Sir David Lyndsay of the Mount was a Scottish knight, poet, and herald who gained the highest heraldic office of Lyon King of Arms. He remains a well regarded poet whose works reflect the spirit of the Renaissance, specifically as a makar.
William Dunbar was a Scottish makar, or court poet, active in the late fifteenth and early sixteenth centuries. He was closely associated with the court of King James IV and produced a large body of work in Scots distinguished by its great variation in themes and literary styles. He was probably a native of East Lothian, as assumed from a satirical reference in The Flyting of Dumbar and Kennedie. His surname is also spelt Dumbar.
Robert Henryson was a poet who flourished in Scotland in the period c. 1460–1500. Counted among the Scots makars, he lived in the royal burgh of Dunfermline and is a distinctive voice in the Northern Renaissance at a time when the culture was on a cusp between medieval and renaissance sensibilities. Little is known of his life, but evidence suggests that he was a teacher who had training in law and the humanities, that he had a connection with Dunfermline Abbey and that he may also have been associated for a period with Glasgow University. His poetry was composed in Middle Scots at a time when this was the state language. His writing consists mainly of narrative works. His surviving body of work amounts to almost 5000 lines.
Flyting or fliting, is a contest consisting of the exchange of insults between two parties, often conducted in verse.
Violet Jacob was a Scottish writer known especially for her historical novel Flemington and for her poetry, mainly in Scots. She was described by a fellow Scottish poet Hugh MacDiarmid as "the most considerable of contemporary vernacular poets".
A makar is a term from Scottish literature for a poet or bard, often thought of as a royal court poet.
Richard Holland or Richard de Holande was a Scottish cleric and poet, author of the Buke of the Howlat.
Huchoun, Huchown or Huchowne "of the Awle Ryale" is a poet conjectured to have been writing sometime in the 14th century. Some academics, following the Scottish antiquarian George Neilson (1858–1923), have identified him with a Scottish knight, Hugh of Eglinton, and advanced his authorship of several significant pieces of alliterative verse. Current opinion is that there is little evidence to support this.
Timor mortis conturbat me is a Latin phrase commonly found in late medieval Scottish and English poetry, translating to "fear of death disturbs me". The phrase comes from a responsory of the Catholic Office of the Dead, in the third Nocturn of Matins:
The Alliterative Morte Arthure is a 4346-line Middle English alliterative poem, retelling the latter part of the legend of King Arthur. Dating from about 1400, it is preserved in a single copy in the 15th-century Lincoln Thornton Manuscript, now in Lincoln Cathedral Library.
The Flyting of Dunbar and Kennedie is the earliest surviving example of the Scottish version of the flyting genre in poetry. The genre takes the form of a contest, or "war of words", between two poets, each trying to outclass the other in vituperation and verbal pyrotechnics. It is not certain how the work was composed, but it is likely to have been publicly performed, probably in the style of a poetic joust by the two combatants, William Dunbar and Walter Kennedy, before the Court of James IV of Scotland.
The Castalian Band is a modern name given to a grouping of Scottish Jacobean poets, or makars, which is said to have flourished between the 1580s and early 1590s in the court of James VI and consciously modelled on the French example of the Pléiade. Its name is derived from the classical term Castalian Spring, a symbol for poetic inspiration. The name has often been claimed as that which the King used to refer to the group, as in lines from one of his own poems, an epitaph on his friend Alexander Montgomerie:
The Bannatyne Manuscript is an anthology of literature compiled in Scotland in the sixteenth century. It is an important source for the Scots poetry of the fifteenth and sixteenth centuries. The manuscript contains texts of the poems of the great makars, many anonymous Scots pieces and works by medieval English poets.
The Awntyrs off Arthure at the Terne Wathelyne is an Arthurian romance of 702 lines written in Middle English alliterative verse. Despite its title, it centres on the deeds of Sir Gawain. The poem, thought to have been composed in Cumberland in the late 14th or early 15th century, survives in four different manuscripts from widely separated areas of England.
The Actes and Deidis of the Illustre and Vallyeant Campioun Schir William Wallace, also known as The Wallace, is a long "romantic biographical" poem by the fifteenth-century Scottish makar of the name Blind Harry, probably at some time in the decade before 1488. As the title suggests, it commemorates and eulogises the life and actions of the Scottish freedom fighter William Wallace who lived a century and a half earlier. The poem is historically inaccurate, and mentions several events that never happened. For several hundred years following its publication, The Wallace was the second most popular book in Scotland after the Bible.
Nationality words link to articles with information on the nation's poetry or literature.
Androw Myllar was the first Scottish printer.
The Chepman and Myllar Press was the first printing press to be established in Scotland.
The Petition Of The Gray Horse, Auld Dunbar is an appeal by the Scots poet William Dunbar to his patron King James IV of Scotland in which he requests a new gown to mark Christmas.
Walter Kennedy was a Scottish poet.
