Leon Collins (February 7, 1922 - April 16, 1985) was an American tap dancer.
Collins was born Leandre Kollins in Chicago, Illinois to a father of West Indian descent. [1] [2] He began tap dancing at an early age, but he wanted to be a prizefighter. As a teenager, Collins performed with worked with Count Basie's orchestra, the bands of Erksine Hawkins, Earl Hines, and Tito Puente. [1] By the age of seventeen, he relocated to Detroit, where he married blues singer Tina Dixon. The couple moved to New York City where Dixon, who was signed to perform with the Jimmie Lunceford Orchestra, recommended that Collins perform with the orchestra when the opening act called out sick. Impressed by his performance, Lunceford signed Collins to a five-year contract. [1]
As work opportunities dried out when rock and roll became popular and big bands became less in demand, he learned to play the guitar, and attended the Berklee School of Music in Boston. [2] By the early 1960s, he was forced to give up dance entirely and during this interim, restored cars for fourteen years until tap dance began to experience a revival. At the urging of people like Tina Pratt and Stanley Brown, he came out of retirement and began to teach. In 1976, he performed with other retired dancers in a tap revival show at Boston's New England Life Hall, which led to new opportunities. He opened a studio with Boston's First Lady of Jazz, Mae Arnette. The studio, Star Steps Studio, was located in the Roxbury neighborhood of Boston.
In 1982, the studio moved to Brookline and a new partnership was formed. Leon and three of his students, Clara Brosnaham "CB" Hetherington, Dianne Walker and Pamela Raff opened the Leon Collins Dance Studio Inc. During this time, Leon formed a company with his students and Joan Hill (pianist). Leon Collins & Co. performed mainly in the New England area from 1982 until his untimely death in 1985. He had a few bit parts in the movies and is known for his exceptional tap dancing and teaching. He was best known for his work with jazz and bebop and in his latter years his work with classical music, in particular, his rendition of "Flight of the Bumblebee".
A documentary produced by David Wadsworth, Songs Unwritten, was filmed about Collins and released shortly after his death. He died of lung cancer in Boston in 1985.
Collins was inducted into the Tap Dance Hall of Fame in 2007. [2]
Swing music is a style of jazz that developed in the United States during the late 1920s and early '30s. It became nationally popular from the mid-1930s. The name derived from its emphasis on the off-beat, or nominally weaker beat. Swing bands usually featured soloists who would improvise on the melody over the arrangement. The danceable swing style of big bands and bandleaders such as Benny Goodman was the dominant form of American popular music from 1935 to 1946, known as the swing era, when people were dancing the Lindy Hop. The verb "to swing" is also used as a term of praise for playing that has a strong groove or drive. Musicians of the swing era include Duke Ellington, Benny Goodman, Count Basie, Cab Calloway, Jimmy Dorsey, Tommy Dorsey, Woody Herman, Harry James, Lionel Hampton, Glenn Miller, Artie Shaw, Jimmie Lunceford, and Django Reinhardt.
The Shim Sham Shimmy,Shim Sham or just Sham originally is a particular tap dance routine and is regarded as tap dance's national anthem. For today's swing dancers, it is a line dance.
The 27th Annual Grammy Awards were held on February 26, 1985, at Shrine Auditorium, Los Angeles, and were broadcast live in the United States by CBS. They recognized accomplishments by musicians from the year 1984.
James Melvin Lunceford was an American jazz alto saxophonist and bandleader in the swing era.
Helen Humes was an American singer. Humes was a teenage blues singer, a vocalist with Count Basie's band, a saucy R&B diva, and a mature interpreter of the classic popular song.
Howard Lewis Johnson was an American jazz musician, known mainly for his work on tuba and baritone saxophone, although he also played the bass clarinet, trumpet, and other reed instruments. He is known to have expanded the tuba’s known capacities in jazz.
Eugene Edward "Snooky" Young was an American jazz trumpeter. He was known for his mastery of the plunger mute, with which he was able to create a wide range of sounds.
Dianne Walker, also known as Lady Di, is an American tap dancer. Her thirty-year career spans Broadway, television, film, and international dance concerts. Walker is the artistic director of TapDancin, Inc. in Boston, Massachusetts.
Melvin James "Sy" Oliver was an American jazz arranger, trumpeter, composer, singer and bandleader.
James Titus Godbolt, known professionally as Jimmy Slyde and also as the "King of Slides", was an American tap dancer known for his innovative tap style mixed with jazz.
Brenda Bufalino is an American tap dancer and writer. She co-founded, choreographed and directed the American Tap Dance Foundation, known at the time as the American Tap Dance Orchestra. Bufalino wrote a memoir entitled, Tapping the Source...Tap dance, Stories, Theory and Practice and a book of poems Circular Migrations, both of which have been published by Codhill Press, and the novella Song of the Split Elm, published by Outskirts Press.
Charles "Honi" Coles was an American actor and tap dancer, who was inducted posthumously into the American Tap Dance Hall of Fame in 2003. He had a distinctive personal style that required technical precision, high-speed tapping, and a close-to-the-floor style where "the legs and feet did the work". Coles was also half of the professional tap dancing duo Coles and Atkins, whose specialty was performing with elegant style through various tap steps such as "swing dance", "over the top", "bebop", "buck and wing", and "slow drag".
James "Trummy" Young was an American trombonist in the swing era. He established himself as a star during his 12 years performing with Louis Armstrong in Armstrong's All Stars. He had one hit with his version of "Margie", which he played and sang with Jimmie Lunceford's orchestra in 1937. During his years with Armstrong, Young modified his playing to fit Armstrong's approach to jazz.
Leon "Ndugu" Chancler was an American pop, funk, and jazz drummer. He was also a composer, producer, and university professor.
Gerald Stanley Wilson was an American jazz trumpeter, big band bandleader, composer, arranger, and educator. Born in Mississippi, he was based in Los Angeles from the early 1940s. He arranged music for Duke Ellington, Sarah Vaughan, Ray Charles, Julie London, Dizzy Gillespie, Ella Fitzgerald, Benny Carter, Lionel Hampton, Billie Holiday, Dinah Washington, and Nancy Wilson.
Tina Dixon was an American R&B singer, actress and comedian. She became a featured singer in swing bandleader Jimmie Lunceford's band early in her career and recorded for Excelsior, Aladdin, and King Records in the 1940s. By the 1970s, Dixon was making x-rated party records as Auntie Tina Dixon.
Edward Durham was an American jazz guitarist, trombonist, composer, and arranger. He was one of the pioneers of the electric guitar in jazz. The orchestras of Bennie Moten, Jimmie Lunceford, Count Basie, and Glenn Miller took great benefit from his composing and arranging skill.
Ken Filiano is an American jazz and orchestral bassist based in Brooklyn, New York.
Pamela Joan Raff was a British-American tap dancer. Raff performed, developed choreography and taught dance mainly in the Boston area.
Miller Brothers and Lois, a renowned tap dance class act team, comprising Danny Miller, George Miller and Lois Bright, was a peak of platform dancing with the tall and graceful Lois said to distinguish the trio. The group performed the majority of their act on platforms of various heights, with the initial platform spelling out M-I-L-L-E-R. They performed over-the-tops, barrel turns and wings on six-foot-high pedestals. They toured theatres coast to coast with Jimmy Lunceford and his Orchestra, Cab Calloway and his Orchestra, and the Count Basie Band.
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