Lee Tung Foo

Last updated
Lee Tung Foo
Lee Tung Foo1910.jpg
Singer in the United States
Born(1875-04-23)April 23, 1875
DiedMay 1, 1966(1966-05-01) (aged 91)
Other namesLee Tong Foo
OccupationActor
Years active1910–1962

Lee Tung Foo (also known as Frank Lee) was a Chinese American Vaudeville performer born in California who performed in English, German, and Latin. [1] [2] [3] He became a film actor later in his life.

Contents

At the age of 45, he ran a Chinese restaurant he bought in New York City called Jung Sy Mandarin Restaurant. He opened a second restaurant, Imig Sy, and both were strategically placed near Broadway. By the 1930s he returned to theater work, playing some minor roles until 1932, when he was cast as Wang Yun in the film, The Skull Murder Mystery.

He continued with minor roles, being cast as the servant of the detective, Mr. Wong, in the 1939 film The Mystery of Mr. Wong . His last work was in The Manchurian Candidate , an uncredited role at the age of 87.

Early life

Born in 1875 in Watsonville, California, Lee was a son of Chinese immigrants. [4] Lee's parents had started a laundry and grocery business in Watsonville, but they moved many times before finally settling in Ripon, California. In his youth, Lee had run away from home after growing pressure from his father to leave school and work full-time.

Working as a servant, Lee was introduced to American music by his employers who had also encouraged him to go to school. A servant in the Oakland home of Zeno Mauvais, a local music store owner, Lee was influenced by Mae S. Mauvais, who worked in the Chinese Presbyterian Mission. Lee joined the church, sang in the mission choir, and played the piano and reed organ. Through the mission, Lee was taken in by Margaret Blake Alverson, a voice teacher who he worked with many years.

Early career

Lee first came in to the vaudeville stage in 1905. Hoping to dismantle the "racist attitudes that had been developing on the stage and in print media over the latter half of the nineteenth century," Lee fused yellowface, a caricature portrayal of Asians done by white actors, with "singing operatic and popular songs, doing ethnic impersonations, and exchanging comedic patter".

By combining what the general public were familiar with, yellowface, and using his musical and comedic talent, Lee quickly gained recognition. His singing performance left many thinking that it was remarkable a Chinese man could sing this well. Lee broke the stereotype that Chinese musical ability were limited and inferior and became the forefront of Chinese Americans performing in American popular culture.

Touring and act

At the height of his career Lee toured vaudeville theaters from United States, Canada, and Europe. In these 14 years of touring, Lee's vaudeville acts mainly consisted of singing operatic and popular songs as well as caricature acting of the Irish, Scottish, and Chinese. Lee's most famous sets were of mocking stereotypes of Chinese immigrants and Scottish caricatures, which he based on Harry Lauder's character Highlander.

Lee trained for various songs to implement in his routine. His light operatic work were also challenging such as "The Watcher" (1846), "The Holy City" (1892), and "Thora" (1905). Lee also performed many popular acts such as numbers from Tin Pan Alley and "My Own United States" (1909) a song from a Civil War-themed musical, When Johnny comes Marching Home.

Acting in Hollywood

By the 1920s, Lee stopped performing in vaudeville and had worked in his restaurant in New York City. Lee was also married in 1918 and had family commitments to uphold. Lee moved back to Los Angeles and started acting in films as talkies became popular. Lee played minor roles that were often stereotypical of Asians. In at least 39 films, Lee's roles were of the immigrant workers, cooks, servants, waiters, and laundrymen. Some of Lee's most notable appearances are in They Knew What They Wanted (1940) and Phantom of Chinatown (1940). He also appeared in a 1950 episode of The Lone Ranger.

Partial filmography

Related Research Articles

<span class="mw-page-title-main">Keye Luke</span> American actor (1904–1991)

Keye Luke was a Chinese-American film and television actor, technical advisor and artist and a founding member of the Screen Actors Guild.

<span class="mw-page-title-main">Benson Fong</span> American actor (1916-1987)

Benson Fong was an American character actor.

<span class="mw-page-title-main">Victor Sen Yung</span> American actor (1915–1980)

Victor Sen Young was an American character actor, best known for playing Jimmy Chan in the Charlie Chan films and Hop Sing in the western series Bonanza. He was born in San Francisco, California to Gum Yung Sen and his first wife, both immigrants from China.

<span class="mw-page-title-main">Philip Ahn</span> American actor (1905–1978)

Philip Ahn was an American actor and activist of Korean descent. With over 180 film and television credits between 1935 and 1978, he was one of the most recognizable and prolific Asian-American character actors of his time. He is widely regarded as the first Korean American film actor in Hollywood. He is not to be confused with Philson Ahn, another screen actor who broke into films in the late 1930s; Philson was Philip's younger brother.

<span class="mw-page-title-main">Jimmy Conlin</span> American actor (1884–1962)

Jimmy Conlin was an American character actor who appeared in almost 150 films in his 32-year career.

<span class="mw-page-title-main">Mantan Moreland</span> American actor (1902–1973)

Mantan Moreland was an American actor and comedian most popular in the 1930s and 1940s. He starred in numerous films. His daughter Marcella Moreland appeared as a child actress in several films.

<span class="mw-page-title-main">Tetsu Komai</span> Japanese-American actor (1894–1970)

Tetsu Komai, also known as Tetsuo Komai, was a Japanese-born American actor, known for his minor roles in Hollywood films.

<span class="mw-page-title-main">Victor Wong (actor, born 1906)</span> American actor

Victor Wong was a Chinese American actor. While Wong appeared in numerous films through the 1930s and 1940s, they were largely small uncredited parts. His biggest role was as Charlie the Cook in the movie King Kong (1933) and Son of Kong (1933). Wong's most memorable scene came in King Kong when he finds evidence that natives from Skull Island have been aboard the ship Venture, resulting in the kidnapping of heroine Ann Darrow. As Charlie the Cook, Wong yells, "All hands on deck! Everybody on deck!" This causes panic aboard ship which begins the quest for Ann's whereabouts and the discovery of King Kong. The Charlie character in the sequel Son of Kong was more prominent to the story and included significantly more screen time for Wong.

<span class="mw-page-title-main">Richard Loo</span> American character actor (1903–1983)

Richard Loo was an American film actor who was one of the most familiar Asian character actors in American films of the 1930s and 1940s. He appeared in more than 120 films between 1931 and 1982.

<span class="mw-page-title-main">Clarence Muse</span> American actor (1889–1979)

Clarence Muse was an American actor, screenwriter, director, singer, and composer. He was the first African American to appear in a starring role in a film, 1929's Hearts in Dixie. He acted for 50 years, and appeared in more than 150 films. He was inducted into the Black Filmmakers Hall of Fame in 1973.

<span class="mw-page-title-main">Frank Orth</span> American actor (1880–1962)

Frank Orth was an American actor born in Philadelphia. He is probably best remembered for his portrayal of Inspector Faraday in the 1951-1953 television series Boston Blackie.

<span class="mw-page-title-main">Eddie Lee</span> American character actor (1899–1979)

Eddie Lee was a character actor from the 1930s through the 1950s. Of Asian descent, he played mainly bit parts such as cooks and soldiers. While most of his over 80 roles were uncredited, he did have a few significant roles, such as in 1935's Sunset Range, Panic on the Air (1936), and 1943's The Man From Thunder River.

<span class="mw-page-title-main">Hay Petrie</span> Scottish actor

David Hay Petrie was a Scottish actor noted for playing eccentric characters, among them Quilp in The Old Curiosity Shop (1934), the McLaggen in The Ghost Goes West (1935) and Uncle Pumblechook in Great Expectations (1946).

<i>Mr. Wong in Chinatown</i> 1939 film

Mr. Wong in Chinatown is a 1939 American mystery film directed by William Nigh and starring Boris Karloff as Mr. Wong.

<span class="mw-page-title-main">Sam McDaniel</span> American actor

Samuel Rufus McDaniel was an American actor who appeared in over 210 television shows and films between 1929 and 1950. He was the older brother of actresses Etta McDaniel and Hattie McDaniel.

<span class="mw-page-title-main">Leon Belasco</span> Russian-American actor and musician (1902–1988)

Leon Belasco was a Russian-American actor and musician who had a career in film and television that spanned from the 1920s to the 1980s, appearing in more than 100 films.

Charles F. Miller was an American film actor. Miller made his film debut in Little Women as a minister and starred in many films thereafter.

Wong Chung was an American film actor. He began with the Asia Film Company, and he appeared in Tou Shaoya and Stealing a Roast Duck (1909), both directed by Leung Siu-bo. He appeared in Barbary Coast (1935), in which he was the only Asian actor listed in the opening credits, unlike the Asian actors from the period.

<span class="mw-page-title-main">Joe Devlin (actor)</span> American actor (1894–1973)

Joe Devlin was an American actor. He appeared in numerous films and TV series from the 1930s to the 1960s.

<span class="mw-page-title-main">Spencer Chan</span> American character actor

Spencer Chan was an American character actor of Chinese descent. He had a long career in numerous films.

References

  1. Sixty years of California song By Rosana Margaret Kroh Blake Alversonwas
  2. Yellowface: creating the Chinese in American popular music and performance by Moon, Krystyn R., pp 146-147
  3. Lee Tung Foo and the Making of a Chinese American Vaudevillian, 1900s-1920s by Moon, Krystyn R., Journal of Asian American Studies - Volume 8, Number 1, February 2005, pp. 23-48
  4. "In the Green Room". The Victoria Daily Times. 10 Aug 1912. Retrieved 2019-11-18.
  5. 1 2 3 4 5 6 7 8 9 10 11 12 The American Film Institute Catalog Feature Films 1931-1940 The American Film Institute, University of California Press, Pg 248
  6. "Lee Tung Foo".
  7. nytimes.com The Screen in Review; Laughton in 'They Knew What They Wanted' at Music Hall--Dance, Girl, Dance' at Palace--New Films at Loew's State, Rialto and Cinecitta by Bosley Crowther, New York Times, Published: October 11, 1940
  8. nytimes.com THE SCREEN; 'Across the Pacific,' Featuring Humphrey Bogart and Sydney Greenstreet in a Tingling Thriller, Arrives at Strand By Bosley Crowther, New York Times, Published: September 5, 1942
  9. nytimes.com At the Roxy, by T.M.P., New York Times, Published: October 12, 1944
  10. Leonard Maltin's 2009 Movie Guide By Leonard Maltin, pg 214