early net art and interactive online environments, a curatorial practice that continues. In 1997, she co-founded the Faces mailing list and online community for women working with art, gender and technology. Till today, Huffman is working in the US, in Canada and in Europe.
The International Festival of Computer Arts is the longest-running computer arts festival in Slovenia. The IFCA presents theory and practices of computer arts and new media arts. It is one of the major institutions for the presentation, support and production of computer media, electronics, and interdisciplinary art in the region and is responsible for the development of new media art and theory.
Ghislaine Boddington is a British artist, curator, presenter and director specialising in body responsive technologies, immersive experiences and collective embodiment, pioneering it as 'hyper-enhancement of the senses' and 'hyper-embodiment' since the late 80s.
Borut Kržišnik is a Slovenian composer.
