Editor | Giovanni Papini |
---|---|
Categories |
|
Frequency | Irregular |
Founder | Giovanni Papini |
Founded | 1903 |
First issue | January 1903 |
Final issue | 1907 |
Country | Italy |
Based in | Florence |
Language | Italian |
Leonardo was a philosophy magazine published in the early twentieth century in Florence, Italy, between 1903 and 1907. [1] It was one of the publications started by Giovanni Papini and contributed by Giuseppe Prezzolini. The magazine is also one of the periodicals which contributed to the cultural basis of the early forms of Fascism. [2]
Leonardo was started in Florence in January 1903. [3] [4] One of its founders was Giovanni Papini who also edited the magazine. [3] It came out irregularly. [3] Significant contributors included Giuseppe Prezzolini, Mario Calderoni, Giuseppe Antonio Borgese, Emilio Cecchi and Giovanni Amendola who also financed the magazine which featured articles on philosophical reviews and also, on literature and arts. [5] [6] They were called the leonardiani. [7]
The front page of the first issue contained a synthetic program which indicated the stance of the contributors, namely personalism and idealism. [5] They regarded themselves as being superior to any system and to every limit. [5] In addition, the magazine frequently covered articles attacking positivism, particularly during the early years. [4] Official philosophical stance of the magazine appeared to be pragmatism at the end of the first year of existence. [5]
Leonardo was closed by Giovanni Papini and Giuseppe Prezzolini in 1907 due to the fact that it was becoming a commercial and mainstream publication because of its popularity and success. [3] [4]
Giuseppe Ungaretti was an Italian modernist poet, journalist, essayist, critic, academic, and recipient of the inaugural 1970 Neustadt International Prize for Literature. A leading representative of the experimental trend known as Ermetismo ("Hermeticism"), he was one of the most prominent contributors to 20th century Italian literature. Influenced by symbolism, he was briefly aligned with futurism. Like many futurists, he took an irredentist position during World War I. Ungaretti debuted as a poet while fighting in the trenches, publishing one of his best-known pieces, L'allegria.
Giovanni Gentile was an Italian philosopher, fascist politician, and pedagogue.
Giovanni Papini was an Italian journalist, essayist, novelist, short story writer, poet, literary critic, and philosopher. A controversial literary figure of the early and mid-twentieth century, he was the earliest and most enthusiastic representative and promoter of Italian pragmatism. Papini was admired for his writing style and engaged in heated polemics. Involved with avant-garde movements such as futurism and post-decadentism, he moved from one political and philosophical position to another, always dissatisfied and uneasy: he converted from anti-clericalism and atheism to Catholicism, and went from convinced interventionism – before 1915 – to an aversion to war. In the 1930s, after moving from individualism to conservatism, he finally became a fascist, while maintaining an aversion to Nazism.
Giovanni Amendola was an Italian journalist, professor, and politician. He is noted as an opponent of Italian fascism.
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Giuseppe Pagano was an Italian architect, notable for his involvement in the movement of rationalist architecture in Italy up to the end of the Second World War. He designed exhibitions, furniture and interiors and was an amateur photographer. He was also a long-time editor of the magazine Casabella.
Giuseppe Prezzolini was an Italian literary critic, journalist, editor and writer. He later became an American citizen.
Il giornalino della Domenica was ‘the prototype of the modern periodical for children in Italy’. The magazine which was a high-quality publication was published between 1906 and 1927.
Armando Spadini was an Italian painter and one of the representatives of the so-called Scuola Romana.
La Voce was an Italian weekly literary magazine which was published in Florence, Italy, between 1908 and 1916. The magazine is also one of the publications which contributed to the cultural basis of the early forms of Fascism. It also contributed to the development of the concept of Europeanism.
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Il Borghese is a monthly cultural and political magazine with a right-wing stance published in Rome, Italy. The magazine has been in circulation since 1950 and is named after the conservative Borghese family.
Il Frontespizio was an art and literary magazine, which had a Catholic perspective. The magazine existed between 1929 and 1940 and was based in Florence, Italy.
Emilio Cecchi was an Italian literary critic, art critic and screenwriter. One English language source describes him as "an 'official' - although radically anti-academic - intellectual".
Corrado Govoni. was an Italian poet. His work dealt with modern urban representations, the states of memory, nostalgia, and longing, using an expressive and evocative style of writing.
Alberto Spaini was an Italian journalist-commentator and author. He was also a scholar of German literature, producing through his career many translations into Italian of traditional and contemporary German classics.
Revista de Occidente is a cultural magazine which has been in circulation since 1923 with some interruptions. It is based in Madrid, Spain, and is known for its founder, José Ortega y Gasset, a Spanish philosopher.
Al Majalla Al Jadida was an Arabic language socialist and avant-garde cultural and literary magazine that existed between 1929 and 1944 with a two-year interruption. Being an early avant-garde magazine in the Arab world it is one of two magazines started by Salama Moussa. The other one was Al Mustaqbal, which was launched in 1914.
London Bulletin was a monthly avant-garde art magazine which was affiliated with the London Gallery between April 1938 and June 1940. It was one of the most significant surrealist publications.
Il crepuscolo dei filosofi is a 1906 book by the Italian writer Giovanni Papini. It is an evaluation of modern Western philosophy, with special attention to what Papini viewed as errors in the works of Immanuel Kant, Georg Wilhelm Friedrich Hegel, Arthur Schopenhauer, Auguste Comte, Herbert Spencer and Friedrich Nietzsche. Papini here used scepticism and Nietzscheanism to reach a radical form of pragmatism and defend irrational vitalism.