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References
- ↑ "Laura Marks, 2010". Department of Art, Northwestern University. 2010.
- ↑ "Curriculum Vitae". Simon Fraser University.
- ↑ "Dr. Laura U. Marks". ISEA International . Retrieved October 8, 2020.
- ↑ Forbes, Angus (August 11, 2006). "Haptic Visuality". Department of English, University of California, Santa Barbara . Retrieved October 8, 2020.
- ↑ "Arab Glitch: A Film Series". University of Rochester. March 4, 2014.
- ↑ Martin-Jones, D. (December 2002). "The Skin of the Film: Intercultural Cinema, Embodiment and the Senses". Screen. 43 (4): 442–446. doi:10.1093/screen/43.4.442.
- ↑ Barlow, Melinda (October 2004). "Review of Touch: Sensuous Theory and Muitisensory Media". Canadian Journal of Film Studies. 12 (2): 126–129. doi:10.3138/cjfs.12.2.126. ISSN 0847-5911.
- ↑ Gauthier, Sean (2006). "Review of Touch". Canadian Journal of Communication . 61.
- ↑ Osborn, J.R. (November 2011). "Review of Enfoldment and Infinity". Design and Culture. 3 (3): 409–411. doi:10.2752/175470811X13071166525775. ISSN 1754-7075. S2CID 144635329.
- ↑ Roman, Mathilde (May 20, 2017). "Laura U. Marks, Hanan al-Cinema: Affections for the Moving Image". Critique d'art (in French). doi: 10.4000/critiquedart.21285 . ISSN 1246-8258.
- ↑ Valassopoulos, Anastasia (May 2017). "Review of Hanan al-Cinema". International Journal of Middle East Studies . 49 (2): 355–357. doi:10.1017/S0020743817000198. ISSN 0020-7438.
