 | This article has an unclear citation style .(February 2013) |
Leela Desai, aka Lila Desai, was an Indian actress in the 1930s and 1940s. She was the daughter of Umedram Lalbhai Desai and his second wife Satyabala Devi, a musician of the early 1900s.
| This article has an unclear citation style .(February 2013) |
Leela Desai, aka Lila Desai, was an Indian actress in the 1930s and 1940s. She was the daughter of Umedram Lalbhai Desai and his second wife Satyabala Devi, a musician of the early 1900s.
Desai was born in Newark, New Jersey when her parents were on a 3-year American tour. Her father was a Gujarati and her mother was from Bihar, India. She grew up in India. She acted in 11 Indian movies and was the associate producer of the movie Kabuliwali in 1961. In 1944, Leela also acted in the movie Kaliyan with her sister Ramola. Ramola also acted in the film Lalkar in the same year.
Desai had formal education in classical Hindustani dancing under Sohanlal and Lacchumaharaj, and Academic education in Music in Morrice College (Lucknow). She acted in the movie Nagagnarayan, produced by Vishram Bedekar in 1943. "Leela Desai had been invited by the students of the Intermediate College in 1941. Bangalore had the distinction of holding festivals of films made by New Theatres' and Prabhat Film Co."
".N. Sircar's empire introduced personalities of the stature of P.C. Barua, Bimal Roy, Debaki Bose, Leela Desai, Phani Majumdar, Timir Baran, Umashashi, Nitin Bose, K.. Saigal, Pankaj Mullick, Nemo, Sisir Kumar Bhaduri and Jamuna, all of whom later earned all India fame, under the banner of New Theatres. Among his technical achievements were the bringing of sound to Calcutta for Bengali films, and the introduction of the playback system. The elephant logo of New Theatres acted as a magnet to draw crowds throughout the country." More about B.N. Sircar B. N. Sircar
Desai was a dancer and a follower of Sohan Lal. [1]
"The third Kapal Kundala released after a decade from the first Kapal Kundala in 1939. This time the movie was directed by both Nitin Bose and Phani Majumdar. Desai played the role for Kapal Kundala."
Phani Majumdar married Desai's sister Monica Desai. [2]
Desai was trained in the "Bhatkhande Music Institute established in Lucknow in 1926 has played a vital role in training generations of performing artistes, dedicated gurus and gifted composers...Lucknow has contributed music directors, (like Naushad, Madan Mohan and Roshan), actors and actresses (like Kumar, Iftekar, Akhtari Bai, Bina Rai, Yashodhara Katju and Swaranlata), singers (Talat Mahmud, Anup Jalota, Dilraj Kaur and Krishna Kalle), writers (like Amritlal Nagar, Bhagawati Sharan Varma and Achala Nagar), lyricists and dancers. Lachhu Maharaj was a very successful choreographer for many films. Pahadi Sanyal, Leela Desai and Kamlesh Kumari of New Theatres at Calcutta were all trained here."
Desai owned a house in Darjeeling called "Lily Cottage". Her mother Satyabala Devi lived there until her death. It is possible that Lila knew Manjula or Sumitra Sanyal in Darjeeling. Lila Desai is mentioned in Bollywood actress Sumitra Sanyal's site.
"What shall be said of Leela Desai, who acted the part of the President 's sister, the mischievous school-girl, and who always took the active part in the love-making between her and Prakash Babu (Saigal)? I cannot find a single fault with her acting. She played up to Saigal splendidly. Even her eyes were most expressive. What naughtiness was in them? As a shameless hussy she could give points to any of your Hollywood actresses–and win. In the love-duet between her and Saigal it was she who always led. She was the personification of Mr. Barnard Shaw's pet notion that, in this eternal amorous game, it is the woman who leads the man on and not, as is commonly supposed, the other way about. From the moment she jumped down her school garden-wall and almost fell plump into the arms of Prakash Babu, who was sitting below chewing the end of his reflections anent his dismissal from his job, she never, in a manner of speaking, left him to himself. She would bring down the house with her: "Uske bad kya hua, Prakash Babu?" The poor man had to dance to her measure ever afterwards. When she found herself with him alone she gave us the impression of having fed on honey-dew and on the milk of paradise. Then, in addition to her sparkling dialogue and supremely "alive" acting, she was gorgeous in her dancing performance. Her whole face was a mirror in which her thoughts were reflected. She was an imp of mischief from commencement to conclusion." [3]
New Theatres is an Indian film studio. It was formed in Calcutta by producer B. N. Sircar. It was formed on 10 February 1931. Motto of this company was– Jivatang Jyotiretu Chhayam. Sircar preferred to function roughly analogous to what in USA was known as an executive producer. He built a processing laboratory... and got around him a devoted band of people.... Having decided on or approved a story or a subject for a film and the team to make it [Sircar] ensured that adequate funds were provided... but refrained from interfering with its execution. He made New Theatres a symbol of Bengali cinema's artistic good taste and technical excellence.
Kumudini Lakhia is an Indian Kathak dancer and choreographer based in Ahmedabad, Gujarat, where she founded Kadamb School of Dance and Music, an institute of Indian dance and music in 1967.
Shashikala Saigal, better known by her first name, was an Indian film and television actress, who played supporting roles in hundreds of Bollywood films beginning in the 1940s.
(Rao Sahib) Umedram Lalbhai Desai (1869–1930) was a medical doctor in India during the time of the British Raj.
Nitin Bose was an Indian film director, cinematographer and screenwriter of the nation's film industry. He was born in Calcutta and died in the same city. In the 1930s and early 40s, he worked with New Theatres, who made bilingual movies: in both Bengali and Hindi. Later, he moved to Bombay and directed under the banners of Bombay Talkies and Filmistan.
Aarti is a 1962 Indian Hindi-language film directed by Phani Majumdar and produced by Tarachand Barjatya. The film stars Meena Kumari in the title role of Aarti, with Ashok Kumar, Pradeep Kumar and Shashikala appearing in pivotal roles. It is based on Sanskar Lakshmi, a play written by Prafulla Desai.
Bhatkhande Sanskriti Vishwavidyalaya (BSV), formerly Bhatkhande Music Institute Deemed University (2000-2022), Bhatkhande College of Hindustani Music (1966-2000) and Marris College of Music (1926-1966), is a state university in Lucknow. Established in 1926 by Vishnu Narayan Bhatkhande, it was declared a deemed university by University Grants Commission (UGC) in 2000, and upgraded into a state university in 2022 by The Bhatkhande Sanskriti Vishwavidyalaya Act, 2022. It offers music education in Vocal Music, Instrumental, Rhythms, Dance, Musicology and Research and Applied Music.
Birendranath Sircar was an Indian film producer and the founder of New Theatres Calcutta. He made Bengali-language films that were noted for introducing many film directors who later became famous. He was awarded the Dada Saheb Phalke Award in 1970 and the third highest civilian award in India, the Padma Bhushan, in 1972.
Meri Bahen is a 1944 Hindi language film. It was the fourth highest-grossing Indian film of 1944. Produced by New Theatres, Ltd. Calcutta, and directed by Hemchander Chunder. It starred K. L. Saigal, Sumitra Devi, Akhtar Jehan, Chandrabati Devi, Nawab, and Tulsi Chakraborty. The music direction was by Pankaj Mullick with lyrics by Pandit Bhushan.
Kapalkundala is a Bengali romance novel by Indian writer Bankim Chandra Chattopadhyay. Published in 1866, it is a story of a forest-dwelling girl named Kapalkundala, who fell in love with and married Nabakumar, a young gentleman from Saptagram, but eventually found that she is unable to adjust herself with the city life. Following the success of Chattopadhyay's first novel Durgeshnandini, he decided to write about a girl who is brought up in a remote forest by a Kapalika and never saw anyone but her foster-father. The story is set in Dariapur, Contai in modern-day Purba Medinipur district, Paschimbanga where Chattopadhyay served as a Deputy Magistrate and Deputy Collector.
Phani Majumdar was a pioneering Indian film director, who worked in Hindi cinema, most known for his film Street Singer (1938) starring K.L. Saigal noted for its song, Babul Mora Naihar Chhooto Jaye, Meena Kumari classic Aarti (1962) and Oonche Log (1965). He also worked in Singapore, where he notably made Hang Tuah (1955) in Malay, which was nominated for the Golden Bear at the 7th Berlin International Film Festival.
Tamanna is a Bollywood film. It was released in 1942. The film was directed by Phani Majumdar, who also wrote the screenplay, for the Laxmi Productions Ltd. banner. This was the first film from the Laxmi banner, which had been started by Chimanlal Trivedi who earlier headed Circo Productions. Tamanna was also the renowned dancer, Leela Desai's, first film in Bombay. The main cast included Leela Desai, P. Jairaj, Karan Dewan, Jagdish Sethi and K. C. Dey, who besides acting, composed the music. S. K. Kalla wrote the dialogue and lyrics.
Dushman is a 1939 Hindi social romantic drama film. It was directed by Nitin Bose for New Theatres Calcutta Production. The film starred K. L. Saigal, Leela Desai, Najmul Hassan, Prithviraj Kapoor, Nemo and Jagdish Sethi. The music was composed by Pankaj Mullick and the lyrics were written by Arzu Lucknavi. Nitin Bose besides directing also wrote the story and wielded the camera for the film. The dialogue writer was Sudarshan. The story subject about tuberculosis was suggested as a propaganda film by Viceroy Lord Linlithgow and his wife, who were then the Chairman and Patron of King George’s Tuberculosis Fund.
Vidyapati is a 1937 Bengali biopic film directed by Debaki Bose for New Theatres. It starred Pahari Sanyal as Vidyapati. His costars in the film were Kanan Devi, Prithviraj Kapoor, Chhaya Devi, Leela Desai, K. C. Dey and Kidar Sharma. The music was by R. C. Boral and lyrics by Kidar Sharma. Debaki Bose and Qazi Nazrul Islam wrote the story, screenplay and dialogues. The story is about the Maithili poet and Vaishnava saint Vidyapati. The songs of the film became popular and the lyrics though encapsulating Vidyapati's poetry were considered bold for its time. This however ensured the film garnered crowds at the theatres making it a big success of 1937.
President is a 1937 Hindi social romantic drama film from New Theatres. The Bengali version was called Didi. The direction, screenplay and cinematography were by Nitin Bose. The film starred K. L. Saigal, Leela Desai, Kamlesh Kumari, Jagdish Sethi, Prithviraj Kapoor and Bikram Kapoor. The story according to the credit roll of the film is "A tale of love and greater love" developed on an idea by M. M. Begg. It was a love triangle with a social content that highlighted the conditions of the mill workers. It was also the first film to show a liberated educated woman managing her own factory.
Chandidas is a 1934 Hindi social drama film directed by Nitin Bose. The film was produced by New Theatres Calcutta and was their first big success. It was remake of the 1932 Bengali film of the same name directed by Debaki Bose. This 1934 Hindi version starred K. L. Saigal, Uma Sashi, Pahari Sanyal, Nawab and H. Siddiqui. The music direction was by R. C. Boral with the lyrics written by Agha Hashar Kashmiri. The credit roll of the film states that the film is "Based on the life problems of the poet Chandidas –A problem India has not been able to solve", which involved the caste schism in India. The story revolves around the 15th century poet-saint Chandidas who acts out against the deep-rooted bigotry against caste, untouchoubility and the hypocrisy of society, and a washer woman with whom he falls in love.
Nartaki (Dancer) is a 1940 film directed by Debaki Bose for New Theatres Ltd, Calcutta. A bilingual made in Hindi and in Bengali, it had story and screenplay written by Bose, with cinematography by Yusuf Mulji. Music was composed by Pankaj Mullick. The cast had actress Leela Desai playing the title role of Nartaki. Najam also called Najam-Ul-Hasain or Najmul Hussain had left Bombay Talkies following his affair and elopement with Devika Rani, had now joined New Theatres Ltd, where he was cast in films like Anath Ashram (1937), Dushman (1939), Kapal Kundala (1939), and Nartaki. The rest of the main cast included Jagdish Sethi, Wasti and Pankaj Mullick in the Hindi version.
Sumitra Devi was an Indian actress who is recognised for her work in Hindi as well as Bengali cinema during the 1940s and 1950s. Widely regarded as one of the greatest actresses of her time, she is best remembered for her role in the 1952 Hindi film Mamta directed by Dada Gunjal. She was the recipient of BFJA Award for Best Actress for two times. She was one of the exquisite beauties of her time and has been regarded as the most beautiful woman of her time by veterans such as Pradeep Kumar and Uttam Kumar.
Husn Banu was a Bollywood actress famous as a stunt actress after "Hanterwali Nadia", and later worked as a supporting actress in films from the 1930s to the 1970s. She was born in 1919 in Singapore.
Yashodhara Katju was a Bollywood actress who was the Second Kashmiri Girl after Shyama Zutshi who joined films in 1941. She was born in 1928 in Allahabad.