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The Lenox School of Jazz was a summer programme of jazz education from 1957 to 1960, at the Music Barn in Lenox, Massachusetts.
Faculty included Dizzy Gillespie, Jimmy Giuffre, Percy Heath, Larry Ridley, Connie Kay, Jim Hall, Ralph Peña, Max Roach, [1] Willis James. [2] [3]
Students included Ornette Coleman, Margo Guryan, Dizzy Sal, Jamey Aebersold, David Baker, Paul Bley, Attila Zoller, Lucille Butterman, Terry Hawkeye, Verne Elkins, Cevira Rose, Dale Hillary, and Esther Siegel. [2] [3]
A number of scholarships were available.
In late 1957 Herman Lubinsky, head of Savoy Records in Newark, NJ, established a scholarship for full tuition, room and board, and private lesson fees to a promising instrumental student for attendance at the School of Jazz during its second annual session on the grounds of Music Inn, Lenox, Massachusetts, during August, 1958.
In 1959 the F. & M. Schaefer Brewing Company awarded the Shafer Scholarships to John Keyser, Paul Cohen, Steve Kuhn, Dave Mackay, Ian Underwood, Tony Greenwald and Herb Gardner. R.J. Schaefer III presented the scholarships.
Dizzy Gillespie with Al Fraser: “To Be or Not To Bop”- ‘School for Jazz.’ {ISBN 978-0-8166-6547-1}
Maxwell Lemuel Roach was an American jazz drummer and composer. A pioneer of bebop, he worked in many other styles of music, and is generally considered one of the most important drummers in history. He worked with many famous jazz musicians, including Clifford Brown, Coleman Hawkins, Dizzy Gillespie, Charlie Parker, Miles Davis, Duke Ellington, Thelonious Monk, Abbey Lincoln, Dinah Washington, Charles Mingus, Billy Eckstine, Stan Getz, Sonny Rollins, Eric Dolphy, and Booker Little. He also played with his daughter Maxine Roach, Grammy nominated Violist. He was inducted into the DownBeat Hall of Fame in 1980 and the Modern Drummer Hall of Fame in 1992.
Oscar Pettiford was an American jazz double bassist, cellist and composer. He was one of the earliest musicians to work in the bebop idiom.
The Monterey Jazz Festival is an annual music festival that takes place in Monterey, California, United States. It debuted on October 3, 1958, championed by Dave Brubeck and co-founded by jazz and popular music critic Ralph J. Gleason and jazz disc jockey Jimmy Lyons.
Barre Phillips is an American jazz bassist. A professional musician since 1960, he moved to New York City in 1962, then to Europe in 1967. Since 1972, he has been based in southern France where, in 2014, he founded the European Improvisation Center.
John Bergamo was an American percussionist and composer known for his film soundtrack contributions and his work with numerous other notable performers. From 1970 until his death, he was the coordinator of the percussion department at the California Institute of the Arts.
Attila Cornelius Zoller was a Hungarian jazz guitarist. After World War II, he escaped the Soviet takeover of Hungary by fleeing through the mountains on foot into Austria. In 1959, he moved to the U.S., where he spent the rest of his life as a musician and teacher.
Joachim Kurt Kühn is a German jazz pianist.
James Edward Nottingham, Jr., also known as Sir James, was an American jazz trumpeter and flugelhorn player.
Charlie Parker on Dial: The Complete Sessions is a 1993 four-disc box set collecting jazz saxophonist and composer Charlie Parker's 1940s recordings for Dial Records. The box set, released by the English label Spotlite Records, assembled into a single package the multi-volume compilation albums the label had released by Spotlite on vinyl in the 1970s under the series title Charlie Parker on Dial. The box set has been critically well received. In 1996, a different box set collecting Parker's work with Dial was assembled by Jazz Classics and released as Complete Charlie Parker on Dial.
Donald Ernest Friedman was an American jazz pianist. He began playing in Los Angeles and moved to New York in 1958. In the 1960s, he played with both modern stylists and more traditional musicians.
Diz and Getz is an album by Dizzy Gillespie, featuring Stan Getz.
By the end of the 1940s, the nervous energy and tension of bebop was replaced with a tendency towards calm and smoothness, with the sounds of cool jazz, which favoured long, linear melodic lines. It emerged in New York City, as a result of the mixture of the styles of predominantly white swing jazz musicians and predominantly black bebop musicians, and it dominated jazz in the first half of the 1950s. The starting point were a series of singles on Capitol Records in 1949 and 1950 of a nonet led by trumpeter Miles Davis, collected and released first on a ten-inch and later a twelve-inch as the Birth of the Cool. Cool jazz recordings by Chet Baker, Dave Brubeck, Bill Evans, Gil Evans, Stan Getz and the Modern Jazz Quartet usually have a "lighter" sound which avoided the aggressive tempos and harmonic abstraction of bebop. Cool jazz later became strongly identified with the West Coast jazz scene, but also had a particular resonance in Europe, especially Scandinavia, with emergence of such major figures as baritone saxophonist Lars Gullin and pianist Bengt Hallberg. The theoretical underpinnings of cool jazz were set out by the blind Chicago pianist Lennie Tristano, and its influence stretches into such later developments as Bossa nova, modal jazz, and even free jazz. See also the list of cool jazz and West Coast musicians for further detail.
Booker Little 4 and Max Roach is an album by American jazz trumpeter Booker Little featuring performances recorded in 1958 for the United Artists label.
The Modern Jazz Quartet at Music Inn Volume 2 is a live album by American jazz group the Modern Jazz Quartet featuring performances recorded at the Music Inn in Lenox, Massachusetts, in 1958, with guest artist Sonny Rollins appearing on two numbers, and released on the Atlantic label.
The Modern Jazz Quartet at Music Inn is a live album by American jazz group the Modern Jazz Quartet featuring performances recorded at the Music Inn in Lenox, Massachusetts in 1956, with guest artist Jimmy Giuffre appearing on three numbers, and released on the Atlantic label.
Max Roach and the Boston Percussion Ensemble is a live album by American jazz drummer Max Roach featuring tracks recorded at the Music Inn in Lenox, Massachusetts in 1958 and released on the EmArcy label.
John Lee is an American bassist, Grammy winning record producer and audio engineer.
Dizzy Sal, born Edward Saldanha, was an Indian jazz pianist. He was a student at the Lenox School of Jazz, and the Berklee School of Music. It is believed that he popularized jazz in Bollywood.
Rainbow Mist is an album by the American jazz saxophonist Coleman Hawkins compiling recordings from 1944 originally released by Apollo Records that was released by the Delmark label in 1992.