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A documentary film or documentary is a non-fictional motion-picture intended to "document reality, primarily for the purposes of instruction, education or maintaining a historical record". Bill Nichols has characterized the documentary in terms of "a filmmaking practice, a cinematic tradition, and mode of audience reception [that remains] a practice without clear boundaries".
The history of film chronicles the development of a visual art form created using film technologies that began in the late 19th century. The advent of film as an artistic medium is not clearly defined. However, the commercial, public screening of ten of the Lumière brothers' short films in Paris on 28 December 1895, can be regarded as the breakthrough of projected cinematographic motion pictures. There had been earlier cinematographic results and screenings by others, like the Skladanowsky brothers, who used their self-made Bioscop to display the first moving picture show to a paying audience on 1 November 1895, in Berlin, but they had neither the quality, financial backing, stamina, or luck to find the momentum that propelled the cinématographe Lumière into worldwide success. Those earliest films were in black and white, under a minute long, without recorded sound, and consisted of a single shot from a steady camera. The first decade of motion pictures saw film move from a novelty to an established mass entertainment industry, with film production companies and studios established all over the world.
A propaganda film is a film that involves some form of propaganda. Propaganda films spread and promote certain ideas that are usually religious, political, or cultural in nature. A propaganda film is made with the intent that the viewer will adopt the position promoted by the propagator and eventually take action towards making those ideas widely accepted. Propaganda films are popular mediums of propaganda due to their ability to easily reach a large audience in a short amount of time. They are also able to come in a variety of film types such as documentary, non-fiction, and newsreel, making it even easier to provide subjective content that may be deliberately misleading.
Triumph of the Will is a 1935 German Nazi propaganda film directed, produced, edited and co-written by Leni Riefenstahl. Adolf Hitler commissioned the film and served as an unofficial executive producer; his name appears in the opening titles. It chronicles the 1934 Nazi Party Congress in Nuremberg, which was attended by more than 700,000 Nazi supporters. The film contains excerpts of speeches given by Nazi leaders at the Congress, including Hitler, Rudolf Hess and Julius Streicher, interspersed with footage of massed Sturmabteilung (SA) and Schutzstaffel (SS) troops and public reaction. Its overriding theme is the return of Germany as a great power with Hitler as its leader. The film was produced after the Night of the Long Knives, and many formerly prominent SA members are absent.
Drawn-on-film animation, also known as direct animation or animation without camera, is an animation technique where footage is produced by creating the images directly on film stock, as opposed to any other form of animation where the images or objects are photographed frame by frame with an animation camera.
Leonard Charles Huia Lye was a New Zealand artist known primarily for his experimental films and kinetic sculpture. His films are held in archives including the New Zealand Film Archive, British Film Institute, Museum of Modern Art in New York City, and the Pacific Film Archive at University of California, Berkeley. Lye's sculptures are found in the collections of the Whitney Museum of American Art, the Art Institute of Chicago, the Albright-Knox Art Gallery and the Berkeley Art Museum. Although he became a naturalized citizen of the United States in 1950, much of his work went to New Zealand after his death, where it is housed at the Govett-Brewster Art Gallery in New Plymouth.
Where Eagles Dare is a 1968 war film directed by Brian G. Hutton and starring Richard Burton, Clint Eastwood and Mary Ure. It follows a joint British-American Special Operations Executive team of paratroopers raiding a castle. It was filmed in Panavision using the Metrocolor process, and was distributed by Metro-Goldwyn-Mayer. Alistair MacLean wrote the screenplay, his first, at the same time that he wrote the novel of the same name. Both became commercial successes.
49th Parallel is a 1941 British and Canadian war drama film. It was the third film made by the British filmmaking team of Michael Powell and Emeric Pressburger. It was released in the United States as The Invaders. The British Ministry of Information approached Michael Powell to make a propaganda film for them, suggesting he make "a film about mine-sweeping". Instead, Powell decided to make a film to help sway opinion in the then-neutral United States. Said Powell, "I hoped it might scare the pants off the Americans" and thus bring them into the war. Screenwriter Emeric Pressburger remarked, "Goebbels considered himself an expert on propaganda, but I thought I'd show him a thing or two". Powell persuaded the British and Canadian governments and started location filming in 1940, but by the time the film appeared, in March 1942, the United States, which had been trying to stay out of the war in Europe, had been drawn into taking sides against Germany.
A dream sequence is a technique used in storytelling, particularly in television and film, to set apart a brief interlude from the main story. The interlude may consist of a flashback, a flashforward, a fantasy, a vision, a dream, or some other element.
The Lion Has Wings is a 1939 British, black-and-white, documentary-style, propaganda war film that was directed by Adrian Brunel, Brian Desmond Hurst, Alexander Korda and Michael Powell. The film was produced by London Film Productions and Alexander Korda Film Productions and 'was preparing the nation [for war] and shining a light on the power of the RAF'.
Münchhausen is a 1943 fantasy comedy film directed by Josef von Báky. Science fiction author David Wingrove has commented that this work "sidesteps immediate political issues whilst conjuring up marvellous visual images of an ageless pastoral Germany."
Dufaycolor is an early British additive colour photographic film process, introduced for motion picture use in 1932 and for still photography in 1935. It was derived from Louis Dufay's Dioptichrome plates, a glass-based product for colour still photography, introduced in France in 1909. Both Dioptichrome and Dufaycolor worked on the same principles as the Autochrome process, but achieved their results using a layer of tiny colour filter elements arrayed in a regular geometric pattern, unlike Autochrome's random array of coloured starch grains. The manufacture of Dufaycolor film ended in the late 1950s.
French impressionist cinema refers to a group of French films and filmmakers of the 1920s.
One of the principal features defining traditional cinema is a fixed and linear narrative structure. In Database Cinema however, the story develops by selecting scenes from a given collection like a computer game in which a player performs certain acts and thereby selects scenes and creating a narrative.
Yellow Canary is a 1943 British drama film directed by Herbert Wilcox and starring Anna Neagle, Richard Greene and Albert Lieven. Neagle plays a British Nazi sympathizer who travels to Halifax, Canada, trailed by spies from both sides during the Second World War. Neagle and director/producer Wilcox collaborated on a number of previous film projects.
A film – also called a movie, motion picture, moving picture, picture, photoplay or (slang) flick – is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, feelings, beauty, or atmosphere through the use of moving images. These images are generally accompanied by sound and, more rarely, other sensory stimulations. The word "cinema", short for cinematography, is often used to refer to filmmaking and the film industry, and to the art form that is the result of it.
Stukas is a 1941 Nazi propaganda film, directed by Karl Ritter and starring Carl Raddatz, which follows three squadrons of Luftwaffe dive-bomber (Stuka) flyers.
Non-narrative film is an aesthetic of cinematic film that does not narrate, or relate "an event, whether real or imaginary". It is usually a form of art film or experimental film, not made for mass entertainment.
A Colour Box is a 1935 British experimental animated film by Len Lye. Commissioned to promote the General Post Office, it was Lye's first direct animation to receive a public release.
Modernist film is related to the art and philosophy of modernism.
References
- ↑ Rumbsy, Martin (2003). "Len Lye: A Biography". Millennium Film Journal . 39: 110–120. Retrieved 20 October 2014.
- ↑ Horrocks, Roger (2007). "Free Radical: The Life and Work of Len Lye". New Zealand Filmmakers: 18–34.
- ↑ Cavalcanti, Alberto (1948). "Presenting Len Lye". Monthly Film Bulletin . 16 (64): 134.
- 1 2 3 4 5 Shell, Hanna Rose (2012). Hide and Seek: Camouflage, Photography, and the Media of Reconnaissance. Brooklyn, New York: Zone Books. ISBN 978-1-935408-22-2.
- 1 2 Smythe, Luke (2013). "Len Lye: The Vital Body of Cinema". October . 144 (144): 73–91. doi:10.1162/OCTO_a_00141. S2CID 57560298.