Lambchops | |
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Directed by | Murray Roth (uncredited) |
Written by | Al Boasberg (uncredited) George Burns (uncredited) |
Starring | Burns & Allen |
Production companies | |
Distributed by | Warner Brothers |
Release date |
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Running time | 8 minutes |
Country | United States |
Language | English |
Lambchops is an 8-minute American comedy Vitaphone short subject released in October 1929, which depicts a vaudeville performance by Burns and Allen of the comedy routine "Lambchops" written by Al Boasberg. The work's copyright was renewed in 1957, and it will enter the American public domain on January 1, 2025. [a]
This article needs a plot summary.(December 2023) |
The night that they arrived in New York after their first tour of England with their vaudeville routines, George Burns and Gracie Allen attended a party where they were approached by their agent Arthur Lyons, who asked if they would be interested in filming a short for Warner Brothers the following morning. [1] Comedian Fred Allen was slated to film one of his comedy routines but had come down with the flu, leaving the studio in the lurch. Burns was told that the job paid $1,700, so he said yes on the spot. "I'd never heard of $1,700 in my life, especially for nine minutes' work," Burns quipped. [1]
When they arrived on the set of the Vitaphone studio in Brooklyn the next morning, Burns was shocked to see his childhood buddy Murray Roth, who was directing. Burns did not believe Roth was in showbiz, let alone a film director, so Roth shouted "Lights!" and the set lights come on. "Off!" he shouted, and the stage went black. [1] This glimpse of the living room set that they'd be shooting on perplexed Burns due to his familiarity with theatre and street performance. His toupée was still in his luggage, which he had not had time to pick up from the loading dock following their trip. [1] To explain why he was wearing a hat, he quickly rewrote the comedy duo's "Lambchops" routine to begin with himself and Gracie coming into the room and looking for the audience.
According to George Burns, Warner Bros. was not impressed with the short, which he himself described as, "not the greatest", [2] so they were not asked to shoot any more for the studio. Burns, however was so enamored by the paycheck that he actively sought out more film work and was quickly embraced by Paramount Pictures, with whom Burns and Allen subsequently released a whole series of short subjects.
In 1999 Lambchops was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant." [3]
Lambchops was released on DVD in October 2007, on disc three of a three-disc 80th anniversary edition of The Jazz Singer . [4] [5]
The Jazz Singer is a 1927 American part-talkie musical drama film directed by Alan Crosland and produced by Warner Bros. Pictures. It is the first feature-length motion picture with both synchronized recorded music and lip-synchronous singing and speech. Its release heralded the commercial ascendance of sound films and effectively marked the end of the silent film era with the Vitaphone sound-on-disc system, featuring six songs performed by Al Jolson. Based on the 1925 play of the same title by Samson Raphaelson, the plot was adapted from his short story "The Day of Atonement".
Grace Ethel Cecile Rosalie Allen was an American vaudevillian, singer, actress, and comedian who became internationally famous as the zany partner and comic foil of husband George Burns, her straight man, appearing with him on radio, television and film as the duo Burns and Allen.
George Burns was an American comedian, actor, writer, and singer, and one of the few entertainers whose career successfully spanned vaudeville, radio, film and television. His arched eyebrow and cigar-smoke punctuation became familiar trademarks for over three-quarters of a century. He and his wife Gracie Allen appeared on radio, television and film as the comedy duo Burns and Allen.
Burns and Allen were an American comedy duo consisting of George Burns and his wife, Gracie Allen. They worked together as a successful comedy team that entertained vaudeville, film, radio, and television audiences for over forty years.
Vitaphone was a sound film system used for feature films and nearly 1,000 short subjects made by Warner Bros. and its sister studio First National from 1926 to 1931. Vitaphone is the last major analog sound-on-disc system and the only one that was widely used and commercially successful. The soundtrack is not printed on the film, but issued separately on phonograph records. The discs, recorded at 33+1⁄3 rpm and typically 16 inches (41 cm) in diameter, are played on a turntable physically coupled to the projector motor while the film is projected. Its frequency response is 4300 Hz. Many early talkies, such as The Jazz Singer (1927), used the Vitaphone system. The name "Vitaphone" derived from the Latin and Greek words, respectively, for "living" and "sound".
The George Burns and Gracie Allen Show, sometimes called The Burns and Allen Show, was a half-hour television sitcom broadcast from 1950 to 1958 on CBS. It starred George Burns and Gracie Allen, one of the most enduring acts in entertainment history. Burns and Allen were headliners in vaudeville in the 1920s, and radio stars in the 1930s and 1940s. Their situation comedy TV series received Emmy Award nominations throughout its eight-year run.
A Plantation Act (1926) is an early Vitaphone sound-on-disc short film starring Al Jolson, the first film that Jolson starred in. Jolson in blackface sings three of his hit songs: "April Showers", "Rock-a-Bye Your Baby with a Dixie Melody", and "When the Red, Red Robin ".
A Damsel in Distress is a 1937 American English-themed Hollywood musical comedy film starring Fred Astaire, George Burns, Gracie Allen and Joan Fontaine. Loosely based upon P.G. Wodehouse's 1919 novel of the same name and the 1928 stage play written by Wodehouse and Ian Hay, it has music and lyrics by George and Ira Gershwin. The film was directed by George Stevens, who had also directed Astaire in Swing Time (1936).
Honolulu is a 1939 American musical comedy film directed by Edward Buzzell and starring dancer Eleanor Powell, Robert Young, George Burns and Gracie Allen. The picture was produced by Metro-Goldwyn-Mayer. Also appearing in the film are Rita Johnson, Eddie "Rochester" Anderson, Sig Rumann and Ruth Hussey.
The Big Broadcast of 1936 is a 1935 American comedy film directed by Norman Taurog, and is the second in the series of Big Broadcast movies. The musical comedy starred Jack Oakie, Bing Crosby, George Burns, Gracie Allen, Ethel Merman, The Nicholas Brothers, Lyda Roberti, Wendy Barrie, Mary Boland, Charlie Ruggles, Akim Tamiroff, Amos 'n' Andy, Bill "Bojangles" Robinson, and Argentinian tango singer Carlos Gardel.
Gold Diggers of Broadway is a 1929 American pre-Code musical comedy film directed by Roy Del Ruth and starring Winnie Lightner and Nick Lucas. Distributed by Warner Bros., the film is the second all-talking, all-Technicolor feature-length film.
Blossom Seeley was an American singer, dancer, and actress.
The musical short can be traced back to the earliest days of sound films.
Old San Francisco is a 1927 American synchronized sound historical drama film starring Dolores Costello and featuring Warner Oland. While the film has no audible dialog, it was released with a synchronized musical score with sound effects using the Vitaphone sound-on-disc process. The film, which was produced and distributed by Warner Bros., was directed by Alan Crosland.
Rambling 'Round Radio Row (1932–1934) is a series of short subjects, produced by Jerry Wald, and released by the Vitaphone division of Warner Brothers. The final film in the series, released 1934, was #3 of the second season, and starred Morton Downey, Baby Rose Marie, The Harmoniacs, and Harriet Lee.
Dumb Dora is a comic strip published from 1924 to 1936 distributed by King Features Syndicate. The term "dumb Dora" was a 1920s American slang term for a foolish woman; the strip helped popularize the term.
Vitaphone Varieties is a series title used for all of Warner Bros.', earliest short film "talkies" of the 1920s, initially made using the Vitaphone sound on disc process before a switch to the sound-on-film format early in the 1930s. These were the first major film studio-backed sound films, initially showcased with the 1926 synchronized scored features Don Juan and The Better 'Ole. Although independent producers like Lee de Forest's Phonofilm were successfully making sound film shorts as early as 1922, they were very limited in their distribution and their audio was generally not as loud and clear in theaters as Vitaphone's. The success of the early Vitaphone shorts, initially filmed only in New York, helped launch the sound revolution in Hollywood.
Here Comes Cookie is a 1935 American comedy film directed by Norman Z. McLeod, written by Don Hartman, and starring George Burns, Gracie Allen, George Barbier, Betty Furness, Andrew Tombes and Rafael Storm. The picture was released on August 30, 1935, by Paramount Pictures.
The Beau Brummels is a 1928 Vitaphone short film featuring vaudeville duo Al Shaw and Sam Lee. It was the first film the team made together. The film was selected to the United States National Film Registry in 2016 as "culturally, historically or aesthetically” significant.
Freddie Crump, also referred to as Freddy Crump, Fred Crump and Rastus Crump was a drummer from the United States. He performed in various vaudeville productions including with Gonzelle White in Cuba, performed in Europe, and was featured in several films. He was African American.