Giuseppe Felice Romani was an Italian poet and scholar of literature and mythology who wrote many librettos for the opera composers Donizetti and Bellini. Romani was considered the finest Italian librettist between Metastasio and Boito.
Hariclea Darclée was a celebrated Romanian operatic spinto soprano of Greek descent who had a three-decade-long career.
Margherita d'Anjou is an opera semiseria in two acts by Giacomo Meyerbeer. The Italian libretto was by Felice Romani after a text based on legends around the English Wars of the Roses by René-Charles Guilbert de Pixérécourt. The title role is the Queen Margaret of Shakespeare's Henry VI plays, who also appears in Richard III. Margherita d'Anjou is the first opera by Meyerbeer to mix historical events and personages with fictional characters and situations, as his French grand operas Les Huguenots, Le prophète and L'Africaine were later to do. It is the fourth of Meyerbeer's Italian operas and was his first international success.
Carlo Evasio Soliva was a Swiss-Italian composer of opera, chamber music, and sacred choral works. Soliva was born in Casale Monferrato, Piedmont to a family of Swiss chocolatiers who had emigrated from the canton of Ticino. He studied pianoforte and composition at the Milan Conservatory.
Les Abencérages, ou L'étendard de Grenade is an opera in three acts by Luigi Cherubini with a French libretto by Etienne de Jouy, based on the novel Gonzalve de Cordoue by Jean-Pierre Claris de Florian. It was first performed on 6 April 1813 by the Académie Impériale de Musique at the Salle Montansier, with Napoleon and his wife, the Empress Marie-Louise, in the audience. The opera was initially a success but its popularity waned after the fall of Napoleon.
Aureliano in Palmira is an operatic dramma serio in two acts written by Gioachino Rossini to an Italian libretto in which the librettist was credited only by the initials "G. F. R." The libretto has generally been attributed to Felice Romani, but sometimes to the otherwise unknown Gian Francesco Romanelli. It has been suggested that the latter name may have resulted from a confusion of Romani with Luigi Romanelli, La Scala's house poet prior to Romani's appointment to the post.
Benedetta Rosmunda Pisaroni was an Italian soprano who later became a contralto.
Adelaide Tosi was an Italian operatic soprano.
Teresa Bertinotti was an Italian soprano and voice teacher. She created leading roles in several operas, including Simon Mayr's Ginevra di Scozia.
Antonio Cagnoni was an Italian composer. Primarily known for his twenty operas, his work is characterized by his use of leitmotifs and moderately dissonant harmonies. In addition to writing music for the stage, he composed a modest amount of sacred music, most notably a Requiem in 1888. He also contributed the third movement, Quid sum miser, to the Messa per Rossini, a collaborative work created by thirteen composers to honor Gioacchino Rossini.
Ferdinando Orlandi, also referred to as Orland and Orlando. Little is known of his early life and his year of birth is also cited as 1777. He was an Italian musician and teacher of singing who composed cantatas and sacred music, but was particularly known for his operas, not all of which have survived. He was born and died in Parma.
Feliciano Cristoforo Bartolomeo Strepponi was an Italian composer and conductor. He was born in Lodi and died in Trieste at the age of 38. Amongst his compositions were seven operas which had a modest success in their day. The last one, L'Ullà di Bassora, premiered at La Scala in 1831. He was the father and first teacher of the opera singer Giuseppina Strepponi who later became the second wife of Giuseppe Verdi.
Calisto Bassi was an Italian opera librettist.
Carolina Bassi was an Italian contralto who knew Rossini, Meyerbeer, Donizetti and Bellini.
Eliodoro Bianchi was an Italian operatic tenor and later a prominent singing teacher. Born in Cividate al Piano and trained in Naples under Giacomo Tritto, he made his stage debut in 1793. Amongst the many roles, he created during the course of his 40-year career were Baldassare in Ciro in Babilonia and the King of Sweden in Eduardo e Cristina, both of which were composed by Rossini expressly for Bianchi's voice. He retired from the stage in 1835 and spent his later years in Palazzolo sull'Oglio, where he died at the age of 75.
The Teatro Re was a theatre in Milan, located near the Piazza del Duomo and named for its proprietor, Carlo Re. It functioned as both a prose theatre and an opera house and saw the world premieres of numerous operas, including four by Giovanni Pacini. Designed by Luigi Canonica, the theatre was inaugurated in 1813, closed in 1872, and demolished in 1879.
Pio Botticelli was an Italian bass-baritone active in the opera houses of Italy from 1810 until the mid-1840s. Amongst the numerous roles he created in world premieres were Pietro il Grande in Donizetti's Il falegname di Livonia and The Caliph in Pacini's La schiava in Bagdad. He also sang the role of Leucippo in the Austrian premiere of Rossini's Zelmira.
Savino Monelli was an Italian tenor prominent in the opera houses of Italy from 1806 until 1830. Amongst the numerous roles he created in world premieres were Giannetto in Rossini's La gazza ladra, Enrico in Donizetti's L'ajo nell'imbarazzo and Nadir in Pacini's La schiava in Bagdad. He was born in Fermo where he initially studied music. After leaving the stage, he retired to Fermo and died there five years later at the age of 52.
