Ksenia Milicevic | |
|---|---|
 | |
| Born | 1942 Drinici, Bosnia and Herzegovina |
| Nationality | French |
| Occupation | Painter |
Ksenia Milicevic (born September 15, 1942) is a French painter, architect and town planner. She is based in Paris, with a studio in Bateau-Lavoir in Montmartre and also maintains a base in South West France.
Ksenia Milicevic was born in 1942 in Drinici, [1] Bosnia and Herzegovina. Her mother was born in Lackawanna, New York and her father in Montenegro. Both were partisans engaged in guerrilla campaigns during the Second World War. [2] Following the Fourth anti-Partisan Offensive from January to April 1943 and the Fifth, May to June 1943, in south-eastern Bosnia and northern Montenegro, she was left with her grandparents in Montenegro. After the war, her parents joined the diplomatic service and she lived with them in Sofia and Prague.
Ksenia Milicevic discovered architecture, mosaics, frescoes and paintings in old monasteries. Her father, also a painter, gave her the gift of his oil-paints, resulting in her first oil painting at the age of fifteen. After studies in the V° Senior High School and one year in the University of Engineering in Belgrade, she moved to Algiers in 1962. There she studied architecture in the School of Architecture and Urbanism at the Institute of Urbanism. She graduated from both in 1968. In her spare time Milicevic joined the painting class of the painter M'hamed Issiakhem, in the School of Fine Arts, located in the same building. She worked for a year in ECOTEC with the team of the Brazilian architect Oscar Niemeyer. Interested in the Italian Renaissance, she traveled to Italy in 1965 to view the great Masters.
Milicevic moved to S.M. de Tucuman [3] in the north of Argentina to work as an architect. Here she joined the art school of the National University and graduated in 1976. [4] Her first exhibition took place in Tucuman in 1970. [5]
She has also lived in Spain and Mexico and has settled in France [6] since 1987. In 1989 she opened a workshop at Bateau-Lavoir in Montmartre. Her studio is next to that of Endre Rozsda. Since 1976 she has been exclusively dedicated to painting. [7] She has held 120 individual and collective exhibitions throughout the world.
Since 2010 Ksenia Milicevic has been publishing essays alerting to the progressive destruction in art of the three factors on which a work is based: beauty, space and time, the destruction of art signaling and favoring the annihilation of man. [8]
In 2011 the Museum of Painting of St. Frajou, Haute Garonne, France, was inaugurated [9] with a selection of thirty paintings by Milicevic in the permanent collection. [10] In 2012 Ksenia Milicevic created the International Children's Painting Biennial. [11] In 2014, Ksenia Milicevic created the Art Resilience movement [12] and in 2015 International Exhibition Art Resilience. [13] In May 2016, Ksenia Milicevic participates in the Euro-Mediterranean Congress - Marseilles: Resilience in the World of the Living, under the presidency of Boris Cyrulnik, 19–21 May 2016, Intervention on resilience in art. [14]
|
|
José Victoriano González-Pérez , better known as Juan Gris, was a Spanish painter born in Madrid who lived and worked in France for most of his active period. Closely connected to the innovative artistic genre Cubism, his works are among the movement's most distinctive.
Daniel Buren is a French conceptual artist, painter, and sculptor. He has won numerous awards including the Golden Lion for best pavilion at the Venice Biennale (1986), the International Award for best artist in Stuttgart (1991) and the prestigious Premium Imperiale for painting in Tokyo in 2007. He has created several world-famous installations, including "Les Deux Plateaux"(1985) in the Cour d'honneur of the Palais-Royal, and the Observatory of the Light in Fondation Louis Vuitton. He is one of the most active and recognised artists on the international scene, and his work has been welcomed by the most important institutions and sites around the world.
Dominique Louis Féréol Papety was a French painter. He is best known for his canvases and drawings on Greek themes, both Classical and contemporary, and is considered an early member of the Neo-Grec movement.
Alice Phillipot (Alice Rahon) (8 June 1904 – September 1987) was a French-born Mexican poet and artist whose work contributed to the beginning of abstract expression in Mexico. She began as a surrealist poet in Europe but began painting in Mexico. She was a prolific artist from the late 1940s to the 1960s, exhibiting frequently in Mexico and the United States, with a wide circle of friends in these two countries. Her work remained tied to surrealism but was also innovative, including abstract elements and the use of techniques such as sgraffito and the use of sand for texture. She became isolated in her later life due to health issues.
Ximena Armas is a Chilean painter.
María Dolores Velázquez Rivas, better known as "Lola" Cueto was a Mexican painter, printmaker, puppet designer and puppeteer. She is best known for her work in children's theater, creating sets, puppets and theatre companies performing pieces for educational purposes. Cueto took her last name from husband Germán Cueto, which whom she had two daughters, one of whom is noted playwright and puppeteer Mireya Cueto. Most of Cueto's artistic interest was related to Mexican handcrafts and folk art, either creating paintings about it or creating traditional works such as tapestries, papel picado and traditional Mexican toys.
Angelina Beloff was a Russian-born artist who did most of her work in Mexico. However, she is better known as Diego Rivera’s first wife, and her work has been overshadowed by his and that of his later wives. She studied art in Saint Petersburg and then went to begin her art career in Paris in 1909. This same year she met Rivera and married him. In 1921, Rivera returned to Mexico, leaving Beloff behind and divorcing her. She never remarried. In 1932, through her contacts with various Mexican artists, she was sponsored to live and work in the country. She worked as an art teacher, a marionette show creator and had a number of exhibits of her work in the 1950s. Most of her work was done in Mexico, using Mexican imagery, but her artistic style remained European. In 1978, writer Elena Poniatowska wrote a novel based on her life.
María Gutiérrez-Cueto y Blanchard was a Spanish painter. She was known for developing a unique style of Cubism.
Lilia Carrillo García was a Mexican painter from the Generación de la Ruptura, which broke with the Mexican School of Painting of the early 20th century. She was trained in the traditional style but her work began to evolve away from it after studying in Paris in the 1950s. While she and husband abstract artist Manuel Felguérez struggled to get their work accepted, even selling Mexican handcrafts and folk art to survive, she eventually had her canvas work exhibited at large venues in Mexico City and various cities in the world. Her work was part of the inaugural exhibition of the Museo de Arte Moderno in Mexico City in 1964. After her death in 1974, her work received honors from the Palacio de Bellas Artes and has been exhibited in various venues.
Mauricio García Vega is a Mexican painter whose work has been recognized by various awards and membership in the Salón de la Plástica Mexicana. His work is mostly focused on urban landscapes, often with dark themes and a chaotic feel. He works both alone and with his brother Antonio García Vega. He lives and works in the Mexico City suburb of Ciudad Nezahualcóyotl.
Antonio García Vega is a Mexican artist and member of the Salón de la Plástica Mexicana. He began exhibiting his work while still in school in the early 1970s and continues to do so, often working with his brother Mauricio García Vega. He works in mixed media to paint various forms of expression. His early work was mostly fantastic, with elements of eroticism but his later work has been darker as a means of expressing his own feelings and moods. His work has mostly been exhibited in Mexico, often in conjunction with other artists including a 2010 exhibition with his brother at various venues.
Olga Dondé was a Mexican artist involved in various fields but best known her still life pieces. She was a self-taught painter, who worked for two years until she decided to enter works in a show in 1968. From then she had about 100 showings of her work, including more than forty individual exhibitions in Mexico, the United States, South Americana and Europe. She also founded artistic organizations, an art gallery and a publishing house. Dondé’s work was recognized by admission in the Salón de la Plástica Mexicana, among other honors and her work continues to be shown and honored after her death.
Béatrice Casadesus is a French painter and sculptor, and professor at the École nationale supérieure des Beaux-Arts in Paris, France.
Woman with Black Glove is a painting by the French artist, theorist and writer Albert Gleizes. Painted in 1920, after returning to Paris in the wake of World War I, the paintings highly abstract structure is consistent with style of experimentation that transpired during the second synthetic phase of Cubism, called Crystal Cubism. As other post-wartime works by Gleizes, Woman with Black Glove represents a break from the first phase of Cubism, with emphasis placed on flat surface activity and large overlapping geometric planes.
John Botica is a New Zealand pebble mosaic artist and a designer. He is based in Beachlands, Auckland, New Zealand.
Jeannine Baticle was a French art historian, and curator, She was the Honorary Deputy Director and Chief Curator of the Department of Paintings of the Louvre Museum, and a specialist in Spanish painting.
The Hurdy-Gurdy Player is an oil-on-canvas painting by Georges de La Tour. The artist neither signed nor dated it, but it was produced in the first phase of his career, probably between 1620 and 1625. It is also known as The Hurdy-Gurdy Player in a Hat or The Hurdy-Gurdy Player with a Fly. It is now in the Musée d'Arts de Nantes.
María Teresa Martín-Vivaldi García-Trevijano is a Spanish painter.
Françoise Nuñez was a French photographer.
Pierre-François Laurent (1739-1809) was an engraver and co-director with Louis-Nicolas-Joseph Robillard de Péronville of the publication Le Musée français. As an engraver, he specialised in landscapes and genre subjects after Dutch artists. He also produced several engravings of subjects from the recent national history.
| International | |
|---|---|
| National | |
