Claude Lorrain was a French painter, draughtsman and etcher of the Baroque era. He spent most of his life in Italy, and is one of the earliest important artists, apart from his contemporaries in Dutch Golden Age painting, to concentrate on landscape painting. His landscapes are usually turned into the more prestigious genre of history paintings by the addition of a few small figures, typically representing a scene from the Bible or classical mythology.
Guido Bentivoglio d'Aragona was an Italian cardinal, statesman and historian.
Richard Earlom was an English mezzotinter.
Jesper Rasmussen Brochmand was a Danish Lutheran clergyman, theologian and professor who served as Bishop of the Diocese of Zealand from 1638 until his death.
Musaeum Hermeticum is a compendium of alchemical texts first published in German, in Frankfurt, 1625 by Lucas Jennis. Additional material was added for the 1678 Latin edition, which in turn was reprinted in 1749. Its purpose was apparently to supply in a compact form a representative collection of relatively brief and less ancient alchemical writings; it could be regarded as a supplement to those large storehouses of Hermetic learning such as the Theatrum Chemicum, or Jean-Jacques Manget's Bibliotheca Chemica Curiosa. It seemed to represent a distinctive school in Alchemy, less committed to the past and less obscure than the works of older and more traditional alchemical masters.
Robert Carl Sticht was an American metallurgist and copper mine manager, active in Colorado and Montana, U.S.A. and in Tasmania, Australia. Sticht was the developer of the first successful purely pyritic smelting in the world. He was also an important book and art collector, a large part of whose collections were acquired by the Public Library of Victoria and the National Gallery of Victoria in the 1920s.
Michael William Lely Kitson was a British art historian who became an international authority on the work of the painter Claude Lorrain.
Josiah Boydell was a British publisher and painter, whose main achievement was the establishment of the Boydell Shakespeare Gallery with his uncle, John Boydell.
Landscape with Ascanius Shooting the Stag of Sylvia is a painting of 1682 in oil on canvas by Claude Lorrain, a painter from the Duchy of Lorraine who spent his career in Rome. It was painted in Rome for Prince Lorenzo Onofrio Colonna (1637–1689), Claude's most important patron in his last years, and is now in the Ashmolean Museum, Oxford. It is signed, dated with the year, and inscribed with the subject, as Claude sometimes did with his less common subjects.
Seaport with the Embarkation of the Queen of Sheba is an oil painting by Claude Lorrain, in the National Gallery, London, signed and dated 1648. The large oil-on-canvas painting was commissioned by Frédéric Maurice de La Tour d'Auvergne, Duc de Bouillon, general of the Papal army, together with Claude's Landscape with the Marriage of Isaac and Rebecca, also now in the National Gallery. It depicts the departure of the Queen of Sheba to visit King Solomon in Jerusalem, described in the tenth chapter of the First Book of Kings. A more usual subject would be their meeting; this is one of many harbour scenes painted by Claude. The Queen is departing from a city with classical buildings, with the early morning Sun lighting the sea, as vessels are loaded.
Village Fête is an oil-on-canvas by French artist of the Baroque Claude Lorrain, painted in 1639 and given to Louis XIV in 1693 together with its companion Seaport at Sunset, by landscape architect and gardener André Le Nôtre. It is currently held and exhibited at the Louvre in Paris.
Johann Stephan Rittangel was a German controversial writer and Christian Hebraist.
De Alchemia is an early collection of alchemical writings first published by Johannes Petreius in Nuremberg in 1541. A second edition was published in Frankfurt in 1550 by the printer Cyriacus Jacobus.
Liber Studiorum is a collection of prints by J. M. W. Turner. The collected works included seventy-one prints that he worked on and printed from 1807 to 1819. For the production of the prints, Turner created the etchings for the prints, which were worked in mezzotint by his collaborating engravers.
The Liber Veritatis, meaning Book of Truth in Latin, is a book of drawings recording his completed paintings made by Claude Lorrain, known in English as "Claude". Claude was a landscape painter in Rome, who began keeping this record in 1635/6, as he began to be highly successful, and maintained it until his death in 1682. The book is now in the British Museum, and was owned by the Dukes of Devonshire from the 1720s until 1957. It was reproduced in print form from 1774 to 1777 by Richard Earlom and had a considerable influence on British landscape art. The title Liber Veritatis was apparently invented for these reproductions, but is now also used for the original.
Ludovico Caracciolo was an Italian landscapist and engraver. He became a protege of Elizabeth Foster, the second wife of William Cavendish, 5th Duke of Devonshire, who moved to Rome after she was widowed in 1811.
Landscape with Saint Paula of Rome Embarking at Ostia or The Embarkation of Saint Paula is an oil-on-canvas painting by Claude Lorrain. It was painted in 1639–1640 as one of a series of works commissioned by Philip IV of Spain for a gallery of landscapes at the Palacio del Buen Retiro – he also commissioned works from Nicolas Poussin, Herman van Swanevelt, Jan Both, Gaspard Dughet and Jean Lemaire. It is now in the Museo del Prado in Madrid.
Landscape with the Burial of St. Serapia is a 1639–40 oil-on-canvas painting by the French artist Claude Lorrain, one of several commissioned from the artist by Philip IV of Spain and now in the Prado Museum. it shows the burial of Saint Serapia, slave to Saint Sabina – the lid of the sarcophagus is shown with the inscription SEPVLTVRA.S.SABIN (a)... SEPELIR(e) IVBET.C.SANCTAE SERAPI(ae). Her martyrdom occurred in Vindena, now known to have been sited near Terni, although at the time the painting was produced it was thought to be located on the Aventine Hill.
Landscape with Tobias and Raphael is a 1639-40 painting by Claude Lorrain, one of a series of paintings commissioned from the artist for the Palacio del Buen Retiro and now in the Prado Museum in Madrid.
The Rape of Europa is an oil on canvas painting by Claude Lorrain, from 1655. With its pendant The Battle of the Milvian Bridge, it is now in the Pushkin Museum, in Moscow.
