Gangsta rap or gangster rap, initially called reality rap, is a subgenre of rap music that conveys the culture and values typical of urban gangs, reality of the world and street hustlers. Emerging in the late 1980s, gangsta rap's pioneers include Schoolly D of Philadelphia and Ice-T of Los Angeles, later expanding in California with artists such as N.W.A and Tupac Shakur. In 1992, via record producer and rapper Dr. Dre, rapper Snoop Dogg, and their G-funk sound, gangster rap broadened to mainstream popularity.
French hip hop or French rap, is the hip hop music style developed in French-speaking countries. France is the second largest hip-hop market in the world after the United States.
Turkish hip hop refers to hip hop music produced by members of the Turkish minority in Germany, and to a lesser degree by hip hop artists in Turkey. The Turkish minority, called the Turks, first drew inspiration from the discrimination and racism they received while living as migrant workers in Germany in the 1960s. Turkish hip hop uses Arabesk music, a folk style that finds its roots in Turkey during the 1960s, and is influenced by the hip hop music of America and Germany. Album artwork, lyrical content, and the Turkish language are used by hip hop artists to express their uniquely Turkish identity.
Malo Ioane Luafutu, also called Jeshua Ioane Luafutu, and better known by his stage name Scribe, is a New Zealand rapper of Samoan descent. He achieved two solo number ones on the singles chart from his debut album, The Crusader, which was released in 2003 in New Zealand and later certified four times platinum. He also reached number one as a featured artist on P-Money's 2004 song "Stop the Music", and in 2010 on R&B singer J.Williams' single "You Got Me".
Australian hip hop traces its origins to the early 1980s and was initially largely inspired by hip hop and other urban musical genres from the United States. As the form matured, Australian hip hop has become a commercially viable style of music that is no longer restricted to the creative underground, with artists such as Onefour, Hilltop Hoods, Kerser and Bliss n Eso and having achieved notable fame. Australian Hip-Hop is still primarily released through independent record labels, which are often owned and operated by the artists themselves. Despite its genesis as an offshoot of American hip-hop, Australian hip hop has developed a distinct personality that reflects its evolution as an Australian musical style. Since the inception of the Australian hip-hop scene, Australian Aboriginals have played a prominent role.
Korean hip-hop, also known as K-hip-hop or K-rap, is a subgenre of the South Korean popular music.
Che Kuo Eruera Ness, better known by his stage name Che Fu, is a New Zealand singer, songwriter and producer. A founding member of the band Supergroove, as a solo artist he has gone on to sell thousands of albums both in New Zealand and internationally. Che Fu is considered a pioneer of Hip hop and Pasifika music in New Zealand.
The Music of Samoa is a complex mix of cultures and traditions, with pre- and post-European contact histories. Since American colonization, popular traditions such as rap and hip hop have been integrated into Samoan music.
Israeli hip hop refers to hip hop and rap music in Israel. Israeli hip hop artists have mainly emerged from the populations of Mizrahi Jews, Ethiopian Jews, and Israeli-Arabs, though there have also been numerous artists from Israeli Ashkenazi Jews especially Hasidim. Israeli hip hop artists enjoy wide popularity in Israel and have succeeded in appealing to international markets particularly the United States.
New Zealand hip hop derives from the wider hip hop cultural movement originating amongst African Americans in the United States. Like the parent movement, New Zealand hip hop consists of four parts: rapping, DJing, graffiti art and breakdancing. The first element of hip hop to reach New Zealand was breakdancing, which gained notoriety after the release of the 1979 movie The Warriors. The first hip hop hit single, "Rapper's Delight" by the Sugarhill Gang, became a hit in New Zealand when it was released there in 1980, a year after it was released in the United States. By the middle of the 1980s, breakdancing and graffiti art were established in urban areas like Wellington and Christchurch. By the early 1990s, hip hop became a part of mainstream New Zealand culture.
Urban Pasifika is a New Zealand subgenre of hip hop, that developed primarily among Pasifika New Zealanders in South Auckland. Drawn from alternative hip hop and R&B influences, it was quickly blended with Pacific Island or Māori instrumentation and traditional songwriting and singing and rapping in a variety of Polynesian languages, such as Māori, Samoan, Niuean and Tongan. The genre's genesis in the 1980s blossomed into a unique, globally enrapturing cultural scene in its homeland of Auckland, especially in the next decade. Urban Pasifika is one of the most popular music genres to arise from New Zealand, and helped cement Auckland's reputation on the world stage as a major cultural centre, and the most ethnically Polynesian city in the world.
Iranian hip hop, also known as Persian hip hop, refers to hip hop music in the Persian language developed in Iran and the Iranian diaspora. It originated from American hip hop culture, but has developed into a distinct rap style that draws on Iranian cultural concepts and engages with the modern issues Iranians are facing today.
Indonesian hip hop is hip hop music created in Indonesia.
Boo-Yaa T.R.I.B.E. is an American hip hop band from Carson, California, consisting of the American Samoan brothers Paul, Ted, Donald, Roscoe, Danny, David and Vincent Devoux. They are known for combining funk and metal influences, with gangsta rap lyricism.
Samoan hip hop includes hip-hop music, artists and culture in Samoa. At the root of hip hop culture in Samoa is a focus on dancing, stemming from the importance of dance in traditional Samoan culture. According to Katerina Teaiwa from the University of Hawaii at Manoa, hip hop culture is important for Samoan youth and the arts are transforming Samoans, including those outside of Samoa. This is especially visible among Samoan youth in California, Hawaii, and other communities in the Samoan diaspora. In Los Angeles, Samoan youth often engage in a style of hip hop dancing called popping-and-locking.
LGBT representation in hip hop music have existed since the birth of the genre even while enduring blatant discrimination. Due to its adjacency to disco, the earliest days of hip hop had a close relation to LGBT subcultures, and multiple LGBT DJs have played a role in popularizing hip hop. Despite this early involvement, hip hop has long been portrayed as one of the least LGBT-friendly genres of music, with a significant body of the genre containing homophobic views and anti-gay lyrics, with mainstream artists such as Eminem and Tyler, the Creator having used casual homophobia in their lyrics, including usages of the word faggot. Attitudes towards homosexuality in hip hop culture have historically been negative, with slang that uses homosexuality as a punchline such as "sus", "no homo", and "pause" being heard in hip hop lyrics from some of the industry's biggest artists. Since the early 2000s there has been a flourishing community of LGBTQ+ hip hop artists, activists, and performers breaking barriers in the mainstream music industry.
Kas Futialo, known by the stage name Tha Feelstyle, is a New Zealand hip hop artist of Samoan descent. His first album was Break It To Pieces in 2004. Tha Feelstyle was born in Samoa and moved to New Zealand in the 1980s. He raps in English as well as the Samoan language.
Sima Urale is a New Zealand filmmaker. Her films explore social and political issues and have been screened worldwide. She is one of the few Polynesian film directors in the world with more than 15 years in the industry. Her accolades include the Silver Lion for Best Short Film at the Venice Film Festival for O Tamaiti (1996).
Vaosa ole Tagaloa Makerita Urale is a documentary director and playwright, and a leading figure in contemporary Polynesian theatre in New Zealand. She has produced landmark productions in the performing arts. She is the writer of the play Frangipani Perfume, the first Pacific play written by a woman for an all-female cast. Working in different art mediums, Urale also works in film and television. She is the director of the political documentary Children of the Revolution that won the Qantas Award (2008) for Best Māori Programme.
Tere Veronica Rapley, generally known as Teremoana Rapley, describes herself as a 'Black Moana Sovereign Storyteller'. Many consider her a hugely influential New Zealand hip-hop artist, musician, television presenter and television producer, best known for her rhymes and vocals in both solo and collaborative work and her significant roles in the 1990s with Upper Hutt Posse and Moana and the Moahunters.
