This article needs additional citations for verification .(January 2017) |
"Let Us Now Praise Famous Death Dwarves (or how I slugged it out with Lou Reed and stayed awake)" is an infamous interview with Lou Reed conducted by Lester Bangs and published in Creem magazine in 1975. It is now regarded as a classic document of music journalism.[ citation needed ] The title is a play on Let Us Now Praise Famous Men, the book by James Agee. The full interview was reprinted in the New Musical Express in November 2013, as a tribute to Lou Reed, who died the previous month.
In this Gonzo-style interview, Lester Bangs attempts to demythologize rock-n-roll and its stars by giving the arrogant behavior of rock superstars a more vulnerable, human context.[ citation needed ]
An extended introduction describes Bangs' complex feelings about the music of Lou Reed, admiring his songwriting genius, but intrigued by some of the anti-social aspects of Reed's more challenging albums and his sometimes-hostile personality.
After fortifying himself with research and drugs, Bangs meets Reed in a hotel room, where they trade barbed personal insults and argue about the current music scene, amphetamine formulae, and the Herbie Hancock music that Lou selected to play in the background.
In a provocative gesture, Lester challenges Lou to remove his sunglasses: "Lou's sallow skin almost as whitish yellow as his hair, whole face and frame so transcendently emaciated he had indeed become insectival. His eyes were rusty, two copper coins lying in desert sands under the sun all day with telephone wires humming overhead, but he looked straight at me. Maybe through me."
Leslie Conway "Lester" Bangs was an American music journalist and critic. He wrote for Creem and Rolling Stone magazines and was also a performing musician. The music critic Jim DeRogatis called him "America's greatest rock critic".
Lewis Allan Reed was an American musician and songwriter. He was the guitarist, singer, and principal songwriter for the rock band The Velvet Underground and had a solo career that spanned five decades. Although not commercially successful during its existence, the Velvet Underground came to be regarded as one of the most influential bands in the history of underground and alternative rock music. Reed's distinctive deadpan voice, poetic and transgressive lyrics, and experimental guitar playing were trademarks throughout his long career.
Metal Machine Music is the fifth studio album by American rock musician Lou Reed. It was recorded on a three-speed Uher machine and was mastered/engineered by Bob Ludwig. It was released as a double album in July 1975 by RCA Records, but taken off the market three weeks later. A radical departure from the rest of his catalog, the Metal Machine Music album features no songs or recognizably structured compositions, eschewing melody and rhythm for modulated feedback and noise music guitar effects, mixed at varying speeds by Reed. Also in 1975, RCA released a Quadrophonic version of the Metal Machine Music recording that was produced by playing it back both forward and backward, and by flipping the tape over.
Michael Ronson was an English musician, songwriter, arranger, and producer. He achieved critical and commercial success working with David Bowie as the guitarist of the Spiders from Mars. He was a session musician who recorded five studio albums with Bowie followed by four with Ian Hunter, and also worked as a sideman in touring bands with Van Morrison and Bob Dylan. A classically trained musician, Ronson was known for his melodic approach to guitar playing.
Billion Dollar Babies is the sixth studio album by American rock band Alice Cooper, released on February 27, 1973 by Warner Bros. Records. The album became the best selling Alice Cooper record at the time of its release, hitting number one on the album charts in the United States and the United Kingdom, and was certified platinum by the Recording Industry Association of America.
Robert Wolfe Quine was an American guitarist. A native of Akron, Ohio, Quine worked with a wide range of musicians, though he himself remained relatively unknown. Critic Mark Deming wrote that "Quine's eclectic style embraced influences from jazz, rock, and blues players of all stripes, and his thoughtful technique and uncompromising approach led to rewarding collaborations with a number of visionary musicians."
The Velvet Underground is the third studio album by the American rock band the Velvet Underground. Released in March 1969 by MGM Records, it was their first record with multi-instrumentalist Doug Yule, who replaced previous member John Cale. Recorded in 1968 at TTG Studios in Los Angeles, California, the album's sound—consisting largely of ballads and straightforward rock songs—marked a notable shift in style from the band's previous recordings. Lead vocalist Lou Reed intentionally did this as a result of their abrasive previous studio album White Light/White Heat (1968). Reed wanted other band members to sing on the album; Yule contributed lead vocals to the opening track “Candy Says” and the closing track "After Hours" is sung by drummer Maureen Tucker.
Creem is an American rock music magazine and entertainment company, founded in Detroit, whose initial print run lasted from 1969 to 1989. It was first published in March 1969 by Barry Kramer and founding editor Tony Reay. Influential critic Lester Bangs served as the magazine's editor from 1971 to 1976. It suspended production in 1989 but attained a short-lived renaissance in the early 1990s as a tabloid. In June 2022, Creem was relaunched as a digital archive, website, weekly newsletter, and quarterly print edition.
Douglas Alan Yule is an American musician and singer, most notable for being a member of the Velvet Underground from 1968 to 1973, serving as the bassist, guitarist, keyboardist and vocalist.
Peter Laughner was an American guitarist, songwriter and singer.
Dave Marsh is an American music critic and radio talk show host. He was an early editor of Creem magazine, has written for various publications such as Newsday, The Village Voice, and Rolling Stone, and has published numerous books about music and musicians, mostly focused on rock music. He is also a committee member of the Rock and Roll Hall of Fame.
"Heroin" is a song by American rock band the Velvet Underground, released on their 1967 debut album The Velvet Underground & Nico. Written by Lou Reed in 1964, the song, which overtly depicts heroin usage and its effects, is one of the band's most celebrated compositions. Critic Mark Deming of Allmusic writes, "While 'Heroin' hardly endorses drug use, it doesn't clearly condemn it, either, which made it all the more troubling in the eyes of many listeners." In 2004, it was ranked at number 448 on Rolling Stone's list of "The 500 Greatest Songs of All Time", and was re-ranked at number 455 in 2010.
The Bells is the ninth solo studio album by American rock musician Lou Reed, released in May 1979 by Arista Records. It was recorded in binaural sound at Delta Studios in Wilster, West Germany. Production was handled by Reed with Michael Fonfara serving as executive producer. Three out of nine songs on the album are the product of a short-lived writing partnership between Reed and Nils Lofgren. More of the team's work appeared on Nils' solo studio album Nils, released the same year. Lofgren released his version of "Stupid Man" as "Driftin' Man" on Break Away Angel (2001). Lofgren resurrected five songs he wrote with Reed in the late 70s on Blue with Lou (2019).
Jeffrey Morgan is a Canadian writer and photographer who is best known for being the authorized biographer of both Alice Cooper and Iggy Pop and The Stooges.
Andy Shernoff is an American musician, songwriter and record producer. He is a founding member of The Dictators, one of the original New York punk bands, in which he wrote nearly all of the songs, played bass guitar and keyboards, and sang backing vocals and occasional leads. He has been involved with a variety of other musical projects, most notably the heavily Dictators-populated Manitoba's Wild Kingdom and Joey Ramone's first studio album, Don't Worry About Me. He additionally co-wrote four Ramones songs with Joey.
The Velvet Underground was an American rock band formed in New York City in 1964. It originally comprised the singer and guitarist Lou Reed, the Welsh multi-instrumentalist John Cale, the guitarist Sterling Morrison and the drummer Angus MacLise. In 1965, MacLise was replaced by Moe Tucker, who played on most of the band's recordings. Though their integration of rock and the avant-garde resulted in little commercial success, they are now widely regarded as one of the most influential bands in rock, underground, experimental, and alternative music. Their provocative subject matter, musical experiments, and nihilistic attitude was also instrumental in the development of punk rock, new wave and several other genres.
The Rowans, also known as The Rowan Brothers, are an American country-rock group, originally formed by the brothers Chris Rowan and Lorin Rowan. They were joined by another brother, Peter Rowan, for their second, third and fourth album. Chris and Lorin were still playing together in 2019 at the Trident in Sausalito, CA.
Jaan Uhelszki is an American music journalist and co-founder of the music magazine Creem where she became one of the first women to work in rock journalism. She is a founding editor of Addicted to Noise and writer-at-large for print and online music and news publications. She writes, produces and is featured in music documentaries and is editor-at-large for Creem, relaunched in 2022.
Psychotic Reactions and Carburetor Dung: The Work of a Legendary Critic: Rock 'n' Roll as Literature and Literature as Rock 'n' Roll is a collection of essays written by rock music critic Lester Bangs. Named for a 1971 article of the same title, it was edited by Greil Marcus and released in 1987, five years after Bangs' death. In his introduction, Marcus explains that, "Perhaps what this book demands from a reader is a willingness to accept that the best writer in America could write almost nothing but record reviews."
Rachel Humphreys was a muse and romantic partner to musician Lou Reed. A transgender woman, Humphreys inspired lyrics, songs and artwork by Reed, and accompanied him on the road as a hairdresser and tour manager during the mid-1970s.