Ramones is the debut studio album by the American punk rock band Ramones, released on April 23, 1976, by Sire Records. After Hit Parader editor Lisa Robinson saw the band at a gig in New York City, she wrote several articles about the group and asked Danny Fields to be their manager. Fields agreed and convinced Craig Leon to produce Ramones, and the band recorded a demo for prospective record labels. Leon persuaded Sire president Seymour Stein to listen to the band perform, and he later offered the band a recording contract. The Ramones began recording in January 1976, needing only seven days and $6,400 to record the album.
Garlands is the debut album by the Scottish alternative rock band Cocteau Twins. It was released on 10 July 1982 through the record label 4AD. It peaked in the top 5 of the UK Independent Albums Chart, and received support from BBC Radio 1 radio host John Peel.
Caribou is the eighth studio album by English musician Elton John, released on 24 June 1974 by MCA Records in the US and on 28 June by DJM Records in the UK. It was his fourth chart-topping album in the United States and his third in the United Kingdom. The album contains the singles "Don't Let the Sun Go Down on Me", which reached number 16 in the UK Singles Chart and number two in the US, and "The Bitch Is Back", which reached number 15 in the UK and number four in the US. Both singles reached number one in Canada on the RPM 100 national Top Singles Chart, as did the album itself.
Phantasmagoria is the sixth album by U.K. punk rock band the Damned, released by MCA in July 1985. Special editions were available on white vinyl or picture disc; some versions included a free 12-inch of their No. 3 hit "Eloise". It is the first album by the band without original member Captain Sensible, and was a style shift to gothic rock compared to the band's punk sound of its early and later career.
Freaks, Faggots, Drunks & Junkies is the fifth studio album by American punk rock musician GG Allin. A collaboration with backing band Bulge, the LP was first released by Homestead Records in 1988.
Modern Times is the sixth album by Jefferson Starship and was released in 1981. Grace Slick appeared on this album after a three-year absence. She returned near the end of the recording sessions, providing background vocals on some tracks as well as lead vocals on the single "Stranger" as a duet with lead singer Mickey Thomas. "Stranger" had previously been performed live by Jefferson Starship as early as December 1979, and the first studio version was made for Modern Times. Although not appearing in the band picture on the gatefold cover, Slick is listed on the back cover of the LP with the credit "Introducing Grace Slick" and her picture is on the lyric sleeve with the note "Grace Slick courtesy of Grace Slick." She joined the band officially for the 1981 tour. This was the first Jefferson Starship album to have promotional music videos. It was also the first album to feature a charting single on the Mainstream Rock Tracks chart, which had premiered earlier in the year. The single "Find Your Way Back" reached No. 3 on the Mainstream Rock chart.
Blaster the Rocket Man was a Christian horror punk band from Indianapolis, Indiana. It formed in the early 1990s as Blaster the Rocketboy and signed with Boot to Head Records in 1994. It released two albums before signing with Jackson Rubio Records. Its name changed to Blaster the Rocket Man for its 1999 release The Monster Who Ate Jesus. Its final release was The Anatomy of a Monster, a compilation of material from its Boot to Head years plus some bonus material.
Bradley Hathaway is an American spoken word poet, singer and songwriter from Fort Smith, Arkansas.
Insomniac Folklore is an American rock band from Portland, Oregon. The group is made up of Rev Tyler Hentschel, Adrienne Michelle and Amanda Curry with other members joining them from time to time. Hentschel is the project's only consistent member since he founded the group in 2001.
White Crosses is Against Me!'s fifth studio album, and their second to be released on Sire Records. As with its predecessor, 2007's New Wave, the album was produced by Butch Vig. It is also the only Against Me! album to feature George Rebelo, drummer of Hot Water Music, following the departure of previous drummer Warren Oakes.
The Front Bottoms are an American rock band from Woodcliff Lake, New Jersey, formed in 2006. They are currently a duo consisting of lead vocalist and guitarist Brian Sella and drummer Mat Uychich. During live performances, they are currently accompanied by touring members, including guitarist and backing vocalist AJ Peacox, bassist and backing vocalist Natalie Newbold, and bassist, guitarist and backing vocalist Erik Kase Romero.
Steven B. Kravac, is a Canadian-born RIAA gold-accredited record producer, recording engineer, musician and composer. He is the owner of the music label Porterhouse Records and its sub-labels Porterhouse Prime Vinyl and Porterhouse 101.
A Place Where Runaways Are Not Alone is the sixth studio album by American indie-folk, gypsy-punk group Insomniac Folklore. It was recorded by band leader Tyler Hentschel while in St Louis, Missouri at a friends recording studio and released on May 13, 2011 on BD Recs, an independent label based out of St Louis. The albums drums were tracked out of Viking Camel Studio in Pennsylvania. Other parts were recorded remotely in Portland and Scotland and later mixed in St Louis. in The album artwork shows a girl facing a circus ten with a cross on top. Art and layout was created by Tyler Hentschel.
Smile or Die is the second studio album by American indie-folk group Insomniac Folklore. It was recorded by Chris George and Tyler Hentschel at Full Circle Studio in Humboldt County, California and was released in September 2005. This album is mostly guitar and vocals with minimal accompaniment.
Oh Well is the fourth studio album by American indie-folk group Insomniac Folklore. It was recorded by Tyler Hentschel at PMC Studio in Portland, Oregon, during the spring of 2007 and released by Quiver Society on June 5, 2007. This is a transitional album that further explores folk music and Vaudeville. Only 1,000 copies of this album were pressed during Quiver Societies initial release.
Tyler Benjamin Hentschel, sometimes known as Dr Folklore, or Rev Folklore is an American performer who is best known for his work as the lead singer, guitarist, and lyricist/composer of the group Insomniac Folklore. He has had a successful career as an artist and touring musician.
Sleep In Your Car is a live field recording style album by American indie-folk group Insomniac Folklore. It was recorded onto a cassette tape by Eric Funn using a single microphone with no overdubs. The recording occurred while the band was on tour through Stroudsburg, Pennsylvania, in the summer of 2013.
Shape Shift with Me is the seventh studio album by American punk rock band Against Me!, released on September 16, 2016 on Total Treble Music and Xtra Mile. The title is a lyric from the song "Norse Truth", which appears as track 10. Shape Shift with Me features a shift in vocal style on many of its songs, with Grace hailed for a more spoken word-like structure in her singing on songs such as "12:03", "333" and "Norse Truth".
The Makarrata Project is the twelfth studio album by Australian band Midnight Oil, released on 30 October 2020 by Sony Music Australia. The album is the first new material from the band since 2002's Capricornia, their first studio album to hit #1 on the ARIA Charts since 1990's Blue Sky Mining, and one of the final releases to feature bassist and backing vocalist Bones Hillman before his death in November 2020.
This Is a Photograph is the seventh studio album by American indie rock musician Kevin Morby, released on May 13, 2022, on Dead Oceans. The album is inspired by Morby's fascination with the city of Memphis, Tennessee, and was produced by musician Sam Cohen. It features a guest appearance by indie folk singer-songwriter Erin Rae. It was promoted by the singles "This Is a Photograph", "Rock Bottom" and "A Random Act of Kindness". It received acclaim from critics, who praised Morby's vulnerability and assessed it as a new artistic peak.
