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The culture of Los Angeles is rich with arts and ethnically diverse. The greater Los Angeles metro area has several notable art museums including the Los Angeles County Museum of Art (LACMA), the J. Paul Getty Museum on the Santa Monica Mountains overlooking the Pacific, the Museum of Contemporary Art (MOCA), and the Hammer Museum. In the 1920s and 1930s Will Durant and Ariel Durant, Arnold Schoenberg and other intellectuals were the representatives of culture, in addition to the movie writers and directors. As the city flourished financially in the middle of the 20th century, culture followed. Boosters such as Dorothy Buffum Chandler and other philanthropists raised funds for the establishment of art museums, music centers and theaters. Today, the Southland cultural scene is as complex, sophisticated and varied as any in the world. Los Angeles is strongly influenced by Mexican American culture due to California formerly being part of Mexico and, previously, the Spanish Empire.
Gronk, born Glugio Nicandro, is a Chicano painter, printmaker, and performance artist. His work is collected by museums around the country including the Smithsonian American Art Museum.
Los Four was a Chicano artist collective active based in Los Angeles, California. The group was instrumental in bringing the Chicano art movement to the attention of the mainstream art world.
Elsa Flores is a well known Chicana street artist. Her mother's name was Maria Valenzuela and she was originally from a small village called San Javier located in Sinaloa, Mexico. She is one of the best known members of the Chicano street art movement.
Yolanda Margarita López was an American painter, printmaker, educator, and film producer. She was known for her Chicana feminist works focusing on the experiences of Mexican-American women, often challenging the ethnic stereotypes associated with them. Lopez was recognized for her series of paintings which re-imagined the image of the Virgen de Guadalupe. Her work is held in several public collections including the Smithsonian American Art Museum, the San Francisco Museum of Modern Art, and the Los Angeles County Museum of Art.
Ester Hernández is a California Bay Area Chicana visual artist recognized for her prints and pastels focusing on farm worker rights, cultural, political, and Chicana feminist issues. Hernández' was an activist in the Chicano Arts Movement in the 1960's and also made art pieces that focus on issues of social justice, civil rights, women's rights, and the Farm Worker Movement.
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Before [PST], we knew a lot [about the history of contemporary art], and that lot tended to greatly favor New York. A few Los Angeles artists were highly visible and unanimously revered, namely Ed Ruscha and other denizens of the Ferus Gallery, that supercool locus of the Los Angeles art scene in the 1960s, plus Bruce Nauman and Chris Burden, but that was about it. After, we know a whole lot more, and the balance is much more even. One of the many messages delivered by this profusion of what will eventually be nearly 70 museum exhibitions is that New York did not act alone in the postwar era. And neither did those fabulous Ferus boys.
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Yreina Cervantez is an American artist and Chicana activist who is known for her multimedia painting, murals, and printmaking. She has exhibited nationally and internationally, and her work is in the permanent collections of the Smithsonian American Art Museum, The Mexican Museum, the Los Angeles County Museum, and the Los Angeles Museum of Contemporary Art.
Elizabeth Sisco is an artist active in the Chicano art movement.
Chon A. Noriega is an American art historian, media scholar, and curator. Noriega is professor of cinema and media studies at UCLA School of Theater, Film and Television. He was also the director of the UCLA Chicano Studies Research Center (CSRC) from 2002 to 2021.
References
- ↑ Keller, Gary D. (2004). Chicano art for our millennium : collected works from the Arizona State University community. Mary Erickson, Pat Villeneuve, Melanie Magisos, Craig Smith, Mesa Southwest Museum. Tempe, Ariz.: Bilingual Press/Editorial Bilingüe. ISBN 1-931010-25-0. OCLC 54046196.
- ↑ Mata, Irene (2015). Domestic disturbances : re-imagining narratives of gender, labor, and immigration (First paperback ed.). Austin. ISBN 978-1-4773-0984-1. OCLC 926743263.
{{cite book}}: CS1 maint: location missing publisher (link) - ↑ "About". Laura Alvarez. October 26, 2014. Retrieved March 10, 2021.
- ↑ Pérez, Laura Elisa (2007). Chicana art : the politics of spiritual and aesthetic altarities. Durham. ISBN 978-0-8223-3852-9. OCLC 74029278.
{{cite book}}: CS1 maint: location missing publisher (link) - ↑ La vida latina en L.A. urban Latino cultures. Gustavo Leclerc, Raúl. Villa, M. J. Dear, University of Southern California. Southern California Studies Center. Thousand Oaks, Calif.: SAGE Publications. 1999. ISBN 0-7619-1619-9. OCLC 40467433.
{{cite book}}: CS1 maint: others (link) - ↑ "The Double Agent Sirvienta: Blow Up the Hard Drive | LACMA Collections". collections.lacma.org. Retrieved March 9, 2021.
- ↑ "Blow Up the Hard Drive | Smithsonian American Art Museum". americanart.si.edu. Retrieved March 10, 2021.
- ↑ Pagel, David (September 6, 2002). "This Glittery Lawn Mower Cuts to the Tough Questions". Los Angeles Times. Retrieved March 10, 2021.
- ↑ Hubler, Shawn (September 14, 2000). "Art Show Asks: Who Are We?". Los Angeles Times. Retrieved March 10, 2021.
