Leopold Blonder | |
---|---|
Born | 1 July 1893 |
Died | 20 September 1932 |
Occupation | Director, Art Director |
Years active | 1921-1932 (film ) |
Leopold Blonder (1893–1932) was an Austrian art director active in the silent and early sound eras. [1] He also directed five short films during the early 1920s. He worked on several mountain films with Arnold Fanck and Leni Riefenstahl.
Helene Bertha Amalie "Leni" Riefenstahl was a German film director, photographer and actress known for her role in producing Nazi propaganda.
Triumph of the Will is a 1935 German Nazi propaganda film directed, produced, edited and co-written by Leni Riefenstahl. Adolf Hitler commissioned the film and served as an unofficial executive producer; his name appears in the opening titles. It chronicles the 1934 Nazi Party Congress in Nuremberg, which was attended by more than 700,000 Nazi supporters. The film contains excerpts of speeches given by Nazi leaders at the Congress, including Hitler, Rudolf Hess and Julius Streicher, interspersed with footage of massed Sturmabteilung (SA) and Schutzstaffel (SS) troops and public reaction. Its overriding theme is the return of Germany as a great power with Hitler as its leader. The film was produced after the Night of the Long Knives and many formerly prominent SA members are absent.
Georg Wilhelm Pabst was an Austrian film director and screenwriter. He started as an actor and theater director, before becoming one of the most influential German-language filmmakers during the Weimar Republic.
Arnold Fanck was a German film director and pioneer of the mountain film genre. He is best known for the extraordinary alpine footage he captured in such films as The Holy Mountain (1926), The White Hell of Pitz Palu (1929), Storm over Mont Blanc (1930), The White Ecstasy (1931), and S.O.S. Eisberg (1933). Fanck was also instrumental in launching the careers of several filmmakers during the Weimar years in Germany, including Leni Riefenstahl, Luis Trenker, and cinematographers Sepp Allgeier, Richard Angst, Hans Schneeberger, and Walter Riml.
Oskar Sima was an Austrian actor who is best remembered for appearing in supporting roles in countless comedy films from the 1930s to the 1960s.
Albert De Conti Cadassamare, professionally billed as Albert Conti, was an Austrian-Hungarian-born Italian-American film actor.
Giuseppe Becce was an Italian-born film score composer who enriched the German cinema.
The People of Kau is the title of the 1976 English-language translation of German film director Leni Riefenstahl's Die Nuba von Kau, an illustrated book, published in the same year in Germany. The book is a follow-up to her earlier successful 1973 photo book Die Nuba.
The Last of the Nuba is the English-language title of German film director Leni Riefenstahl's 1973 Die Nuba, a book of photographs, published a year later in the United States. It was an international bestseller and was followed up by the 1976 book Die Nuba von Kau. It was the subject of a famous critique by Susan Sontag in claiming that it adhered to a "fascist aesthetic".
Richard "Skeets" Gallagher was an American actor. He had blue eyes and his naturally blond hair was tinged with grey from the age of sixteen.
Hans Steinhoff was a German film director, best known for the propaganda films he made in the Nazi era.
Georg Alexander was a German film actor who was a prolific presence in German cinema. He also directed a number of films during the silent era.
Paul Holzki was a German cinematographer. He worked with Leni Riefenstahl on the 1938 documentary Olympia.
Karl Attenberger was a German cinematographer. He worked with Leni Riefenstahl on the 1935 propaganda documentary Triumph of the Will.
The Great Leap is a 1927 German silent comedy film directed by Arnold Fanck and starring Leni Riefenstahl, Luis Trenker and Hans Schneeberger. A young Italian girl living in the Dolomites falls in love with a member of a tourist party skiing on the nearby mountains.
Hans Schneeberger was an Austrian cinematographer who worked on over eighty films during his career. During the 1920s and early 1930s Schneeberger worked frequently with the director Arnold Fanck, including films starring Leni Riefenstahl. Schneeberger also made a handful of acting appearances, including playing opposite Riefenstahl in The Great Leap (1927). He filmed the famous final shot in The Third Man but was not credited. Schneeberger was later employed by the largest Austrian company Wien-Film for a number of productions.
Josef “Sepp” Allgeier was a German cinematographer who worked on around fifty features, documentaries and short films. He began his career as a cameraman in 1911 for the Expreß Film Co. of Freiburg. In 1913 he filmed newsreels in the Balkans. He then became an assistant to Arnold Fanck, a leading director of Mountain films. He worked frequently with Luis Trenker and Leni Riefenstahl, both closely associated with the genre. He was Riefenstahl's lead cameraman on her 1935 propaganda film Triumph of the Will. During the Second World War, Allgeier filmed material for newsreels. He later worked in West German television. His son is the cinematographer Hans-Jörg Allgeier.
Walter Gronostay (1906–1937) was a German composer noted for his work on film scores. Gronostay studied under Arnold Schoenberg. From the late 1920s he began working on film music for a mixture of feature films and documentaries. Along with Herbert Windt he composed the music for Leni Riefenstahl's 1938 documentary Olympia, but died unexpectedly at the age of 31 before the film was released.
Arnfried Heyne was a German film editor, who also worked as assistant director. He was one of several editors to work on Leni Riefenstahl's Olympia (1938).
Albert Benitz was a German cinematographer who worked on more than ninety films. He also directed the 1949 film Das Fräulein und der Vagabund. During the 1940s, he was under contract to Terra Film and worked with Leni Riefenstahl during the era.