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Kolja Lessing (born 15 October 1961) is a German violinist, pianist, composer and academic teacher. His focus as a soloist and chamber musician has been the neglected repertoire by composers who were ostracised under the Nazi regime. His recordings include four volumes of works by students of Franz Schreker in his master classes in Vienna and Berlin.
Lessing has taught violin at the Hochschule für Musik Würzburg and the University of Music and Theatre Leipzig, and has been professor at the State University of Music and Performing Arts Stuttgart from 2000. He has been awarded numerous honours, especially for his dedication to the music of neglected composers.
Lessing was born in Karlsruhe. He received his basic music education from his mother. [1] From 1978, he attended the violin master class of Hansheinz Schneeberger in Basel. [1] [2] There, he also studied piano with Peter Efler from 1979. He passed his concert examinations in 1982 and 1983. He also received formative impulses through his collaboration with Berthold Goldschmidt, Ignace Strasfogel and Zoltán Székely. [1]
As a professor of violin, he taught at the Hochschule für Musik Würzburg from 1989 to 1993, at the University of Music and Theatre Leipzig from 1993, and followed a call to the State University of Music and Performing Arts Stuttgart in 2000. [1] From 1998 to 2015, he was a regular guest lecturer at the Banff Centre for Arts and Creativity.
Lessing has performed worldwide as a violinist and pianist, also giving musicological lectures and master classes at European and North American universities. [2] [3]
Lessing has dedicated to wide-ranging repertoire, with a focus on works by composers who were ostracised under the Nazi regime, including Franz Schreker and his circle of students. [4] He revived stylistically different compositions for solo violin by Haim Alexander, Tzvi Avni, Abel Ehrlich, Jacqueline Fontyn, David Paul Graham, Ursula Mamlok, Krzysztof Meyer, Klaus Hinrich Stahmer, Hans Vogt. [4] Berthold Goldschmidt composed a work for him that he premiered. As a violinist and a pianist, he premiered compositions including the piano concerto Rivages solitaires by Jacqueline Fontyn, Rudolf Hindemith's Suite, Ignace Strasfogel's A Child's Day, the violin concertos by Haim Alexander, Sidney Corbett's Yael, works by Abel Ehrlich and Stefan Hippe, Zoltán Székely's Allegro, A une Madone by Dimitri Terzakis, and Le Violon de la Mort by Grete von Zieritz. [3]
Lessing has recorded extensively both with violin and piano, including numerous first and complete recordings, also with a focus on neglected composers. He made a series of four CDs of music by composers who studied with Schreker, both as violinist and as pianist. [5]
Compositions by Lessing are held by the German National Library, including: [15]
Lessing wrote cadenzas to Mozart's violin concertos K. 218 and K. 219, and to all violin concertos by Ernst von Gemmingen. [15]
The Violin Concerto in D major, Op. 61, was written by Ludwig van Beethoven in 1806. Its first performance by Franz Clement was unsuccessful and for some decades the work languished in obscurity, until revived in 1844 by the then 12-year-old violinist Joseph Joachim with the orchestra of the London Philharmonic Society conducted by Felix Mendelssohn. Joachim would later claim it to be the "greatest" German violin concerto. Since then it has become one of the best-known and regularly performed violin concertos.
Joseph Joachim was a Hungarian violinist, conductor, composer and teacher who made an international career, based in Hanover and Berlin. A close collaborator of Johannes Brahms, he is widely regarded as one of the most significant violinists of the 19th century.
Franz Schreker was an Austrian composer, conductor, librettist, teacher and administrator. Primarily a composer of operas, Schreker developed a style characterized by aesthetic plurality, timbral experimentation, strategies of extended tonality and conception of total music theatre into the narrative of 20th-century music.
Franz Theodor Reizenstein was a German-born British composer and concert pianist. He left Germany for sanctuary in Britain in 1934 and went on to have his teaching and performing career there. As a composer, he successfully blended the equally strong but very different influences of his primary teachers, Hindemith and Vaughan Williams.
Berthold Goldschmidt was a German Jewish composer who spent most of his life in England. The suppression of his work by Nazi Germany, as well as the disdain with which many modernist critics elsewhere dismissed his "anachronistic" lyricism, stranded the composer in the wilderness for many years before he was given a revival in his final decade.
Wolfram Lorenzen was a German pianist.
The Mendelssohn Scholarship refers to two scholarships awarded in Germany and in the United Kingdom. Both commemorate the composer Felix Mendelssohn, and are awarded to promising young musicians to enable them to continue their development.
Grete von Zieritz was an Austrian-German composer and pianist.
Zdenka Ticharich was a Hungarian pianist, music educator and composer.
Tanja Becker-Bender is a German violinist. She lives in Berlin and Hamburg.
Emil Bohnke was a German violist, composer and conductor active in Berlin.
Ignace Strasfogel was a Polish pianist, composer and conductor.
Richard Sahla was a concert violinist, conductor and composer.
Carl Ueter was a German composer of classical music. From 1950 to his retirement in 1965 he was professor at the Hochschule für Musik Freiburg.
Götz Bernau is a German violinist, music researcher, music pedagogue and music journalist.
Martin Bruns is a Swiss baritone and music lecturer.
Wolfgang Marschner was a German violinist, teacher of violin, composer and conductor. He was concertmaster of the WDR Sinfonieorchester Köln, and instrumental in world premieres of contemporary music. He was professor at the Folkwang-Hochschule Essen, the Musikhochschule Köln, the Tokyo University of Fine Arts and Music and, for more than three decades, at the Hochschule für Musik Freiburg. He also taught at the Darmstädter Ferienkurse.
Markus Becker is a German pianist and academic teacher. He is focused on chamber music, and on piano concertos from the time around 1900. His recording of the complete piano works by Max Reger earned him awards. He is also a jazz pianist, and has been professor of piano and chamber music at the Hochschule für Musik, Theater und Medien Hannover since 1993.