The White Balloon is a 1995 Iranian film directed by Jafar Panahi, with a screenplay by Abbas Kiarostami. It was Panahi's feature-film debut as director. The film received many strong critical reviews and won numerous awards in the international film fairs around the world including the Prix de la Camera d'Or at the 1995 Cannes Film Festival. The Guardian has listed this film as one of the 50 best family films of all time. The film is on the BFI list of the 50 films you should see by the age of 14.
Tango is a 1998 Argentine-Spanish musical drama film written and directed by Carlos Saura and starring Miguel Ángel Solá and Mía Maestro. It was photographed by cinematographer Vittorio Storaro.
Satanás is a 2007 Colombian film directed by Andi Baiz. It is adapted from the novel of the same title by Mario Mendoza Zambrano which is based on the spree killing committed by Campo Elías Delgado that took place in Bogotá in 1986. It was Colombia's submission to the 80th Academy Awards for the Academy Award for Best Foreign Language Film, but was not accepted as a nominee.
Los Tarantos is a 1963 Spanish musical drama film directed by Francisco Rovira Beleta. It was nominated for an Academy Award in the Best Foreign Film category.
La vendedora de rosas is a 1998 Colombian film directed by Víctor Gaviria. The film is loosely based on the 1845 fairy tale "The Little Match Girl" by Hans Christian Andersen; it was entered into the 1998 Cannes Film Festival. The film was selected as the Colombian entry for the Best Foreign Language Film at the 71st Academy Awards, but was not accepted as a nominee.The film is notable for hiring not actors, but talented young children who lived on the streets of Medellin, Colombia, to portray the characters. It follows a young girl named Andrea, who after a fight with her mother, flees to stay with her best friend Monica, an orphaned rose seller. While Andrea works alongside Monica, she realizes street life is not as easy as she believed. Monica must evade capture from the local gang, ruled by Don Hector.
The Child (Anak) is a 2000 Filipino family drama film directed by Rory Quintos starring Vilma Santos and Claudine Barretto, with Joel Torre and Baron Geisler. The film was critically acclaimed by film critics. It was the Philippines' submission to the 73rd Academy Awards for the Academy Award for Best Foreign Language Film, but was not accepted as a nominee.
The Reader is a 1988 French film directed by Michel Deville. The film won that year's Louis Delluc Prize, and was nominated for nine César Awards including Best Supporting Actor, won by Patrick Chesnais.
If I Want to Whistle, I Whistle is a 2010 Romanian drama film directed by Florin Șerban.
Aftershock is a 2010 Chinese disaster-drama film directed by Feng Xiaogang and produced by Huayi Brothers, starring Zhang Zifeng, Xu Fan, Zhang Jingchu, Chen Daoming, Lu Yi, Zhang Guoqiang and Li Chen. The film is based on a novella by Zhang Ling and depicts the aftermath of the 1976 Tangshan earthquake. It was released in China on 22 July 2010, and is the first "big commercial film" IMAX film created outside the United States. The film was a major box office success, and has grossed more than US$100 million at the Chinese box office.
La Pivellina is a 2009 Austrian feature film debut directed by Tizza Covi and Rainer Frimmel. The film premiered at the 2009 Cannes Film Festival in the Directors' Fortnight, where it has been awarded the Europa Cinemas Label as Best European Film.
Life, Above All is a 2010 South African drama film directed by Oliver Schmitz. It was screened in the Un Certain Regard section of the 2010 Cannes Film Festival. The film was selected as the South African entry for the Best Foreign Language Film at the 83rd Academy Awards and made the final shortlist announced in January 2011. The film was adapted from the 2004 novel Chanda's Secrets by Allan Stratton.
The Colors of the Mountain is a 2010 Colombian-Panamanian drama film directed by Carlos César Arbeláez. It won the Golden Pheasant Award for the Best Film at the sixteenth International Film Festival of Kerala. The film was selected as the Colombian entry for the Best Foreign Language Film at the 84th Academy Awards, but did not make the final shortlist.
Clandestine Childhood is a 2011 Argentine historical drama film directed by Benjamín Ávila and starring Natalia Oreiro, Ernesto Alterio and César Troncoso.
Sand Dollars is a 2014 internationally co-produced drama film directed by Laura Amelia Guzmán and Israel Cárdenas. It was screened in the Contemporary World Cinema section at the 2014 Toronto International Film Festival. It was selected as the Dominican entry for the Best Foreign Language Film at the 88th Academy Awards. In 2016, director Laura Amelia Guzmán announced she was working on a sequel called Noelí Overseas.
The Teacher's Diary is a 2014 Thai drama film directed by Nithiwat Tharathorn. It was selected as the Thai entry for the Best Foreign Language Film at the 87th Academy Awards, but was not nominated. The film was remade in Hindi as Notebook, released in March 2019.
Breadcrumbs is a 2016 Spanish-Uruguayan drama film directed by Manane Rodríguez, starring Cecilia Roth and Justina Bustos. It was selected as the Uruguayan entry for the Best Foreign Language Film at the 89th Academy Awards but it was not nominated. It was selected by Uruguay to compete for the Oscar 2017 to Best non-English speaking film.
Sergio and Sergei is a 2017 Cuban drama film directed by Ernesto Daranas. It was selected as the Cuban entry for the Best Foreign Language Film at the 91st Academy Awards. However, it was not on the final list of submitted films released by Academy of Motion Picture Arts and Sciences in October 2018.
Ernesto Daranas Serrano is a Cuban filmmaker. Daranas' three feature films have had unprecedented success in Cuba and were submitted to the Academy Award for Best International Feature Film. Daranas is a Latin Grammy nominee for Best Long Form Music Video and a recipient of the King of Spain Award. His filmography includes Sergio & Sergei (2017), starring Ron Perlman, and Behavior, often considered the greatest Cuban film of the 21st century.
