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William Tell is a 1923 German silent adventure film directed by Rudolf Dworsky and Rudolf Walther-Fein and starring Hans Marr, Conrad Veidt, and Erich Kaiser-Titz. The film portrays the story of the legendary Swiss national hero William Tell. The sets were designed by Rudi Feld. It premiered at the Marmorhaus in Berlin.
Ludwig II, King of Bavaria is a 1929 German silent historical film directed by William Dieterle and starring Dieterle, Theodor Loos and Eugen Burg. It portrays the life and reign of the monarch Ludwig II who ruled Bavaria from 1864 to 1886. It was made at the Bavaria Studios in Geiselgasteig, Munich. The production company was the German subsidiary of the American studio Universal Pictures.
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Dame Care is a 1928 German silent drama film directed by Robert Land and starring Fritz Kortner, Mary Carr and William Dieterle. It is based on the 1887 novel Frau Sorge by Hermann Sudermann. It was shot at the Staaken Studios in Berlin. The film's sets were designed by the art director Robert Neppach. It was distributed by the German branch of First National Pictures.
Triumph of Love is a 1929 German silent drama film directed by William Dieterle and starring Dieterle, Lien Deyers and Olaf Fønss. It was made by the German branch of Universal Pictures and shot at the Tempelhof Studios in Berlin and on location in Arosa in Switzerland and the Spree Forest in Brandenburg. The film's art direction was by Alfred Junge and Max Knaake.
Whirl of Youth is a 1928 British-German silent drama film directed by Richard Eichberg and starring Fee Malten, Heinrich George and Fred Louis Lerch.
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The Hunter of Fall is a 1926 German silent drama film directed by Franz Seitz and starring Grete Reinwald, William Dieterle and Fritz Kampers. It is based on a novel of the same title by Ludwig Ganghofer which has been made into films several times.
The Chaplain of San Lorenzo is a 1953 West German drama film directed by Gustav Ucicky and starring Willy Birgel, Dieter Borsche and Gertrud Kückelmann. It was shot at the Bavaria Studios in Munich. The film's sets were designed by the art directors Robert Herlth and Gottfried Will.
Captive Soul is a 1952 West German drama film directed by Hans Wolff and starring Attila Hörbiger, Anne-Marie Blanc and Adrian Hoven. It was shot at the Bavaria Studios and on location in Munich and Bayreuth. The film's sets were designed by the art director Max Mellin.
Who Is This That I Love? is a 1950 West German musical comedy film directed by Géza von Bolváry and starring Jester Naefe, Adrian Hoven, and Iván Petrovich. It was shot at the Wiesbaden and Bavaria Studios and on location around Lake Starnberg. The film's sets were designed by the art directors Fritz Lück and Hans Sohnle.
Heart of Stone is a 1924 German silent film directed by Fred Sauer and starring Fritz Schulz, Grete Reinwald and Frida Richard. The film is based on a fairy tale by Wilhelm Hauff.
Golden Boy is a 1925 German silent film directed by H. Klynmann and starring Grete Reinwald and Carl Auen.
Frisian Blood is a 1925 German silent film directed by Fred Sauer and starring Jenny Jugo, Gustav Fröhlich and Hans Adalbert Schlettow.
People of the Sea is a 1925 German silent drama film directed by Léo Lasko and starring Fritz Kampers, Elisabeth Pinajeff and Fritz Rasp.
The Night of Decision is a 1920 German silent drama film directed by Franz Osten and starring Erich Kaiser-Titz, Henri Peters-Arnolds and Grete Reinwald.
Time Is Money is a 1923 German silent film directed by Fred Sauer and starring Grete Reinwald, Colette Corder and Fritz Rasp. The film was released in Germany with its title in English. It premiered at the Marmorhaus in Berlin. The film's sets were designed by the art director Fritz Lederer.
The Woman on the Panther is a 1923 German silent film directed by Alfred Halm and starring Grete Reinwald, Hermann Thimig, and Olga Limburg.
What the Stones Tell is a 1925 German silent historical war film directed by Rolf Randolf and starring Ernst Rückert, Fritz Greiner and Eduard von Winterstein. The film portrays the Lützow Free Corps of the Napoleonic Era. Its title references a poem about the unit, and is part of the tradition of Prussian films.
References
- ↑ Bock & Bergfelder p.90
