Literature of Kashmir has a long history, the oldest texts having been composed in the Sanskrit language. Early names include Patanjali, the author of the Mahābhāṣya commentary on Pāṇini's grammar, suggested by some to have been the same to write the Hindu treatise known as the Yogasutra, and Dridhbala, who revised the Charaka Samhita of Ayurveda.
Subramaniam Lakshminarayana is an Indian violinist, composer and conductor, trained in the classical Carnatic music tradition and Western classical music.
Farrukhsiyar, also spelled as Farrukh Siyar, was the tenth Mughal Emperor from 1713 to 1719. He rose to the throne after deposing his uncle Jahandar Shah. He was an emperor only in name, with all effective power in the hands of the courtier Sayyid brothers.
Nandamuri Balakrishna, widely known as Balakrishna and Balayya is an Indian actor, producer and politician known for his works in Telugu cinema. Balakrishna is an elected member of the Andhra Pradesh Legislative Assembly from Hindupuram constituency since 2014. The sixth son of Legendary actor and former Chief Minister of Andhra Pradesh N. T. Rama Rao, Balakrishna made his debut as a child artist at the age of 14 with the film Tatamma Kala (1974). Balakrishna is a recipient of three state Nandi Awards and one South Indian International Movie Award. In 2012, Balakrishna was the chief guest at the 43rd IFFI. Currently He serves as the Chairman of Basavatarakam Indo-American Cancer Hospital and Research Center in Hyderabad.
Syed Wajid Hussain Rizvi, better known by his film screen name, Agha Jani Kashmiri, was an Indian screenwriter, former actor and Urdu poet.
Karnan is a 1964 Indian Tamil-language Hindu mythological film produced and directed by B. R. Panthulu. It stars Sivaji Ganesan leading an ensemble cast consisting of N. T. Rama Rao, S. A. Ashokan, R. Muthuraman, Savitri, Devika and M. V. Rajamma. The film is based on the story of Karna, a character from the Hindu epic Mahabharata.
The Council of State was the upper house of the legislature for British India created by the Government of India Act 1919 from the old Imperial Legislative Council, implementing the Montagu–Chelmsford Reforms. The Central Legislative Assembly was the lower house.
Bhartrahari is a Bollywood film. It was released in 1944. The film was directed by Chaturbhuj Doshi for Navin Pictures and produced by P. B. Zaveri. The music was composed by Khemchand Prakash and the lyricist was Pandit Indra Chandra. The cast included Surendra, Mumtaz Shanti, Jehanara Kajjan, Aroon, Sulochana Chatterji and Yashwant Dave.
Pushpanjali is a 1970 Hindi, romantic drama film, produced and directed by Kishore Sahu. The film was made under the "Kishore Sahu Productions" banner. The story, screenplay and dialogues were by Kishore Sahu. Laxmikant Pyarelal composed the music for the film, with lyrics written by Anand Bakshi. Sanjay Khan, Naina Sahu, Kishore Sahu, Premnath, Faryal, Manmohan Krishan, Lalita Pawar and Om Prakash were the main star cast of the film.
Veer Kunal also called Son Of Ashoka is a 1945 Hindi historical fiction film directed by Kishore Sahu. Besides directing the film Sahu also produced it and wrote the story and screenplay. The cinematographer was Chandu. Produced under the Ramnik Productions banner, it had music by Khan Mastana. The starcast consisted of Kishore Sahu, Shobhna Samarth, Durga Khote, Mubarak and Maya Banerji.
Surendra was an Indian singer-actor of Hindi films. Known by his mononym, Surendra was born and educated in Punjab to be a lawyer by profession. He came to Bombay to become a singer on the recommendation of a Delhi distributor and his friends. He was "picked" by Mehboob Khan whom he met at Sagar Movietone, to sing and act in films as an alternative to the then Calcutta-based singer-actor, K. L. Saigal. Surendra started his career with his debut starring role in Deccan Queen (1936), directed by Mehboob Khan. He soon became a part of Sagar Movietone when his song "Birha Ki Aag Lagi More Man Mein" from the film became an "instant hit".
Sardar Akhtar (1915–1986) was an Indian actress who worked in Hindi and Urdu films. She started her acting career on the Urdu stage. Her early films were with Saroj Movietone, where she did a majority of stunt (action) roles. She came into prominence as the washer-woman in the role of Rami Dhoban in Sohrab Modi's Pukar (1939). As a woman seeking justice for the death of her husband, it was a breakthrough role for her. A popular song she sang in the film was "Kaheko Mohe Chhede". Her career defining role was as a "peasant woman" deserted by her husband, in Mehboob Khan's Aurat (1940), a role later made famous by Nargis in Mehboob's remake Mother India.
Sabita Devi (1914–1965) was a Hindi film actress in Indian cinema. She is stated to be one of the "prominent" leading ladies of the "pioneering era" of Indian cinema along with Mehtab, Bibbo, Durga Khote, Gohar, Devika Rani and Seeta Devi. A Jewish by birth, she changed her name to find acceptability in Hindi cinema like the other Anglo-Indian and Jewish actresses of her time, Sulochana, Seeta Devi, Madhuri, and Manorama. After initially working with British Dominion Films Ltd., Calcutta, she shifted to Bombay and performed mainly in films produced by Sagar Movietone with her co-star in most films being Motilal. Some of the popular films with Motilal were Dr. Madhurika (1935) and Kulvadhu (1937) directed by Sarvottam Badami. Their first film together was Shaher Ka Jadoo (1934), which was also Motilal's debut film, and then Lagna Bandhan (1936) both directed by Kaliprasad Ghosh. She acted in Silver King (1935) with Motilal. It was an action film directed by C. M. Luhar, which became a "huge success".
Mazhar Khan was an actor, producer, and director in Indian Cinema. He began his career as a police officer, which he left to study law for a short period. After abandoning his studies, he came to Bombay and started his career in cinema with the silent film Fatal Garland (1928) opposite the top actress of the time, Ermeline. He became a popular actor, gaining success in several silent films. During his stint in silent films he worked with directors such as Bhagwati Prasad Mishra, Ezra Mir, Moti P. Bhagnani, R. S. Chowdhary, and M. D. Bhavnani. Magazines in the 1940s compared Khan to Hollywood actors such as Paul Muni, Bela Lugosi and Boris Karloff.
