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The banjo is a stringed instrument with a thin membrane stretched over a frame or cavity to form a resonator. The membrane is typically circular, in modern forms usually made of plastic, originally of animal skin.
Bluegrass music is a genre of American roots music that developed in the 1940s in the Appalachian region of the United States. The genre derives its name from the band Bill Monroe and the Blue Grass Boys. Like mainstream country music, it largely developed out of old-time music, though in contrast to country, it is traditionally played exclusively on acoustic instruments and also kept its roots in traditional English, Scottish and Irish ballads and dance tunes, as well as incorporating blues and jazz. It was further developed by musicians who played with Monroe, including 5-string banjo player Earl Scruggs and guitarist Lester Flatt. Bill Monroe once described bluegrass music as, "It's a part of Methodist, Holiness and Baptist traditions. It's blues and jazz, and it has a high lonesome sound."
"Mother" Maybelle Carter was an American country musician and "among the first" to use the Carter scratch, with which she "helped to turn the guitar into a lead instrument." It was named after her. She was a member of the original Carter Family act from the late 1920s until the early 1940s and a member of the Carter Sisters and Mother Maybelle group.
Old-time music is a genre of North American folk music. It developed along with various North American folk dances, such as square dancing, contra dance, clogging, and buck dancing. It is played on acoustic instruments, generally centering on a combination of fiddle and plucked string instruments, most often the banjo, guitar, and mandolin. Together, they form an ensemble called the string band, which along with the simple banjo-fiddle duet have historically been the most common configurations to play old-time music. The genre is considered a precursor to modern country music.
The Appalachian dulcimer is a fretted string instrument of the zither family, typically with three or four strings, originally played in the Appalachian region of the United States. The body extends the length of the fingerboard, and its fretting is generally diatonic.
Bascom Lamar Lunsford was a folklorist, performer of traditional Appalachian music, and lawyer from western North Carolina. He was often known by the nickname "Minstrel of the Appalachians."
Elizabeth "Libba" Cotten was an influential American folk and blues musician. She was a self-taught left-handed guitarist who played a guitar strung for a right-handed player, but played it upside down. This position meant that she would play the bass lines with her fingers and the melody with her thumb. Her signature alternating bass style has become known as "Cotten picking". NPR stated "her influence has reverberated through the generations, permeating every genre of music."
Clarence "Tom" Ashley was an American musician and singer, who played the clawhammer banjo and the guitar. He began performing at medicine shows in the Southern Appalachian region as early as 1911, and gained initial fame during the late 1920s as both a solo recording artist and as a member of various string bands. After his "rediscovery" during the folk revival of the 1960s, Ashley spent the last years of his life playing at folk music concerts, including appearances at Carnegie Hall in New York and at the Newport Folk Festival in Rhode Island.
Americana is an amalgam of American music formed by the confluence of the shared and varied traditions that make up the musical ethos of the United States of America, with particular emphasis on music historically developed in the American South.
Karen J. Dalton was an American country blues singer, guitarist, and banjo player. She was associated with the early 1960s Greenwich Village folk music scene, particularly with Fred Neil, the Holy Modal Rounders, and Bob Dylan. Although she did not enjoy much commercial success during her lifetime, her music has gained significant recognition since her death. Artists like Nick Cave, Devendra Banhart, and Joanna Newsom have noted her as an influence.
"The Maid Freed from the Gallows" is one of many titles of a centuries-old folk song about a condemned maiden pleading for someone to buy her freedom from the executioner. Other variants and/or titles include "The Gallows Pole", "The Gallis Pole", "Hangman", "The Prickle-Holly Bush", "The Golden Ball", and "Hold Up Your Hand, Old Joshua She Cried." In the collection of ballads compiled by Francis James Child in the late 19th century, it is indexed as Child Ballad number 95; 11 variants, some fragmentary, are indexed as 95A to 95K. The Roud Folk Song Index identifies it as number 144.
Cara Luft is a Canadian singer-songwriter, guitarist and clawhammer banjo player, and founding member of the Canadian folk trio The Wailin' Jennys. She returned to her solo career in 2005.
The American folk music revival began during the 1940s and peaked in popularity in the mid-1960s. Its roots went earlier, and performers like Josh White, Burl Ives, Woody Guthrie, Lead Belly, Big Bill Broonzy, Richard Dyer-Bennet, Oscar Brand, Jean Ritchie, John Jacob Niles, Susan Reed, Paul Robeson, Bessie Smith, Ma Rainey and Cisco Houston had enjoyed a limited general popularity in the 1930s and 1940s. The revival brought forward styles of American folk music that had in earlier times contributed to the development of country and western, blues, jazz, and rock and roll music.
Mother McCree's Uptown Jug Champions is an American folk music album. It was recorded live by the band of the same name at the Top of the Tangent coffee house in Palo Alto, California in July, 1964, and released in 1999.
Sunforest was an American-English psychedelic folk music trio. It was formed in 1968 by Terry Tucker, Erika Eigen and Freya Hogue. They recorded only one album, Sound of Sunforest on Decca Records. They are best known for their instrumental musical piece "Overture to the Sun" and their song "Lighthouse Keeper", which were featured on the soundtrack to A Clockwork Orange.
Mary McCaslin was an American folk singer who wrote, recorded, and performed contemporary folk music.
James Benton Flippen was an American old-time fiddler from Mount Airy, North Carolina. He was one of the last surviving members of a generation of performers born in the early 20th century playing in the Round Peak style centering on Surry County, North Carolina. His contemporaries included Tommy Jarrell, Fred Cockerham, Kyle Creed, and Earnest East.
Lily May Ledford was an American clawhammer banjo and fiddle player. After gaining regional radio fame in the late 1930s as head of the Coon Creek Girls, one of the first all-female string bands to appear on radio, Ledford went on to gain national renown as a solo artist during the American folk music revival of the 1960s. In 1985, she was awarded a National Heritage Fellowship.
Vivian Williams was an American fiddler, composer, recording artist, and writer. She won national fiddling titles, including the National Oldtime Fiddlers Contest, and in 2013 she was inducted into the North American Old Time Fiddlers Hall of Fame.
Cristina Vane is a country blues singer, guitarist, banjoist and songwriter. She has been influenced by Skip James, Robert Johnson, Blind Willie Johnson, Alanis Morissette and Rory Block. Vane has released two albums, both released by Red Parlor Records. Vane noted "I write and perform original music inspired by old-time blues, country, and folk music".
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