Leslie Smith III | |
---|---|
![]() Leslie Smith III gives an art talk | |
Born | |
Nationality | American |
Education | B.F.A., Maryland Institute College of Art & M.F.A., Yale University |
Known for | painting |
Leslie Smith III (born 1985 in Silver Spring, Maryland) is a contemporary African American visual artist. He currently lives and works in Madison, Wisconsin.
Smith grew up in Silver Spring, Maryland, in metropolitan Washington, D.C. and graduated with a Bachelor of Fine Arts degree in painting from the Maryland Institute College of Art (MICA) in Baltimore, Maryland in 2007. He obtained a Master of Fine Arts (MFA) degree in Painting and Printmaking from Yale University in New Haven, Connecticut in 2009. He is currently an associate professor of Drawing and Painting at the University of Wisconsin–Madison in Madison, Wisconsin.
Leslie Smith III is an oil painter best known for his abstractions painted on shaped canvases. He engages in an expressionist-based practice, activating his canvases with bold color, gestural brushstrokes, and narratives that insinuate discord. Inspired by personal narrative and day-to-day interpersonal relationships, his paintings concentrate on employing abstraction to communicate the poetics of the human experience. [1]
Smith has exhibited at many museums including the Madison Museum of Contemporary Art (MMoCA) in Madison, Wisconsin; the Wriston Art Galleries, Lawrence University, in Appleton, Wisconsin; the Milwaukee Art Museum in Milwaukee, Wisconsin; the Contemporary Arts Museum Houston in Houston, Texas; the Yale School of Art; the Gormley gallery of Notre Dame of Maryland University; and the Baltimore Museum of Art in Baltimore, Maryland, among others. He is the recipient of many awards, including an American Academy in Rome summer fellowship and an Al Held Affiliate Residency Fellowship in Rome, Italy in 2009. [2]
He is represented by Guido Maus, beta pictoris gallery / Maus Contemporary in Birmingham, AL.[ clarification needed ] and by Galerie Isabelle Gounod in Paris, France.
Kenneth Noland was an American painter. He was one of the best-known American color field painters, although in the 1950s he was thought of as an abstract expressionist and in the early 1960s as a minimalist painter. Noland helped establish the Washington Color School movement. In 1977, he was honored with a major retrospective at the Solomon R. Guggenheim Museum in New York that then traveled to the Hirshhorn Museum and Sculpture Garden in Washington, D.C., and Ohio's Toledo Museum of Art in 1978. In 2006, Noland's Stripe Paintings were exhibited at the Tate in London.
Morris Louis Bernstein, known professionally as Morris Louis, was an American painter. During the 1950s he became one of the earliest exponents of Color Field painting. While living in Washington, D.C., Louis, along with Kenneth Noland and other Washington painters, formed an art movement that is known today as the Washington Color School.
Ronnie Landfield is an American abstract painter. During his early career from the mid-1960s through the 1970s his paintings were associated with Lyrical Abstraction, and he was represented by the David Whitney Gallery and the André Emmerich Gallery.
Clayton Colvin is an American abstract painter, multimedia artist, collagist, curator of contemporary art, and writer who lives and works in Birmingham, Alabama.
Friedel Dzubas was a German-born American abstract painter.
Walter Darby Bannard was an American abstract painter and professor of art and art history at the University of Miami.
Joseph Glasco was an American abstract expressionist painter, draftsman and sculptor. He is most known for his early figurative drawings and paintings and in later years for deconstructing the figure to develop his non-objective paintings building on abstraction of the 1950s.
Sylvia Snowden is an African American abstract painter who works with acrylics, oil pastels, and mixed media to create textured works that convey the "feel of paint". Many museums have hosted her art in exhibits, while several have added her works to their permanent collections.
Guido Maus is a Belgian-born gallery owner, gallerist, curator, and long-time collector of contemporary art. He is currently living and working in Birmingham, Alabama.
Bruce Charlesworth is an American artist, known primarily for his highly stylized and constructed photographic, video and multimedia works.
Sylvia Plimack Mangold is an American artist, painter, printmaker, and pastelist. She is known for her representational depictions of interiors and landscapes. She is the mother of film director/screenwriter James Mangold and musician Andrew Mangold.
John Seery is an American artist who is associated with the lyrical abstraction movement. He was born in Maspeth, New York, was raised in Flushing, Queens and as a teen, moved to Cincinnati, Ohio.
Lowell Blair Nesbitt was an American painter, draughtsman, printmaker, and sculptor. He served as the official artist for the NASA Apollo 9, and Apollo 13 space missions; in 1976 the United States Navy commissioned him to paint a mural in the administration building on Treasure Island spanning 26 feet x 251 feet, then the largest mural in the United States; and in 1980 the United States Postal Service honored Lowell Nesbitt by issuing four postage stamps depicting his paintings.
Paul Feeley was an artist and director of the Art Department at Bennington College during the 1950s and early 1960s.
Timothy App is an American contemporary painter, curator, and educator. He teaches at Maryland Institute College of Art (MICA).
Joyce J. Scott is an African-American artist, sculptor, quilter, performance artist, installation artist, print-maker, lecturer and educator. Named a MacArthur Fellow in 2016, and a Smithsonian Visionary Artist in 2019, Scott is best known for her figurative sculptures and jewelry using free form, off-loom beadweaving techniques, similar to a peyote stitch. Each piece is often constructed using thousands of glass seed beads or pony beads, and sometimes other found objects or materials such as glass, quilting and leather. In 2018, she was hailed for working in new medium — a mixture of soil, clay, straw, and cement — for a sculpture meant to disintegrate and return to the earth. Scott is influenced by a variety of diverse cultures, including Native American and African traditions, Mexican, Czech, and Russian beadwork, illustration and comic books, and pop culture.
Dyani White Hawk is a contemporary artist and curator of Sicangu Lakota, German, and Welsh ancestry based out of Minnesota. From 2010 to 2015, White Hawk was a curator for the Minneapolis gallery All My Relations. As an artist, White Hawk's work aesthetic is characterized by a combination of modern abstract painting and traditional Lakota art. White Hawk's pieces reflect both her Western, American upbringing and her indigenous ancestors mediums and modes for creating visual art.
Robert L. Levers Jr. was an American artist and painter. He was born April 11, 1930, in Brooklyn, New York, and died February 6, 1992, in Austin, Texas. He received a B.F.A. (1952) and an M.F.A. (1961) from Yale University, then joined the faculty of the University of Texas, Austin, where he taught and painted for the rest of his life. His paintings explore conflict, chaos, destruction, and apocalyptic themes with a mordant humor.
LaToya M. Hobbs is an American painter and printmaker best known for her large-scale portraits of Black women. She was born and raised in Little Rock, Arkansas. She earned her BA from the University of Arkansas at Little Rock and her MFA from Purdue University. Hobbs moved to Baltimore, Maryland later in her life, where she works as a professor at the Maryland Institute College of Art. She gained recognition for her portraiture and figurative imagery in the 2010s, receiving several travel grants and awards.
Frances Barth is an American visual artist best known for paintings situated between abstraction, landscape and mapping, and in her later career, video and narrative works. She emerged during a period in which contemporary painters sought a way forward beyond 1960s minimalism and conceptualism, producing work that combined modernist formalism, geometric abstraction, referential elements and metaphor. Critic Karen Wilkin wrote, "Barth's paintings play a variety of spatial languages against each other, from aerial views that suggest mapping, to suggestions of perspectival space, to relentless flatness ... [she] questions the very pictorial conventions she deploys, creating ambiguous imagery and equally ambiguous space that seems to shift as we look."