Laurie-Rae Chamberlain (born 1950), whose name is sometimes styled as Laurie Rae Chamberlain, is a color Xerox artist and graphic designer from Great Britain best known for his work on music album, magazine, and book covers. [1] [2] [3] [4] [5] He was active in the British art and fashion world during the mid-1970s and 1980s before falling out of public life. [2] [3] [4] [6]
Chamberlain is a graduate of the Royal College of Art. [4] An early adopter of the color Xerox art form, he exhibited at the Institute of Contemporary Arts in the late 1970s and the Biennial of European Graphic Arts in the early 1980s. [7] [8] [9] He even served as an informal ambassador for color xerography, doing a live demonstration for the BBC in 1982 and publishing a book called Zen and the Art of Color Xerography the same year. [10] [11]
More recently, his work was included in a retrospective exhibition on xerography at Firstsite in 2013, as well as part of a group show on 20th-century British performance, music and graphic design in 2019. [12] [13] [14] [15] Prints by Chamberlain are in the collections of the National Gallery of Australia, the British Museum, and the Victoria and Albert Museum. [1] [16] [17] His artwork also appears on the covers of a 1979 eponymous album by the Flying Lizards and a 1981 album by This Heat, and in the video of the song Zerox, by Adam and the Ants, stills of which appeared on the sleeve for the single Cartrouble. [4] [18] [19] [20] [21] [6]
Chamberlain also filmed early gigs and rehearsals by the Ants in 1977–1978 on silent 8mm film which were later edited into a short film which circulated among Ant's fans from the 1980s onwards under the title Jackson Pollack.[ citation needed ]
In addition to his Xerox art work, Chamberlain competed in the Alternative Miss World contest in 1975 and served as a gossip columnist and fashion editor of the International Times in 1977. [4]
Kenneth Noland was an American painter. He was one of the best-known American color field painters, although in the 1950s he was thought of as an abstract expressionist and in the early 1960s as a minimalist painter. Noland helped establish the Washington Color School movement. In 1977, he was honored with a major retrospective at the Solomon R. Guggenheim Museum in New York that then traveled to the Hirshhorn Museum and Sculpture Garden in Washington, D.C., and Ohio's Toledo Museum of Art in 1978. In 2006, Noland's Stripe Paintings were exhibited at the Tate in London.
Xerox Holdings Corporation is an American corporation that sells print and digital document products and services in more than 160 countries. Xerox is headquartered in Norwalk, Connecticut, though it is incorporated in New York with its largest population of employees based around Rochester, New York, the area in which the company was founded. The company purchased Affiliated Computer Services for $6.4 billion in early 2010. As a large developed company, it is consistently placed in the list of Fortune 500 companies.
Laser printing is an electrostatic digital printing process. It produces high-quality text and graphics by repeatedly passing a laser beam back and forth over a negatively charged cylinder called a "drum" to define a differentially charged image. The drum then selectively collects electrically charged powdered ink (toner), and transfers the image to paper, which is then heated to permanently fuse the text, imagery, or both to the paper. As with digital photocopiers, laser printers employ a xerographic printing process. Laser printing differs from traditional xerography as implemented in analog photocopiers in that in the latter, the image is formed by reflecting light off an existing document onto the exposed drum.
Op art, short for optical art, is a style of visual art that uses optical illusions.
Abstract art uses visual language of shape, form, color and line to create a composition which may exist with a degree of independence from visual references in the world.
Xerox art is an art form that began in the 1960s. Prints are created by putting objects on the glass, or platen, of a photocopier and by pressing "start" to produce an image. If the object is not flat, or the cover does not totally cover the object, or the object is moved, the resulting image is distorted in some way. The curvature of the object, the amount of light that reaches the image surface, and the distance of the cover from the glass, all affect the final image. Often, with proper manipulation, rather ghostly images can be made. Basic techniques include: Direct Imaging, the copying of items placed on the platen ; Still Life Collage, a variation of direct imaging with items placed on the platen in a collage format focused on what is in the foreground/background; Overprinting, the technique of constructing layers of information, one over the previous, by printing onto the same sheet of paper more than once; Copy Overlay, a technique of working with or interfering in the color separation mechanism of a color copier; Colorizing, vary color density and hue by adjusting the exposure and color balance controls; Degeneration is a copy of a copy degrading the image as successive copies are made; Copy Motion, the creation of effects by moving an item or image on the platen during the scanning process. Each machine also creates different effects.
Josef Albers was a German-born American artist and educator who is considered one of the most influential 20th-century art teachers in the United States. Born in 1888 in Bottrop, Westphalia, Germany, into a Roman Catholic family with a background in craftsmanship, Albers received practical training in diverse skills like engraving glass, plumbing, and wiring during his childhood. He later worked as a schoolteacher from 1908 to 1913 and received his first public commission in 1918 and moved to Munich in 1919.
Chester Floyd Carlson was an American physicist, inventor, and patent attorney born in Seattle, Washington.
Xerography is a dry photocopying technique. Originally called electrophotography, it was renamed xerography—from the Greek roots ξηρόςxeros, meaning "dry" and -γραφία-graphia, meaning "writing"—to emphasize that unlike reproduction techniques then in use such as cyanotype, the process of xerography used no liquid chemicals.
Max Bill was a Swiss architect, artist, painter, typeface designer, industrial designer and graphic designer.
The Museum of Printing (MoP), located in Haverhill, Massachusetts, is a museum dedicated to preserving the history of printing technologies and practices, the graphic arts, and their role in the development of culture and literacy.
Anni Albers was a German-Jewish visual artist and printmaker. A leading textile artist of the 20th century, she is credited with blurring the lines between traditional craft and art. Born in Berlin in 1899, Fleischmann initially studied under impressionist painter Martin Brandenburg from 1916 to 1919 and briefly attended the Kunstgewerbeschule in Hamburg in 1919. She later enrolled at the Bauhaus, an avant-garde art and architecture school founded by Walter Gropius in Weimar in 1922, where she began exploring weaving after facing restrictions in other disciplines due to gender biases at the institution.
Deceit is the second and final studio album by English experimental rock band This Heat, released in September 1981 by Rough Trade Records. As with their self-titled debut album, the tracks on Deceit were assembled from largely improvised recordings that the band accumulated since their inception in 1976, with varying degrees of audio quality. However, it is generally considered to be more song-oriented than its largely abstract predecessor. The title is in part a pun on the band's name.
Adam Ant is a British post-punk, new wave artist. He was the lead singer of Adam & the Ants until their split in early 1982, by which time they had recorded three studio albums. Ant, however, would go solo, and release an additional five studio albums throughout the 1980s and early 1990s. After a gap of nearly 18 years, his sixth released solo studio album came out in early 2013. A planned follow-up album recorded the following year currently officially remains at developmental stage.
A photocopier is a machine that makes copies of documents and other visual images onto paper or plastic film quickly and cheaply. Most modern photocopiers use a technology called xerography, a dry process that uses electrostatic charges on a light-sensitive photoreceptor to first attract and then transfer toner particles onto paper in the form of an image. The toner is then fused onto the paper using heat, pressure, or a combination of both. Copiers can also use other technologies, such as inkjet, but xerography is standard for office copying.
Leah Dickerman is the director of research programs at The Museum of Modern Art in New York City. She was formerly director of editorial & content strategy at MoMA. Serving previously as the museum’s first Marlene Hess Curator of Painting and Sculpture, a post endowed in 2015, Dickerman previously held the positions of curator of painting and sculpture at MoMA (2008–2015), acting head of the Department of Modern and Contemporary Art at the National Gallery of Art (NGA), Washington, D.C. (2007), and associate curator in modern and contemporary art at the NGA (2001–2007). Over the course of her career, Dickerman has organized or co-organized a series of exhibitions including One-Way Ticket: Jacob Lawrence's Migration Series and Other Works (2015), Inventing Abstraction, 1910-1925 (2012–2013), Diego Rivera: Murals for the Museum of Modern Art (2011–2012), Bauhaus: Workshops for Modernity (2009–2010), Dada (2005–2006), and Aleksandr Rodchenko (1998).
Sarah Jeanette Jackson, was an American-Canadian artist. Jackson first became known for her sculptures and drawings, and then for her photocopy and digital art. She was an early user of the photocopier to make art, and used this practice to embrace mail art.
Louise Odes Neaderland was an American photographer, printmaker, book artist and founder of the International Society of Copier Artists (I.S.C.A.) and the I.S.C.A. Quarterly, a collaborative mail, book art, and copy art publication. She was the organizer of ISCAGRAPHICS, a traveling exhibition of xerographic art.
Klaus Urbons is a German photographer and xerography printmaker. He is a pioneer and leading figure of copy art in Germany and not only. He founded the Museum für Fotokopie, and is the author and translator of books on the history of Copy Art and photocopiers, as well as a curator and a collector.
Gen Atem is a visual and performance artist, musician, writer, and Zen-master. He lives and works in Zurich, Switzerland.
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