Kumarsen Samarth | |
---|---|
Died | 15 February 1970 |
Nationality | Indian |
Notable work | Shirde Che Saibaba |
Spouse | Shobhana Samarth (sep.) |
Children | 4; incl. Nutan and Tanuja |
Kumarsen Samarth was an Indian film director. His inclination towards the Marathi language led him to direct some great Marathi/Hindi movies such as Nal Damyanti [1] and Rupaye ki Kahani (1948). His biggest success was the 1955 Marathi film titled Shirdi che Saibaba on the life of the 19th century holyman by the same name. [2] He studied cinematography in Germany and came back to India. He married his distant cousin, Shobhna Samarth, an aspiring actress. They married on the condition that she would be allowed to continue her acting career. They had four children, including the famous film actresses Nutan and Tanuja. He and his wife even made some films together. After fourteen years of marriage, Kumarsen and Shobhana separated amicably but never divorced. After their separation, Shobhana lived with film actor Motilal. [3] [4] Kumarsen died in his mid-70s. [5] He belonged to a Marathi CKP family. [6]
He was married to actress Shobhana Samarth and had two daughters, Nutan and Tanuja.
Sai Baba of Shirdi, also known as Shirdi Sai Baba, was an Indian spiritual master and fakir, considered to be a saint, revered by both Hindu and Muslim devotees during and after his lifetime.
Nutan Samarth-Bahl, known mononymously as Nutan was an Indian actress who worked primarily in Hindi films. In a career spanning nearly four decades, she appeared in more than 80 films, that ranged in genre from urban romances to socio-realist dramas. Regarded as one of the finest actors in the history of Indian cinema, Nutan was noted for her naturalistic acting style in parts of conflicted women often deemed unconventional. Her accolades include a record five Filmfare Awards for Best Actress. In 1974, Nutan received the Padma Shri, India's fourth highest civilian award.
Tanuja Mukherjee known mononymously as Tanuja is an Indian actress who predominantly works in the Hindi film industry. Part of the Mukherjee-Samarth family, she is the daughter of actress Shobhna Samarth and producer Kumarsen Samarth, younger sister of actress Nutan and was married to filmmaker Shomu Mukherjee, with whom she has two daughters, actresses Kajol and Tanisha. A recipient of two Filmfare Awards, Tanuja is best known for her roles in the Hindi films like Memdidi (1961), Chand Aur Suraj (1965), Baharen Phir Bhi Aayengi (1966), Jewel Thief (1967), Nai Roshni (1967), Jeene Ki Raah (1969), Haathi Mere Saathi (1971), Anubhav (1971), Mere Jeevan Saathi (1972), Do Chor (1972) as well as in Bengali films like Deya Neya (1963), Antony Firingee (1967), Teen Bhubaner Pare (1969), Pratham Kadam Phool (1970), Rajkumari (1970). Her pairings with actors Uttam Kumar, Rajesh Khanna, Dharmendra, Sanjeev Kumar were popular in the late 1960s and early 1970s.
Chandraseniya Kayastha Prabhu (CKP) or historically and commonly known as Chandraseniya Prabhu or just Prabhu is a caste mainly found in Gujarat and Maharashtra. Historically, they made equally good warriors, statesmen as well as writers. They held the posts such as Deshpande and Gadkari according to the historian, B.R. Sunthankar, produced some of the best warriors in Maharashtrian history.
Shantaram Rajaram Vankudre, referred to as V. Shantaram or Shantaram Bapu, was an Indian film director, film producer, screenwriter and actor known for his work in Hindi and Marathi films. He is most known for films such as Dr. Kotnis Ki Amar Kahani (1946), Amar Bhoopali (1951), Jhanak Jhanak Payal Baaje (1955), Do Aankhen Barah Haath (1957), Navrang (1959), Duniya Na Mane (1937), Pinjara (1972), Chani, Iye Marathiche Nagari and Zunj.
Shobhana Samarth was an Indian director, actress and producer, who began her career in the early days of talkie movies in the Hindi film industry and continued in lead roles into the 1950s.
The Mukherjee-Samarth family is a Hindu Bengali-Marathi family that has been involved in the Hindi film industry since the 1930s, Shobhana Samarth having first acted in a film in 1935. The Mukherjee family was connected to the Samarth family by Tanuja's marriage to Shomu Mukherjee in 1973.
Motilal Rajvansh was an Indian actor and the winner of Filmfare Best Supporting Actor Award for Devdas (1955) and Parakh (1960). He is credited with being among Hindi cinema's first natural actors.
Sashadhar Mukherjee was an Indian filmmaker in Hindi cinema. He started his career with Bombay Talkies in the 1930s, and later established Filmistan Studio with Rai Bahadur Chunilal, Ashok Kumar and Gyan Mukherjee in 1943. In the 1950s, he went on to start his independent studio, Filmalaya. He is noted for films like Dil Deke Dekho (1959), Love in Simla (1960), Ek Musafir Ek Hasina (1962) and Leader (1964). He is part of the distinguished Mukherjee clan of Bollywood.
The Ganguly family is an Indian show business family active in Hindi cinema (Bollywood). It originates from the Ganguly brothers: Ashok Kumar, Anoop Kumar and Kishore Kumar (née Ganguly).
Nalini Jaywant was an Indian actress who appeared in Hindi films in the 1940s and 1950s. Filmfare in their poll in the 1950s declared her the most beautiful woman in the movies. Actor Dilip Kumar described her "the greatest actress he ever worked with".
Keshavrao Date (1889–1971) was an Indian film actor, who worked in both silent and sound movies. He tried to run his own drama company but found it difficult to perform the dual roles of manager and actor.
Mahesh Ambar Kothare is an Indian film actor, director and producer of Marathi and Hindi films. He started his acting career as child artist. Kothare acted in well-known movies such as Raja Aur Runk, Chhota Bhai, Mere Laal, and Ghar Ghar ki Kahani. The well known Hindi song Tu Kitni Achhi Hain from the film Raja Aur Runk features Kothare as Master Mahesh.
Sri Shirdi Saibaba Mahathyam is a 1986 Telugu-language hagiographical film written and directed by K. Vasu, based on the life of Sai Baba of Shirdi who has preached and practiced Religious humanism. Vijayachander portrayed the role of Baba. The film was a blockbuster and remained a cult classic. The film ran for 175 days in 12 centers, was screened at the International Film Festival of India and the Moscow Film Festival. The soundtrack was composed by Ilaiyaraaja, with lyrics written by Acharya Aatreya, and received wide appreciation. The film was dubbed into Hindi as Shirdi Sai Baba Ki Kahani and into Tamil as Sri Shirdi Saibaba.
Lapandav is a 1993 Indian Marathi-language comedy film directed by Shrabani Deodhar, produced by Sachin Parekar and Sanjay Parekar under the production banner of Amol Production and distributed by Everest Entertainment. Released in Maharashtra on 16 April 1993, the film stars an ensemble cast of Ashok Saraf, Vandana Gupte, Vikram Gokhale, Savita Prabhune, Ajinkya Deo, Varsha Usgaonkar, Sunil Barve and Pallavi Ranade.
Phir Wahi Talash is a television show by director Lekh Tandon broadcast on Doordarshan in 1989–1990.
Chhabili is 1960 Hindi drama film directed by Shobhna Samarth under the banner of Shobhana Pictures. The film was made by Samarth to launch her daughter Tanuja.
Mukhram Sharma was an Indian film lyricist, script, and story writer. He is best known for winning the first Filmfare Award in the Best Story category in 1955 for the film Aulad. His notable works as story writer include Vachan (1955), Sadhna (1958), Talaq (1958) and Dhool Ka Phool (1959). He also produced films like Talaq (1958), Santaan, and Diwana (1967).
Hamari Beti is a 1950 Indian Hindi social comedy film. The directorial debut of Shobhna Samarth, it was the first film produced under her production company, Shobhana Pictures, to launch the acting career of her 14-year-old daughter Nutan, who played the title role. Samarth and Motilal, who wrote the script, starred as Nutan's parents, and Samarth's younger daughter Tanuja also made her debut in this film as a child artiste. Nutan contributed to Snehal Bhatkar's soundtrack for the film, singing the song "Tujhe Kaisa Dulha Bhaaye Re". The film released to considerable attention for Nutan's work.