La La La, or variants, may refer to:
Kylie Ann Minogue is an Australian singer and actress. She is the highest-selling female recording artist from Australia, having sold over 80 million records worldwide. Referred to as the "Princess of Pop", she has been recognised for reinventing herself in music and fashion as a style icon. Her accolades include two Grammy Awards, four Brit Awards and eighteen ARIA Music Awards. In 2024, Time named her one of the most influential people in the world.
Light Years is the seventh studio album by Australian singer Kylie Minogue. Mushroom Records released it on 22 September 2000 in Australia; Parlophone released it on 25 September 2000 in the United Kingdom. Following the commercial failure of Impossible Princess (1997), Minogue left Deconstruction Records and took a hiatus from recording music. She signed with Parlophone in June 1999 and decided to return to her pop roots. She worked with various writers and producers, including Steve Anderson, Johnny Douglas, Robbie Williams, Guy Chambers, and Mark Picchiotti.
Fever is the eighth studio album by Australian singer Kylie Minogue. It was released on 1 October 2001 internationally by Parlophone and later launched in the United States on 26 February 2002 by Capitol Records. Minogue worked with writers and producers such as Cathy Dennis, Rob Davis, Richard Stannard, Julian Gallagher, TommyD, Tom Nichols, Pascal Gabriel and others to create a disco and Europop-influenced dance-pop and nu-disco album. Other musical influences of the album range from synth-pop to club music.
Body Language is the ninth studio album by Australian singer Kylie Minogue. It was released on 10 November 2003 by Parlophone. Following the commercial success of her eighth studio album Fever (2001), Minogue enlisted a diverse group of writers and producers to aid in creating a new album, including Cathy Dennis, Dan Carey, Emiliana Torrini, Johnny Douglas, and Kurtis Mantronik among others. Influenced by the musical works of the 1980s and artists like Prince and Scritti Politti, Body Language musically differs from Minogue's previous albums, which mainly featured disco-oriented dance-pop tracks, and instead explores genres like synth-pop, electroclash, R&B, and hip hop. Lyrically, the album touches upon themes of flirtation, romance, introspection and heartbreak.
Ultimate Kylie is the second major greatest hits album by Australian singer Kylie Minogue, and her first greatest hits released under her contract with Parlophone, her record company between 1999–2015. The compilation was released in many different formats including a two-disc edition and a deluxe double disc with a bonus DVD. A separate compilation DVD with the same name, was released to accompany the audio versions. The album includes two new tracks; its lead single, "I Believe in You", and the second single, "Giving You Up". A third track, "Made of Glass", was recorded for the album but not used; it was included on the physical releases of "Giving You Up".
"Can't Get You Out of My Head" is a song recorded by Australian singer Kylie Minogue for her eighth studio album, Fever (2001). Parlophone Records released the song as the album's lead single on 8 September 2001. "Can't Get You Out of My Head", which was written and produced by Cathy Dennis and Rob Davis, is a dance-pop, techno-pop and nu-disco song that is known for its "la la la" hook. Its lyrics are about obsession with a love interest. Music critics praised the song's production and Minogue's vocals and labelled it a highlight of Fever.
"Come into My World" is a song recorded by Australian singer Kylie Minogue for her eighth studio album, Fever (2001). Written and produced by Cathy Dennis and Rob Davis, "Come into My World" is a dance-pop song in which the singer pleads to her lover to come into her world. "Come into My World" was released as the fourth and final single from Fever on 4 November 2002.
"Love at First Sight" is a song by Australian singer Kylie Minogue from her eighth studio album, Fever (2001). It was released as the third single from Fever on 3 June 2002. The song, which was written by Minogue, Richard Stannard, Julian Gallagher, Ash Howes and Martin Harrington, is unrelated to the song of the same name from Minogue's debut studio album, Kylie (1988). Musically, "Love at First Sight" is a dance-pop and nu-disco song which, lyrically, describes the singer falling and believing in love at first sight.
"Spinning Around" is a song by Australian singer Kylie Minogue for her seventh studio album, Light Years (2000). Written by Ira Shickman, Osborne Bingham, Kara DioGuardi and Paula Abdul, the song was initially meant to be recorded by Abdul for her own album, but was given to Minogue after the plan never came to fruition. Produced by Mike Spencer, the disco-influenced dance-pop song was then released in Australia and the UK as the lead single from Light Years on 19 June 2000, through Mushroom Records and Parlophone. Lyrically, the song addresses the theme of reinvention, with Minogue claiming that she has changed as a person and learned from the past.
"In Your Eyes" is a song by Australian singer Kylie Minogue, taken from her eighth studio album, Fever (2001). It was written by Minogue, Richard Stannard, Julian Gallagher, and Ash Howes and produced by Stannard and Gallagher. It is a dance-pop song and talks about sexual temptation. The song was released in Australia on 21 January 2002 as the second single from the album. In Europe, it was delayed from a January release due to the success of "Can't Get You Out of My Head", and it was eventually issued on 18 February 2002 by Parlophone.
"Confide in Me" is a song by Australian singer Kylie Minogue from her self-titled fifth studio album (1994). It was released as the album's lead single on 29 August 1994 by Deconstruction, Imago, and Mushroom Records. The track was written by Steve Anderson, Dave Seaman, and Owain Barton, whilst production was handled by British trio Brothers in Rhythm. It was recorded in London, United Kingdom at DMC and Sarm West Studios. Musically, it is a pop song that incorporates elements of indie music, dance-pop, and Middle Eastern instrumentation such as strings and percussion, whilst the lyrical content talks about Minogue's earnest of seduction and manipulating people to confide into her.
"Better the Devil You Know" is a song by Australian singer-songwriter Kylie Minogue, taken from her third studio album Rhythm of Love (1990). The song was written and produced by Stock Aitken Waterman and was released as the album's lead single on 30 April 1990 by PWL and Mushroom Records. "Better the Devil You Know" is known as the song that re-invented Minogue with more sex appeal, as her previous albums were presented with her "girl next door" persona. Her music onwards presented a more independent approach.
"Cowboy Style" is a song recorded by Australian singer and songwriter Kylie Minogue, for her sixth studio album Impossible Princess (1997). The song was released as the fourth and final single on 5 October 1998 through Mushroom Records. Minogue wrote the track with Steve Anderson and Dave Seaman while Brothers in Rhythm produced it. Backed by guitars, synthesisers and drum instruments, "Cowboy Style" is a Celtic pop track in which Minogue sings about her relationship with her then-boyfriend, French director Stephane Sednaoui. Critical response to "Cowboy Style" was positive, with praise driven to Minogue's songwriting and the song's composition; some critics highlighted it as a career stand-out track. Released in Australia and New Zealand, the song charted at number 39 on the Australian Singles Chart.
"Did It Again" is a song by Australian recording artist Kylie Minogue, originally featured on her sixth studio album Impossible Princess (1997). The song was released as the album's second single on 24 November 1997 through Mushroom, Deconstruction, and BMG. Minogue had written the track with Steve Anderson and Dave Seaman, and it was produced by Minogue in collaboration with Brothers in Rhythm. Backed by guitars and drum, "Did It Again" is a pop rock track in which Minogue sings about her self-consciousness and self-hatred.
KylieFever2002 was the seventh concert tour by Australian pop singer Kylie Minogue, in-support of her eighth studio album, Fever (2001). The tour began on 26 April 2002 with four consecutive dates at the Cardiff International Arena in Wales, concluding on 16 August 2002 with five dates at Melbourne's Rod Laver Arena, playing a total of 38 shows in Europe and the UK and 11 in Australia.
Intimate and Live was the fifth concert tour by Australian recording artist Kylie Minogue, in support of her sixth studio album, Impossible Princess (1997). The tour marked a return to touring for Minogue, with her previous tour Let's Get to It Tour (1991) taking place seven years prior.
"In My Arms" is a song recorded by Australian singer Kylie Minogue for her tenth studio album, X (2007). The track was written by Minogue, Paul Harris, Julian Peake and its producers Calvin Harris and Richard "Biff" Stannard. The song was released as the worldwide second single from the album on 15 February 2008, while it served as the third single in the United Kingdom, Australia and New Zealand. The song was introduced by Minogue while she was recording in a studio in Brighton.
"Pesenka" (Russian: Песенка, IPA:[ˈpʲesʲɪnkə], lit. 'little song'), sometimes known as "Pesenka (La La La)", is a song by the Russian pop–dance–techno group Ruki Vverh! (Руки Вверх!, 'Hands Up!'). The song, with lyrics in Russian and music by band members Sergey Zhukov and Aleksey Potekhin, appears in the band's 1998 album Sdelai pogromche! (Сделай погромче!, 'Make it a little louder!'). Lisa Rodnyanskaya is the vocalist.
"Speakerphone" is a song by Australian singer Kylie Minogue for her tenth studio album X (2007). It was produced by Bloodshy & Avant duo Christian Karlsson and Pontus Winnberg, who co-wrote it with Henrik Jonback and Klas Åhlund. The song featured dance, electronic, and funk elements. It heavily used Auto-Tune and vocoder, which caused some critics to liken it to music by Britney Spears and Daft Punk. "Speakerphone" received mixed responses from critics. The song appeared on the Canadian Hot 100 and the Hot Canadian Digital Singles Billboard charts.