| L'Hôtellerie portugaise | |
|---|---|
| Opera by Luigi Cherubini | |
 Luigi Cherubini | |
| Librettist | Étienne Aignan |
| Language | French |
| Premiere | |
L'Hôtellerie portugaise is an opéra comique in 1 act by Luigi Cherubini. The opera uses a French language libretto by Étienne Aignan. The work premiered on 25 July 1798 in Paris at the Théâtre Feydeau. [1]
| Role | Voice type | Premiere cast, 25 July 1798 [1] (Conductor: ) |
|---|---|---|
| Don Carlos | tenor | Rézicourt |
| Gabriella | soprano | Juliette Lesage |
| Pedrillo | baritone | Jausserand |
| Rodrigo | bass | Alexis Dessaules |
| Ines | soprano | Augustine Lesage |
| Don Roselbo | baritone | Dérubelle |
| Inigo | baritone | Raffile |
Le donne curiose is an opera in three acts by Ermanno Wolf-Ferrari to a text by Luigi Sugana after Carlo Goldoni's play of the same name.
L'abandon d'Ariane, Op. 98, is an opera in one act by Darius Milhaud to a French libretto by Henri Hoppenot, based on Greek mythology. It is the second of three Opéras-Minutes (Mini-Operas) that Milhaud composed. It came between L'Enlèvement d'Europe, Op. 94, and La Délivrance de Thésée, Op. 99, with librettos also by Henri Hoppenot (1891–1977), a French diplomat. The three operas together last about twenty-seven minutes.
Viola is an unfinished romantic opera by Bedřich Smetana. The libretto was written by Eliška Krásnohorská, and is based on Shakespeare's play Twelfth Night. The composer did some work on it in 1874 and then came back to it in 1883, when he only managed to orchestrate a few scenes; the opera was left incomplete upon Smetana's death in 1884.
Amica is an opera in two acts by Pietro Mascagni, originally composed to a libretto by Paul Bérel. The only opera by Mascagni with a French libretto, it was an immediate success with both the audience and the critics on its opening night at the Théâtre du Casino in Monte-Carlo on 16 March 1905. Mascagni himself conducted the performance. The opera had its Italian premiere on 13 May 1905 at the Teatro Costanzi in Rome.
La mère coupable is an opera in three acts, Op. 412, by Darius Milhaud to a libretto by Madeleine Milhaud after the 1792 play, the third in Beaumarchais’ Figaro trilogy. It premiered at the Grand Théâtre de Genève on 13 June 1966.
Dano Raffanti is an Italian tenor, particularly associated with the Italian baroque and bel canto repertory.
Der Widerspänstigen Zähmung is a German-language comic opera in four acts by the German composer Hermann Goetz. It was written between 1868 and 1872 and first performed at the National Theatre Mannheim on 11 October 1874 under the conductor Ernst Frank. The libretto, by Joseph Victor Widmann and the composer, is based on Shakespeare's The Taming of the Shrew. The style of the opera shows Goetz turning away from the musical ideas of Richard Wagner towards the classicism of Mozart. Der Widerspänstigen Zähmung was a huge success, not only in Germany but in the United States and in Great Britain, where it received high praise from George Bernard Shaw.
Neues vom Tage is a comic opera in three parts by Paul Hindemith, with a German libretto by Marcellus Schiffer.
Giulietta e Romeo is a dramma per musica by composer Niccolò Antonio Zingarelli with an Italian libretto by Giuseppe Maria Foppa after the 1530 novella of the same name by Luigi da Porto. The opera premiered at the Teatro alla Scala in Milan on 30 January 1796.
Antigone is an opera in three acts by Arthur Honegger to a French libretto by Jean Cocteau based on the tragedy Antigone by Sophocles. Honegger composed the opera between 1924 and 1927. It premiered on 28 December 1927 at the Théâtre Royal de la Monnaie with sets designed by Pablo Picasso and costumes by Coco Chanel.
L'enfant prodigue is a grand opera in five acts composed by Daniel Auber to a French libretto by Eugène Scribe based on the Parable of the Prodigal Son in Chapter 15 of the Gospel of Luke. It was first performed at the Théâtre de l'Académie Nationale de Musique in Paris on 6 December 1850. The role of Azaël was sung in the premiere by the celebrated French tenor, Gustave-Hippolyte Roger, (1815-1879).
L'ambassadrice is an opera or opéra comique in 3 acts by composer Daniel Auber. The work's French language libretto was written by Eugène Scribe and Jules-Henri Vernoy de Saint-Georges. The opera's world premiere was staged by the Opéra-Comique at the Théâtre des Nouveautés in Paris on 21 December 1836. It was revived in Paris on 4 January 2013 by the opera company Les Frivolités Parisiennes at the initiative of two research fellows who specialized in nineteenth-century historically informed performance, Pierre Girod and Charlotte Loriot.
L'empio punito is an opera by composer Alessandro Melani. Notably the first opera written on the subject of Don Juan, the work uses an Italian language libretto by Giovanni Filippo Apolloni and Filippo Acciaiuoli. The opera was commissioned by Marie Mancini for performance during Carnival of 1669. The work premiered at the Teatro di Palazzo Colonna in the historic Borgo district of Rome on 17 February 1669.
The Tempest or The Enchanted Isle is an opera in three acts by composer John Christopher Smith. The work's English language libretto by David Garrick is based on the 1611 play of the same name by William Shakespeare. The opera premiered on 11 February 1756 in London at the Theatre Royal, Drury Lane.
Medea is an opera in three acts composed by Giovanni Pacini to a libretto by Benedetto Castiglia. It premiered on 28 November 1843 at the Teatro Carolino in Palermo, conducted by the composer with Geltrude Bortolotti in the title role. The libretto is based on the plays Medea by Euripides and Médée by Pierre Corneille.
Issé is an operatic pastorale héroïque by the French composer André Cardinal Destouches. Initially it was in three acts. The definitive revised version consists of a prologue and five acts. The libretto was by Antoine Houdar de la Motte. Although Destouches was only 25 at the time of its premiere, it is considered his best score.
L'amore medico is an opera in two acts by composer Ermanno Wolf-Ferrari. Based on Molière's comedy L'Amour médecin, the work uses an Italian language libretto by Enrico Golisciani. It premiered in a German version by Richard Batka on 4 December 1913 at the Hoftheater in Dresden under the title Der Liebhaber als Arzt.
Der Roland von Berlin is an opera in four acts by composer Ruggero Leoncavallo. The work uses a German-language libretto by Leoncavallo which is based on Willibald Alexis's 1840 historical novel of the same name. The opera premiered at the Königliches Opernhaus in Berlin on 13 December 1904. Its premiere in Italy was given at the Teatro di San Carlo in Naples the following month where it was sung in Italian with the title Rolando.
Il trionfo di Clelia, Wq. 31, is an opera composed by Christoph Willibald Gluck. It takes the form of a dramma per musica in three acts. The Italian-language libretto by Pietro Metastasio is based on several semi-legendary narratives concerning the founding of the Roman Republic. The opera premiered on 14 May 1763 at the Teatro Comunale di Bologna. Although rarely performed since then, it was revived in London in 2012 at the Royal Opera House's Linbury Studio.
 | This article about a French language opera is a stub. You can help Wikipedia by expanding it. |