Las Manos de Filippi | |
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Background information | |
Origin | Buenos Aires, Argentina |
Genres | Punk, Cumbia, Hip hop, Alternative rock, Ska |
Years active | 1992–present |
Members | Hernán de Vega (voice) German Anzoátegui (trumpet) Charles Bardon (saxophone) Gaspar Benegas (guitar) Pablo Marchetti (keyboards) Lucas Honigman (drums) Guido Durán (bass) |
Las Manos de Filippi (in English: The Hands of Filippi) and also LMF, is a group of Argentine rock fusion and alternative style, which blends Caribbean Rhythms like cumbia, ska, hip hop, reggae and punk rock. [1] His songs contain messages against capitalism, the International Monetary Fund and the political power shift, as well as a critical look at society, using as a basis the complaint, irony and humor. [2] Its name comes sarcastically, by stealing the hands of Juan Domingo Perón and his fanaticism for the French band Mano Negra. [3]
They are also known his membership with the Workers' Party and the defense to the working class. [4]
Some of their songs are most widespread: «Sr. Cobranza» (popularized by Bersuit Vergarabat), «Los métodos piqueteros», «El himno del Cucumelo», «La canaleta», «Organización» and «Mountain bike». [5]
Jorge Raúl Porcel de Peralta, known as Jorge Porcel, was an Argentine comedy actor and television host. He was nicknamed El Gordo de América. Porcel is considered, along with Alberto Olmedo, one of Argentina's greatest comic actors of the twentieth century.
Latin rock is a term to describe a subgenre blending traditional sounds and elements of Latin American and Hispanic Caribbean folk with rock music. However, it is widely used in the English-language media to refer any kind of rock music featuring Spanish or Portuguese vocals. This has led to controversy about the scope of the terminology.
Uruguayan rock first emerged in Uruguay in the 1950s. The real breakthrough for rock in Uruguay, however, as in much of the world, came with the arrival of The Beatles in the early 1960s. Although the country has a small population and is far-removed from the world's cultural centres, rock music from these land, which has always taken on an identity forged from a mix of different cultures and local peculiarities, crossing different genres and styles, has largely been a well-kept secret outside the region. Thanks to the Internet and easy access to music libraries through streaming services such as Spotify, this is now changing.
Sumo was a 1980s Argentine alternative rock band, heavily influenced by post-punk, reggae and funk-metal. Led by Italian-born Scottish Luca Prodan, it remained underground for most of its short activity but was extremely influential in shaping contemporary Argentine rock. Sumo is credited with introducing British post-punk to the Argentine scene, mostly by songs with lyrics in English, and with providing a visceral counterpoint to the progressive and nueva canción influences then dominant in the country's rock en español.
Cueva de las Manos is a cave and complex of rock art sites in the province of Santa Cruz, Argentina, 163 km (101 mi) south of the town of Perito Moreno. It is named for the hundreds of paintings of hands stenciled, in multiple collages, on the rock walls. The art was created in several waves between 7,300 BC and 700 AD, during the Archaic period of pre-Columbian South America. The age of the paintings was calculated from the remains of bone pipes used for spraying the paint on the wall of the cave to create the artwork, radiocarbon dating of the artwork, and stratigraphic dating.
Divididos ("Divided") is an Argentine rock band. The band was formed in 1988 after the death of Luca Prodan and the consequent dissolution of the band Sumo. Ricardo Mollo and Diego Arnedo joined drummer Gustavo Collado to form a band named "La División", which would be later called "Divididos".
Rock en español is a term used widely in the English-speaking world to refer any kind of rock music featuring Spanish vocals. Unlike English-speaking bands, very few acts reached worldwide success and often not even between different Spanish-speaking countries due to a lack of promotion. Despite rock en español's origins in the late 1950s, many rock acts achieved at best nationwide fame until the Internet consolidated the listeners. However, some rock en español artists did become internationally popular with the help of a promotional campaign from the mid 1980s to the mid 1990s called "Rock en tu idioma". Some specific rock-based styles influenced by folkloric rhythms have also developed in these regions. Some of the more prominent styles are Latin rock ; Latin alternative, an alternative rock scene which blended a Latin sound with other genres like Caribbean ska, reggae, and soca; or Andalusian rock, a flamenco-influenced style that emerged in Spain.
Carajo was an Argentinian rock band from Buenos Aires. It was formed in 2000 with Marcelo "Corvata" Corvalan on bass and vocals, Andres "Andy" Vilanova on drums and Hernan "Tery" Langer on guitar and backing vocals. The first two share the history of having been part of the band A.N.I.M.A.L. In 2020, the band's breakup was announced.
Los Violadores are a rock band from Argentina, pioneers of the punk rock genre in Latin America.
Manal was an Argentine rock group. Together with Almendra and Los Gatos, they are considered founders of Argentine rock. The band members were Claudio Gabis on guitar, Javier Martínez on drums and vocals, and Alejandro Medina on bass and vocals. Martínez was the band's lead vocalist and leading songwriter.
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Enrique Chalar, better known as Pil Trafa, was an Argentine composer and singer. He is regarded as the pioneer of punk in Spanish in Latin America, with his band Los Violadores.
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Almendra is the self-titled debut studio album by Argentine rock band Almendra which was released in 1969 on Vik, a subsidiary of RCA Victor. To distinguish it from the band's next release, Almendra II, it is also known as Almendra I. The album represented the first full-length musical endeavour of nineteen-year-old Luis Alberto Spinetta, having formed the band in the mid 1960s along with Emilio del Guercio, Edelmiro Molinari and Rodolfo García. The famous artwork, showing a crying man with a toy arrow stuck on his head, was designed by Spinetta to embody the different lyrical themes of the album.
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Carlos Joaquín Gradin, also known as Carlos Gradín, was an Argentine surveyor and archaeologist. He carried out numerous studies in the Patagonian region, and is known for his extensive studies of Cueva de las Manos. He was a member of the National Scientific and Technical Research Council (CONICET).
The Copa 50imo Aniversario de Clarín, was a friendly football match realized between Argentina and Brazil, on November 8, 1995.