Photojournalism is journalism that uses images to tell a news story. It usually only refers to still images, but can also refer to video used in broadcast journalism. Photojournalism is distinguished from other close branches of photography by having a rigid ethical framework which demands an honest and impartial approach that tells a story in strictly journalistic terms. Photojournalists contribute to the news media, and help communities connect with one other. They must be well-informed and knowledgeable, and are able to deliver news in a creative manner that is both informative and entertaining.
André Kertész, born Andor Kertész, was a Hungarian-born photographer known for his groundbreaking contributions to photographic composition and the photo essay. In the early years of his career, his then-unorthodox camera angles and style prevented his work from gaining wider recognition. Kertész never felt that he had gained the worldwide recognition he deserved. Today he is considered one of the seminal figures of 20th century photography.
Robert Frank was a Swiss American photographer and documentary filmmaker. His most notable work, the 1958 book titled The Americans, earned Frank comparisons to a modern-day de Tocqueville for his fresh and nuanced outsider's view of American society. Critic Sean O'Hagan, writing in The Guardian in 2014, said The Americans "changed the nature of photography, what it could say and how it could say it. [ ... ] it remains perhaps the most influential photography book of the 20th century." Frank later expanded into film and video and experimented with manipulating photographs and photomontage.
Edward Jean Steichen was a Luxembourgish American photographer, painter, and curator. He is considered among the most important figures in the history of photography.
Francesco Scavullo was an American fashion photographer best known for his work on the covers of Cosmopolitan and his celebrity portraits.
Bill Brandt was a British photographer and photojournalist. Born in Germany, Brandt moved to England, where he became known for his images of British society for such magazines as Lilliput and Picture Post; later he made distorted nudes, portraits of famous artists and landscapes. He is widely considered to be one of the most important British photographers of the 20th century.
Street photography is photography conducted for art or inquiry that features unmediated chance encounters and random incidents within public places. It usually has the aim of capturing images at a decisive or poignant moment by careful framing and timing. Street photography overlaps widely with candid photography, although the latter can also be used in other settings, such as portrait photography and event photography.
Documentary photography usually refers to a popular form of photography used to chronicle events or environments both significant and relevant to history and historical events as well as everyday life. It is typically undertaken as professional photojournalism, or real life reportage, but it may also be an amateur, artistic, or academic pursuit.
Olaf Skoogfors was an artist, metalsmith and educator until his death in 1975, at the age of 45.
Alexey Vyacheslavovich Brodovitch was a Russian-American photographer, designer and instructor who is most famous for his art direction of fashion magazine Harper's Bazaar from 1934 to 1958.
Gertrude Käsebier was an American photographer. She was known for her images of motherhood, her portraits of Native Americans, and her promotion of photography as a career for women.
Clarence Hudson White was an American photographer, teacher and a founding member of the Photo-Secession movement. He grew up in small towns in Ohio, where his primary influences were his family and the social life of rural America. After visiting the World's Columbian Exposition in Chicago in 1893, he took up photography. Although he was completely self-taught in the medium, within a few years he was internationally known for his pictorial photographs that captured the spirit and sentimentality of America in the early twentieth century. As he became well known for his images, White was sought out by other photographers who often traveled to Ohio to learn from him. He became friends with Alfred Stieglitz and helped advance the cause of photography as a true art form. In 1906 White and his family moved to New York City in order to be closer to Stieglitz and his circle and to further promote his own work. While there he became interested in teaching photography and in 1914 he established the Clarence H. White School of Photography, the first educational institution in America to teach photography as art. Due to the demands of his teaching duties, his own photography declined and White produced little new work during the last decade of his life. In 1925 he suffered a heart attack and died while teaching students in Mexico City.
Lisette Model was an Austrian-born American photographer primarily known for the frank humanism of her street photography.
Jesse A. Fernández was a Cuban artist, photographer, and photojournalist. He was an art director of Visión Magazine in New York City and a photographer for the Revolución newspaper in Havana, Cuba. Fernández was granted the Cintas Foundation Fellowship for painting in 1967 and 1975.
David Vestal was an American photographer of the New York school, a critic, and teacher.
Dan Wynn (1920–1995) was an American editorial, portrait, and advertising photographer and film director. During his career, his work was published in many American magazines, including Esquire, New York, Travel + Leisure, Seventeen, Time, Newsweek, Harper's Bazaar, McCall's and Woman's Day. He also provided covers for books, record albums, and international magazines.
Kenneth Randall Light is an American social documentary photographer based in the San Francisco Bay Area. He is the author of twelve monographs, including Midnight La Frontera, What'sGoing On? 1969-1974,Delta Time, TexasDeath Row and, most recently, Course of the Empire, published by Steidl. He wrote Witness in our Time: Working Lives of Documentary Photographers, a collection of recollections and interviews with 29 of the world's most well-known photographers, editors and curators of the genre. He has had his photographs included as part of photo essays and portfolios in newspapers, magazines and other media, has been exhibited worldwide and is part of museum collections such as SF Museum of Modern Art and International Center of Photography. Light was also a co-founder of Fotovision, the Mother Jones International Fund for Documentary Photography and he is the recipient of a Guggenheim Fellowship and three National Endowment for the Arts photography fellowships. He is also a professor at the Graduate School of Journalism at UC Berkeley where he holds the Reva and David Logan chair in photojournalism and he is the director of the school's Logan documentary photography gallery.
Ronald (Ron) Tarver is an American artist and educator. He was the first Black photographer at the Muskogee Phoenix and also worked at the Springfield News-Leader in Missouri (1980-1983), before joining The Philadelphia Inquirer. His career at the Inquirer in Philadelphia, Pennsylvania, spans more than three decades (1983–2014). Tarver currently serves as Associate Professor of Art specializing in photography at Swarthmore College.
Ave Pildas is an American photographer and designer known for his work in both the music industry and fine arts. He gained recognition for his early photographs of jazz musicians, including Nina Simone, Dizzy Gillespie, John Coltrane and Dave Brubeck, which were published in DownBeat magazine during the 1960s.
