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Langdon Winner | |
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Born | |
Occupation(s) | Thomas Phelan Chair, Rensselaer Polytechnic Institute |
Spouse | Gail P. Stuart |
Children | 3 |
Website |
Langdon Winner (born August 7, 1944) is Thomas Phelan Chair of Humanities and Social Sciences in the Department of Science and Technology Studies at Rensselaer Polytechnic Institute, Troy, New York.
Langdon Winner was born in San Luis Obispo, California on August 7, 1944. He received his B.A. in 1966, M.A. in 1967 and Ph.D. in 1973, all in political science at the University of California, Berkeley. His primary focus was political theory.
He has been a professor at Leiden, MIT, University of California, Los Angeles and at the University of California, Santa Cruz. Since 1985 he has been at the Rensselaer Polytechnic Institute; he was a visiting professor at Harvey Mudd College (2000) and Colgate University (2001). In 2010 he was a Fulbright Fellow visiting the Universidad Complutense in Madrid.
Winner lives in upstate New York. He is married to Gail P. Stuart and has three children. His interests include science, technology, American popular culture, and theories of sustainability.
Winner is known for his articles and books on science, technology, and society. He also spent several years as a reporter, rock music critic, and contributing editor for Rolling Stone magazine. [1]
In 1980 Winner proposed that technologies embody social relations, i.e. power. [2] To the question he poses "Do Artifacts Have Politics?", Winner identifies two ways in which artifacts can have politics. The first, involving technical arrangements and social order, concerns how the invention, design, or arrangement of artifacts or the larger system becomes a mechanism for settling the affairs of a community. This way "transcends the simple categories of 'intended' and 'unintended' altogether", representing "instances in which the very process of technical development is so thoroughly biased in a particular direction that it regularly produces results heralded as wonderful breakthroughs by some social interests and crushing setbacks by others" (Winner, p. 25-6, 1999). It implies that the process of technological development is critical in determining the politics of an artifact; hence the importance of incorporating all stakeholders in it. (Determining who the stakeholders are and how to incorporate them are other questions entirely.)
The second way in which artifacts can have politics refers to artifacts that correlate with particular kinds of political relationships, which Winner refers to as inherently political artifacts (Winner, p. 22, 1999). He distinguishes between two types of inherently political artifacts: those that require a particular sociological system and those that are strongly compatible with a particular sociological system (Winner, p. 29, 1999). A further distinction is made between conditions internal to the workings of a given technical system and those that are external to it (Winner, p. 33, 1999). This second way in which artifacts can have politics can be further articulated as consisting of four 'types' of artifacts: those requiring a particular internal sociological system, those compatible with a particular internal sociological system, those requiring a particular external sociological system, and those compatible with a particular external sociological system.
Certain features of Winner's thesis have been criticized by other scholars, including Bernward Joerges. [3]
Winner contributed piano and backing vocals to the hoax album The Masked Marauders created by Rolling Stone. [4] He also played piano on "Church Key" by The Revels. [5] [6] Winner is also notable for having written a negative review of one of the most critically acclaimed albums of the 1970's, Neil Young's After the Gold Rush .
Over the years one focus of Winner's criticism has been the excessive use of technologies in the classroom, both in K-12 schools and higher education. Winner's critique is well explained in his article "Information Technology and Educational Amnesia," [7] and expressed in his satirical lecture, "The Automatic Professor Machine." [8]
Science and technology studies (STS) or science, technology, and society is an interdisciplinary field that examines the creation, development, and consequences of science and technology in their historical, cultural, and social contexts.
Actor–network theory (ANT) is a theoretical and methodological approach to social theory where everything in the social and natural worlds exists in constantly shifting networks of relationships. It posits that nothing exists outside those relationships. All the factors involved in a social situation are on the same level, and thus there are no external social forces beyond what and how the network participants interact at present. Thus, objects, ideas, processes, and any other relevant factors are seen as just as important in creating social situations as humans.
Bernward Joerges is a professor of sociology (emeritus) at Technische Universität Berlin and director of the Metropolitan Research Group at Wissenschaftszentrum Berlin. He holds a degree in Psychology, Dr. phil. and Dr. phil. habil. in Sociology. After early studies of development, environment, consumption and everyday life technology, his major areas of interest are social studies of science and technology, and urban and architectural studies.
In common usage, technoscience refers to the entire long-standing and global human activity of technology, combined with the relatively recent scientific method that occurred primarily in Europe during the 17th and 18th centuries. Technoscience is the study of how humans interact with technology using the scientific method. Technoscience thus comprises the history of human application of technology and modern scientific methods, ranging from the early development of basic technologies for hunting, agriculture, or husbandry and all the way through atomic applications, biotechnology, robotics, and computer sciences. This more common and comprehensive usage of the term technoscience can be found in general textbooks and lectures concerning the history of science.
Social construction of technology (SCOT) is a theory within the field of science and technology studies. Advocates of SCOT—that is, social constructivists—argue that technology does not determine human action, but that rather, human action shapes technology. They also argue that the ways a technology is used cannot be understood without understanding how that technology is embedded in its social context. SCOT is a response to technological determinism and is sometimes known as technological constructivism.
Theories of technological change and innovation attempt to explain the factors that shape technological innovation as well as the impact of technology on society and culture. Some of the most contemporary theories of technological change reject two of the previous views: the linear model of technological innovation and other, the technological determinism. To challenge the linear model, some of today's theories of technological change and innovation point to the history of technology, where they find evidence that technological innovation often gives rise to new scientific fields, and emphasizes the important role that social networks and cultural values play in creating and shaping technological artifacts. To challenge the so-called "technological determinism", today's theories of technological change emphasize the scope of the need of technical choice, which they find to be greater than most laypeople can realize; as scientists in philosophy of science, and further science and technology often like to say about this "It could have been different." For this reason, theorists who take these positions often argue that a greater public involvement in technological decision-making is desired.
Donald Angus MacKenzie is a Professor of Sociology at the University of Edinburgh, Scotland. His work constitutes a crucial contribution to the field of science and technology studies. He has also developed research in the field of social studies of finance. He has undertaken widely cited work on the history of statistics, eugenics, nuclear weapons, computing and finance, among other things.
According to Robin A. Williams and David Edge (1996), "Central to social shaping of technology (SST) is the concept that there are choices inherent in both the design of individual artifacts and systems, and in the direction or trajectory of innovation programs."
Criticism of technology is an analysis of adverse impacts of industrial and digital technologies. It is argued that, in all advanced industrial societies, technology becomes a means of domination, control, and exploitation, or more generally something which threatens the survival of humanity. Some of the technology opposed by the most radical critics may include everyday household products, such as refrigerators, computers, and medication. However, criticism of technology comes in many shades.
Judy Wajcman, is the Anthony Giddens Professor of Sociology at the London School of Economics and Political Science. She is the Principal Investigator of the Women in Data Science and AI project at The Alan Turing Institute. She is also a visiting professor at the Oxford Internet Institute. Her scholarly interests encompass the sociology of work, science and technology studies, gender theory, and organizational analysis. Her work has been translated into French, German, Greek, Italian, Korean, Japanese, Portuguese, Russian, Chinese and Spanish. Prior to joining the LSE in 2009, she was a Professor of Sociology in the Research School of Social Sciences at the Australian National University. She was the first woman to be appointed the Norman Laski Research Fellow (1978–80) at St. John's College, Cambridge. In 1997 she was elected Fellow of the Academy of the Social Sciences in Australia.
Social technology is a way of using human, intellectual and digital resources in order to influence social processes. For example, one might use social technology to ease social procedures via social software and social hardware, which might include the use of computers and information technology for governmental procedures or business practices. It has historically referred to two meanings: as a term related to social engineering, a meaning that began in the 19th century, and as a description of social software, a meaning that began in the early 21st century. Social technology is also split between human-oriented technologies and artifact-oriented technologies.
In science studies, the social process of blackboxing is based on the abstract notion of a black box. To cite Bruno Latour, blackboxing is "the way scientific and technical work is made invisible by its own success. When a machine runs efficiently, when a matter of fact is settled, one need focus only on its inputs and outputs and not on its internal complexity. Thus, paradoxically, the more science and technology succeed, the more opaque and obscure they become."
Sheila Sen Jasanoff is an Indian American academic and significant contributor to the field of Science and Technology Studies. In 2021 she was elected to the American Philosophical Society. Her research has been recognized with many awards, including the 2022 Holberg Prize "for her groundbreaking research in science and technology studies."
Technology, society and life or technology and culture refers to the inter-dependency, co-dependence, co-influence, and co-production of technology and society upon one another. Evidence for this synergy has been found since humanity first started using simple tools. The inter-relationship has continued as modern technologies such as the printing press and computers have helped shape society. The first scientific approach to this relationship occurred with the development of tektology, the "science of organization", in early twentieth century Imperial Russia. In modern academia, the interdisciplinary study of the mutual impacts of science, technology, and society, is called science and technology studies.
Engineering studies is an interdisciplinary branch of social sciences and humanities devoted to the study of engineers and their activities, often considered a part of science and technology studies (STS), and intersecting with and drawing from engineering education research. Studying engineers refers among other to the history and the sociology of their profession, its institutionalization and organization, the social composition and structure of the population of engineers, their training, their trajectory, etc. A subfield is for instance Women in engineering. Studying engineering refers to the study of engineering activities and practices, their knowledge and ontologies, their role into the society, their engagement.
Feminist technoscience is a transdisciplinary branch of science studies which emerged from decades of feminist critique on the way gender and other identity markers are entangled in the combined fields of science and technology. The term technoscience, especially in regard to the field of feminist technoscience studies, seeks to remove the distinction between scientific research and development with applied applications of technology while assuming science is entwined with the common interests of society. As a result, science is suggested to be held to the same level of political and ethical accountability as the technologies which develop from it. Feminist technoscience studies continue to develop new theories on how politics of gender and other identity markers are interconnected to resulting processes of technical change, and power relations of the globalized, material world.
Technological determinism is a reductionist theory in assuming that a society's technology progresses by following its own internal logic of efficiency, while determining the development of the social structure and cultural values. The term is believed to have originated from Thorstein Veblen (1857–1929), an American sociologist and economist. The most radical technological determinist in the United States in the 20th century was most likely Clarence Ayres who was a follower of Thorstein Veblen as well as John Dewey. William Ogburn was also known for his radical technological determinism and his theory on cultural lag.
No innovation without representation is a democratic ideal of ensuring that everyone involved gets a chance to be represented fairly in technological developments. Political philosopher of technology Langdon Winner states that groups and social interests likely to be affected by a particular kind of technological change ought to be represented at an early stage in defining exactly what that technology will be. It is the idea that relevant parties have a say in technological developments and are not left in the dark. It has been spoken about by political scientist Massimiano Bucchi. This ideal does not require the public to become experts on the topics of science and engineering, it only asks that the opinions and ideas be heard before making drastic decisions, as talked about by Steven L. Goldman.
Technofeminism explores the role gender plays in technology. It is often examined in conjunction with intersectionality, a term coined by Kimberlé Crenshaw which analyzes the relationships among various identities, such as race, socioeconomic status, sexuality, gender, and more. However, many scholars, such as Lori Beth De Hertogh, Liz Lane, and Jessica Oulette, as well as Angela Haas, have spoken out about the lack of technofeminist scholarship, especially in the context of overarching technological research.
The rhetoric of technology is both an object and field of study. It refers to the ways in which makers and consumers of technology talk about and make decisions regarding technology and also the influence that technology has on discourse. Studies of the rhetoric of technology are interdisciplinary. Scholars in communication, media ecology, and science studies research the rhetoric of technology. Technical communication scholars are also concerned with the rhetoric of technology.