Kmart realism, also termed "low-rent tragedies", [1] is a form of minimalist literature found in American short fiction that became popular in the 1980s. [2] [3] [4] [5]
These short stories "represent and reproduce the disintegration of public life [and] the colonization of private life by consumer capitalism". [6]
The precursors of Kmart realism include the so-called trailer park fiction, Diet-Pepsi minimalism, and hick chic. [7]
Author Tao Lin described Kmart realism as being "at its “height” maybe in the mid to late-80’s. Frederick Barthelme had 20-30 stories published in the New Yorker , Mary Robison also had many stories in the New Yorker, and Gordon Lish was publishing other people’s books and stories as an editor at Alfred A. Knopf and Esquire around then." [8]
A related definition describes the genre as American fiction that is characterized, among other things, by a fascination with consumption venues and brand names. [9] [10] John Gardner, in critical works such as On Moral Fiction , criticized this style using the term "brand-name fiction writers" while Tom Wolfe had similar criticisms as well. [11]
Frederick Barthelme, brother of postmodern novelist Donald Barthelme, is noted for his use of Kmart realism in stories such as "Safeway" ( The New Yorker , 1981). In addition, Rachel Page, sister of noted postmodern poet Allen Page, has written works that follow the genre of "dirty realism". [12]
Other writers noted for this style also include Ann Beattie, Raymond Carver, Eric Bogosian, Richard Ford, Bobbie Ann Mason, Mary Robison, Joy Williams, Don DeLillo and Tobias Wolff. [7] Mason, for instance, often writes about working-class characters in rural Kentucky who do their laundry at laundromats, and subject matters that are similar to those favored by the aforementioned writers such as Dairy Queens, grocery stores, and third-rate motels. [13]
The 2010 film Blue Valentine was described by one critic as "easily located at the intersection of romance film and indie-handheld-camera-Kmart-realism". [19]
The alternative rock band The Spirit of the Beehive is also described as Kmart realism. [20]
In visual arts, music and other media, minimalism was an art movement that began in post–World War II in Western art, and it is most strongly associated with American visual arts in the 1960s and early 1970s.
A short story is a piece of prose fiction. It can typically be read in a single sitting and focuses on a self-contained incident or series of linked incidents, with the intent of evoking a single effect or mood. The short story is one of the oldest types of literature and has existed in the form of legends, mythic tales, folk tales, fairy tales, tall tales, fables, and anecdotes in various ancient communities around the world. The modern short story developed in the early 19th century.
Magic realism, magical realism, or marvelous realism is a style or genre of fiction and art that presents a realistic view of the world while incorporating magical elements, often blurring the lines between speculation and reality. Magical realism is the most commonly used of the three terms and refers to literature in particular. Magic realism often refers to literature in particular, with magical or supernatural phenomena presented in an otherwise real-world or mundane setting, commonly found in novels and dramatic performances. In his article "Magical Realism in Spanish American Literature", Luis Leal explains the difference between magic literature and magical realism, stating that, "Magical realism is not magic literature either. Its aim, unlike that of magic, is to express emotions, not to evoke them." Despite including certain magic elements, it is generally considered to be a different genre from fantasy because magical realism uses a substantial amount of realistic detail and employs magical elements to make a point about reality, while fantasy stories are often separated from reality. The two are also distinguished in that magic realism is closer to literary fiction than to fantasy, which is instead a type of genre fiction. Magical realism is often seen as an amalgamation of real and magical elements that produces a more inclusive writing form than either literary realism or fantasy.
Thomas Coraghessan Boyle is an American novelist and short story writer. Since the mid-1970s, he has published nineteen novels and more than 150 short stories. He won the PEN/Faulkner Award in 1988, for his third novel, World's End, which recounts 300 years in upstate New York.
Richard Ford is an American novelist and short story author, and writer of a series of novels featuring the character Frank Bascombe.
Fredric Ruff Jameson was an American literary critic, philosopher and Marxist political theorist. He was best known for his analysis of contemporary cultural trends, particularly his analysis of postmodernity and capitalism. Jameson's best-known books include Postmodernism, or, The Cultural Logic of Late Capitalism (1991) and The Political Unconscious (1981).
Postmodern literature is a form of literature that is characterized by the use of metafiction, unreliable narration, self-reflexivity, intertextuality, and which often thematizes both historical and political issues. This style of experimental literature emerged strongly in the United States in the 1960s through the writings of authors such as Kurt Vonnegut, Thomas Pynchon, William Gaddis, Philip K. Dick, Kathy Acker, and John Barth. Postmodernists often challenge authorities, which has been seen as a symptom of the fact that this style of literature first emerged in the context of political tendencies in the 1960s. This inspiration is, among other things, seen through how postmodern literature is highly self-reflexive about the political issues it speaks to.
Donald Barthelme Jr. was an American short story writer and novelist known for his playful, postmodernist style of short fiction. Barthelme also worked as a newspaper reporter for the Houston Post, was managing editor of Location magazine, director of the Contemporary Arts Museum in Houston (1961–1962), co-founder of Fiction, and a professor at various universities. He also was one of the original founders of the University of Houston Creative Writing Program.
Hysterical realism is a term coined in 2000 by English critic James Wood to describe what he sees as a literary genre typified by a strong contrast between elaborately absurd prose, plotting, or characterization, on the one hand, and careful, detailed investigations of real, specific social phenomena on the other. It is also known as recherché postmodernism.
The slipstream genre is a term denoting forms of speculative fiction that blends together science fiction, fantasy, and literary fiction or do not remain in conventional boundaries of genre and narrative. It directly extends from the experimentation of the New Wave science fiction movement while also borrowing from fantasy, psychological fiction, philosophical fiction and other genres or styles of literature.
Bobbie Ann Mason is an American novelist, short story writer, essayist, and literary critic from Kentucky. Her memoir was a finalist for the Pulitzer Prize.
Lawrence F. McCaffery Jr. is an American literary critic, editor, and retired professor of English and comparative literature at San Diego State University. His work and teaching focuses on postmodern literature, contemporary fiction, and Bruce Springsteen. He also played a role in helping to establish science fiction as a major literary genre.
Dirty realism is a term coined by Bill Buford of Granta magazine to define a North American literary movement. Writers in this sub-category of realism are said to depict the seamier or more mundane aspects of ordinary life in spare, unadorned language.
Postmodernist film is a classification for works that articulate the themes and ideas of postmodernism through the medium of cinema. Some of the goals of postmodernist film are to subvert the mainstream conventions of narrative structure and characterization, and to test the audience's suspension of disbelief. Typically, such films also break down the cultural divide between high and low art and often upend typical portrayals of gender, race, class, genre, and time with the goal of creating something that does not abide by traditional narrative expression.
Fredrick Barthelme is an American novelist and short story writer of minimalist fiction. He is the director of the Center For Writers at The University of Southern Mississippi and editor of New World Writing
Mary Cennamo Robison is an American short story writer and novelist. She has published four collections of stories, and four novels, including her 2001 novel Why Did I Ever, winner of the 2001 Los Angeles Times Book Prize for fiction. Her most recent novel, released in 2009, is One D.O.A., One on the Way. She has been categorized as a founding "minimalist" writer along with authors such as Amy Hempel, Frederick Barthelme, and Raymond Carver. In 2009, she won the Rea Award for the Short Story.
Carol Sklenicka is an American biographer and literary scholar known for her authoritative, full-scale biographies of two important figures in late twentieth-century American literature: acclaimed short story masters Raymond Carver and Alice Adams.
Zoe Fairbairns is a British feminist writer who has authored novels, short stories, radio plays and political pamphlets.