A movie camera is a type of photographic camera that rapidly takes a sequence of photographs, either onto film stock or an image sensor, in order to produce a moving image to display on a screen. In contrast to the still camera, which captures a single image at a time, the movie camera takes a series of images by way of an intermittent mechanism or by electronic means; each image is a frame of film or video. The frames are projected through a movie projector or a video projector at a specific frame rate to show the moving picture. When projected at a high enough frame rate, the persistence of vision allows the eyes and brain of the viewer to merge the separate frames into a continuous moving picture.
Subminiature photography is photographic technologies and techniques working with film material smaller in size than 35mm film, such as 16mm, 9.5mm, 17mm, or 17.5mm films. It is distinct from photomicrography, photographing microscopic subjects with a camera which is not particularly small.
A movie projector is an opto-mechanical device for displaying motion picture film by projecting it onto a screen. Most of the optical and mechanical elements, except for the illumination and sound devices, are present in movie cameras. Modern movie projectors are specially built video projectors.
BolexInternational S. A. is a Swiss manufacturer of motion picture cameras based in Yverdon located in Canton of Vaud, the most notable products of which are in the 16 mm and Super 16 mm formats. Originally Bol, the company was founded in 1925 by Charles Haccius and Jacques Bogopolsky, the company's name having been derived from Bogopolsky's name. In 1923 he presented the Cinégraphe Bol at the Geneva fair, a reversible apparatus for taking, printing, and projecting pictures on 35 mm film. He later designed a camera for Alpa of Ballaigues in the late 1930s.
The Nikon F3 was Nikon's third professional single-lens reflex camera body, preceded by the F and F2. Introduced in March 1980, it had manual and semi-automatic exposure control whereby the camera would select the correct shutter speed. The Nikon F3 series cameras had the most model variations of any Nikon F camera. It was also the first of numerous Nikon F-series cameras to be styled by Italian designer Giorgetto Giugiaro, and to include a red stripe on the handgrip – a feature that would later become a signature feature of many Nikon cameras.
The Canon EF is a manual focus 35mm single-lens reflex camera produced by Canon between 1973 and 1978. It was compatible with Canon's FD-mount lenses. The EF was built as an electro-mechanical version of Canon's top-of-the line wholly mechanical Canon F-1. The shutter is mechanical at all speeds ½ second and faster, but at 1 second and longer the shutter is all electronically controlled, allowing AE exposures from 1/1000 to 30 seconds. The EF shares the F-1's rugged construction and tough metal body. Unlike the F-1, the EF does not support any motor drive for film transport. Neither does it provide any interchangeable viewfinder.
Maison Brandt Frères, Charenton-le-Pont is a French manufacturer of motion picture cameras especially well known for its Super 8 and 16mm hand-held cameras, founded by Marcel Beaulieu. Marcel Beaulieu had earlier been associated with GIC cameras introduced in 1950. The company's first cameras were introduced in the early 1950s. Later they produced their first Super 8 model the 2008 S Beaulieu, introduced in 1965. Though they no longer actively produce new cameras, the company still services and repairs existing Beaulieu cameras.
The Canon T70 was a 35mm FD-mount single-lens reflex camera introduced in April 1984 as the second in Canon's T series. The T70 started with the concepts explored in 1983's T50, took them further, and applied them to a more sophisticated camera. While the Program AE-only T50 was intended as a beginner's camera, the T70 gave the photographer a lot more control over the camera's operation while keeping the T-series philosophy of simplicity in control and operation intact.
The Canon F-1 is a 35 mm single-lens reflex camera produced by Canon of Japan from March 1971 until the end of 1981, at which point it had been superseded by the New F-1 launched earlier that year. The Canon FD lens mount was introduced along with the F-1, but the previous Canon FL-mount lenses and older R- series lenses were also compatible with the camera with some limitations. The Canon F-1 was marketed as a competitor to the Nikon F and Nikon F2 single lens reflex cameras by Nikon.
The Pentax LX is a 35mm single-lens reflex camera produced by Pentax in Japan. It was introduced in 1980 to commemorate the 60th anniversary of Asahi Optical Co., and was produced until 2001. It is the top-of-the-line professional, or "system", camera in the Pentax manual focus range, with manual and aperture priority automatic exposure modes and an advanced light metering system. The LX uses the K mount, which is the Pentax proprietary bayonet lens mount, and has a large body of accessories. The camera has several unique or uncommon features, and compared with contemporary professional camera bodies from rival manufacturers, like the Canon New F-1 or Nikon F3, the LX body is smaller and lighter, weighing in at 570 grams with its standard FA-1 finder.
Lumix is Panasonic's brand of digital cameras, ranging from pocket point-and-shoot models to digital SLRs.
Filmo is a series of 16 mm and 8 mm movie equipment made by the Bell & Howell Company. The line included cameras, projectors and accessories.
The Krasnogorsk-3 (Красногорск-3) is a spring-wound 16mm mirror-reflex movie camera designed and manufactured in the USSR by KMZ. A total of 105,435 Krasnogorsk-3 cameras were produced between 1971 and 1993.
Kinor is the name of a line of film cameras for cinema and television produced in the USSR. All cameras under the Kinor name were intended for professional use and were equipped with a coupled viewfinder with a mirror shutter, but were otherwise unrelated in their technical design as they were created by a variety of different organizations.
Wirgin was a German company which is still known for its brands Wirgin and Edixa, and for its camera types like the Edina, the Edinex or the Gewirette. It was based in the Hessian capital Wiesbaden and made a line of quite inexpensive 35mm SLRs from the 1950s to the 1970s, including the Edixa Reflex and Edixa-Mat Reflex. Wirgin was West Germany's main producer of SLRs with focal plane shutter. It also produced some of the lenses for its cameras, among them several M42 screw mount lenses.
Auricon cameras were 16 mm film Single System sound-on-film motion picture cameras manufactured in the 1940s through the early 1980s. Auricon cameras are notable because they record sound directly onto an optical or magnetic track on the same film as the image is photographed on, thus eliminating the need for a separate audio recorder. The camera preceded ENG video cameras as the main AV tool of television news gathering due to its portability–and relatively quick production turn-around–where processed negative film image could be broadcast by electronically creating a positive image. Additionally, the Auricon found studio use as a 'kinescope' camera of live video off of a TV screen, but only on early pre-NTSC line-locked monochrome systems.
The Canon EOS 7D is a high-end APS-C digital single-lens reflex camera made by Canon. It was announced on 1 September 2009 with a suggested retail price of US$1,699, and was marketed as a semi-professional DSLR camera.
The Ciné-Kodak was the first 16mm camera, introduced in 1923 by the Eastman Kodak Company. It was intended to be used for home movie making.
The Nikon 1 J1 is a Nikon 1 series high-speed mirrorless interchangeable-lens camera with 1" sensor size launched by Nikon on September 21, 2011. It is a new model that focuses on high-performance, portability and versatility. Nikon lists the estimated selling price of the Nikon 1 J1 One-Lens Kit in the United States at $649.95. Released on October 20, 2011, this kit comes with the 1 NIKKOR VR 10-30mm f/3.5-5.6 lens.
The Kodak Cine Special 16mm Cameras (CKS) are a family of precision, versatile, spring-wound 16mm silent movie cameras produced by Eastman Kodak from the 1930s to the 1960s, and intended for advanced consumers and industry professionals. While its rectangular format was typical of earlier Kodak 16 mm cameras, the CKS 'box' was formed by two joined sections: the spring motor half with the user controls, winding cranks, and gear work to the shutter. The other half was a film magazine which docked to the motor. This allowed the cinematographer to pre-load multiple magazines of film for quick interchange of film.
