Laurie Halsey Brown is an American artist and curator based in San Francisco. [1] Best known for her collaborative projects incorporating urban landscapes, Brown founded, in 2008, the artistic laboratory senseofplace LAB. [2] [3]
Brown earned an MFA from the California Institute of the Arts, [4] studied psychology in New York, and worked in Rotterdam for five years. She taught a course of her own design, “Interdisciplinary Media and Contemporary Society”, at The New School from 2000 to 2012. She has lived in San Francisco since 2007. [3]
Brown was one of 15 artists that were part of a residency program, sponsored by the Lower Manhattan Cultural Council, located in Tower 1 of the World Trade Center when the September 11 attacks destroyed both the working space and the council's Tower 5 office. The group exhibited nonetheless, showing at the nearby New Museum of Contemporary Art. Brown re-used material from her original project and, wrote New York Times critic Holland Cotter, produced "something very different in tone and meaning. Using bits from a film about the ubiquitous security surveillance at the trade center, she has simulated the panoramic view she saw daily from her Tower 1 studio windows: New York Harbor with the Statue of Liberty to the south, Tower 2 to the southeast." [5] The work incorporated footage she had taken the day before the attacks. [6]
While living in Rotterdam, Brown created a webcast and poster addressing controversies over squatting in the Netherlands. Brown's series, Honoring Japan's 'sense of place', includes a triptych that combines a textile with photograph of a crowded intersection that echos the cloth's colors and grid. Another work, also employing juxtaposition of two mediums, combines a photo of people sitting over a canal two abstract watercolors. "When I'm in a place", she was quoted in SFWeekly, "it's not just seeing one thing—it's a layering of different things, with lots of different elements." [6]
In October 2013, Brown invited four artists, Jeff Hantman, Alicia Escott, Brian King and Githinji Mbire, to create works using debris dumped illegally on the streets of Oakland. The resulting works employed, among other found objects, a truck tire, leather couch, and jawbone from an unidentified rodent. [7] [8]
Imogen Cunningham was an American photographer known for her botanical photography, nudes, and industrial landscapes. Cunningham was a member of the California-based Group f/64, known for its dedication to the sharp-focus rendition of simple subjects.
Coit Tower is a 210-foot (64 m) tower in the Telegraph Hill neighborhood of San Francisco, California, offering panoramic views over the city and the bay. The tower, in the city's Pioneer Park, was built between 1932 and 1933 using Lillie Hitchcock Coit's bequest to beautify the city of San Francisco. It was added to the National Register of Historic Places on January 29, 2008.
Julia Hunt Morgan was an American architect and engineer. She designed more than 700 buildings in California during a long and prolific career. She is best known for her work on Hearst Castle in San Simeon, California.
Jay DeFeo was a visual artist who first became celebrated in the 1950s as part of the spirited community of Beat artists, musicians, and poets in San Francisco. Best known for her monumental work The Rose, DeFeo produced courageously experimental works throughout her career, exhibiting what art critic Kenneth Baker called “fearlessness.”
Judith Scott was American fiber sculptor, born with Down Syndrome and deaf. She was internationally renowned for her art. In 1987, Judith was enrolled at the Creative Growth Art Center in Oakland, California which supports people with developmental disabilities. There, Judith discovered her passion and talent for abstract fiber art and she was able to communicate in a new form. An account of Scott's life, Entwined: Sisters and Secrets in the Silent World of Artist Judith Scott (2016) has been written by her twin sister.
Hung Liu (刘虹) is a Chinese-born American contemporary artist.
The Bay Area Figurative Movement was a mid-20th Century art movement made up of a group of artists in the San Francisco Bay Area who abandoned working in the prevailing style of Abstract Expressionism in favor of a return to figuration in painting during the 1950s and onward into the 1960s. Spanning two decades, this art movement is often broken down into three groups, or generations: the First Generation, the Bridge Generation, and the Second Generation.
Joan Brown was an American figurative painter who lived and worked in Northern California. She was a member of the "second generation" of the Bay Area Figurative Movement.
Catherine Mary Bauer is an American actress. She is best known for providing the voice of the character Perdita in the Disney animated film One Hundred and One Dalmatians (1961).
Laurie Simmons is an American artist, photographer and filmmaker. Since the mid-1970s, Simmons has staged scenes for her camera with dolls, ventriloquist dummies, objects on legs, and people, to create photographs that reference domestic scenes. She is part of The Pictures Generation, a name given to a group of artists who came to prominence in the 1970s. The Pictures Generation also includes Cindy Sherman, Barbara Kruger, and Louise Lawler.
Ralph Ward Stackpole was an American sculptor, painter, muralist, etcher and art educator, San Francisco's leading artist during the 1920s and 1930s. Stackpole was involved in the art and causes of social realism, especially during the Great Depression, when he was part of the Public Works of Art Project, Federal Art Project of the Works Progress Administration, and the Treasury Department's Section of Painting and Sculpture. Stackpole was responsible for recommending that architect Timothy L. Pflueger bring Mexican muralist Diego Rivera to San Francisco to work on the San Francisco Stock Exchange and its attached office tower in 1930–31. His son Peter Stackpole became a well-known photojournalist.
Recology, formerly known as Norcal Waste Systems, is a waste management company headquartered in San Francisco, California. The company collects and processes municipal solid waste, reclaiming reusable materials. The company also operates transfer stations, materials recovery facilities (MRFs), a number of landfills, and continues to spearhead renewable energy projects. Recology is the largest organics compost facility operator by volume in the United States.
Squeak Carnwath is a contemporary American painter and arts educator. She is a Professor Emerita of Art at University of California, Berkeley.
Deborah Remington was an American abstract painter. Her most notable work is characterized as Hard-edge painting abstraction.
Kenyatta A.C. Hinkle is an American artist and Assistant Professor at the University of California at Berkeley Department of Art Practice, who focuses on questions of race, sexuality, and history through a variety of visual and textual mediums. She lives and works in Los Angeles, California. Notable works include the Kentifrica project, the Tituba series, The Evanesced, and the Uninvited series. She is a member of CTRL+SHFT Collective in Oakland, California.
Alicia McCarthy is an American painter. She is a member of San Francisco's Mission School art movement. Her work is considered to have Naïve or Folk character, and often uses unconventional media like housepaint, graphite, or other found materials. She is currently based in Oakland, California.
Benny Alba in Columbus, Ohio, is an artist who lives in Oakland, California.
Wendy Maruyama is an artist, furniture maker, and educator from California. She was born in La Junta, Colorado.
Rebeca Bollinger is an American artist whose practice encompasses sculpture, video, photography, drawing, installation and performance. Her work employs unconventional materials and processes through which she aggregates, fragments, re-translates or juxtaposes images and objects, in order to examine shifts in meaning, information and memory. She began her art career amid cultural shifts in the 1990s, and her work of that time engages the effects of the early internet on image production and display, systems of ordering, and the construction of identity. Her later work shifted in emphasis from images to objects, employing similar processes to give form to invisible forces, memories, ephemeral phenomena, and open-ended narratives. Bollinger has exhibited at institutions including the San Francisco Museum of Modern Art (SFMOMA), de Young Museum, and Orange County Museum of Art. Her work has been recognized by the National Endowment for the Arts and belongs to the public art collections of SFMOMA, de Young Museum, and San Jose Museum of Art, among others.
Sofía Córdova is a Puerto Rican mixed media artist based in Oakland, California. She has exhibited internationally, and her artwork is held in the permanent collection of the Whitney Museum of American Art.