Related Research Articles
Meredith Jane Monk is an American composer, performer, director, vocalist, filmmaker, and choreographer. From the 1960s onwards, Monk has created multi-disciplinary works which combine music, theatre, and dance, recording extensively for ECM Records. In 1991, Monk composed Atlas, an opera, commissioned and produced by the Houston Opera and the American Music Theater Festival. Her music has been used in films by the Coen Brothers and Jean-Luc Godard. Trip hop musician DJ Shadow sampled Monk's "Dolmen Music" on the song "Midnight in a Perfect World". In 2015, she was awarded the National Medal of Arts by Barack Obama.
George Theophilus Walker was an American composer, pianist, and organist, and the first African American to win the Pulitzer Prize for Music, which he received for his work Lilacs in 1996. Walker was married to pianist and scholar Helen Walker-Hill between 1960 and 1975. Walker was the father of two sons, violinist and composer Gregory T.S. Walker and playwright Ian Walker.
Michael Abels is an American composer best known for the opera Omar, co-written with Rhiannon Giddens, and his genre-defying scores for the Jordan Peele films Get Out, Us and Nope. The hip-hop influenced score for Us was short-listed for the Oscars and was even named “Score of the Decade” by TheWrap. Other recent media projects include the films Bad Education, Nightbooks, Fake Famous, and the docu-series Allen v. Farrow. His most recent releases include Beauty which premiered at the Tribeca Film Festival and is now streaming on Netflix, Breaking which premiered at Sundance, and his third collaboration with Jordan Peele, Nope.
Florence Beatrice Price was an American classical composer, pianist, organist and music teacher. Born in Little Rock, Arkansas, Price was educated at the New England Conservatory of Music, and was active in Chicago from 1927 until her death in 1953. Price is noted as the first African-American woman to be recognized as a symphonic composer, and the first to have a composition played by a major orchestra. Price composed over 300 works: four symphonies, four concertos, as well as choral works, art songs, chamber music and music for solo instruments. In 2009, a substantial collection of her works and papers was found in her abandoned summer home.
Dorothy Jeanne Thompson, better known as Dorothy Ashby, was an American jazz harpist, singer and composer. Hailed as one of the most "unjustly under loved jazz greats of the 1950s" and the "most accomplished modern jazz harpist," Ashby established the harp as an improvising jazz instrument, beyond earlier use as a novelty or background orchestral instrument, proving the harp could play bebop as adeptly as the instruments commonly associated with jazz, such as the saxophone or piano.
Undine Eliza Anna Smith Moore, the "Dean of Black Women Composers", was an American composer and professor of music in the twentieth century. Moore was originally trained as a classical pianist, but developed a compositional output of mostly vocal music—her preferred genre. Much of her work was inspired by black spirituals and folk music. Undine Smith Moore was a renowned teacher, and once stated that she experienced "teaching itself as an art". Towards the end of her life, she received many awards for her accomplishments as a music educator.
Margaret Allison Bonds was an American composer, pianist, arranger, and teacher. One of the first Black composers and performers to gain recognition in the United States, she is best remembered today for her popular arrangements of African-American spirituals and frequent collaborations with Langston Hughes.
Julia Amanda Perry was an American classical composer and teacher who combined European classical and neo-classical training with her African-American heritage.
Hazel Harrison was an American concert pianist. She was the first fully American-trained musician to appear with a European orchestra.
Gwendolen Avril Coleridge-Taylor was an English pianist, conductor, and composer. She was the daughter of composer Samuel Coleridge-Taylor and his wife Jessie.
Ivy Priaulx Rainier was a South African-British composer. Although she lived most of her life in England and died in France, her compositional style was strongly influenced by the African music remembered from her childhood. She never adopted 12-tone or serial techniques, but her music shows a profound understanding of that musical language. She can be credited with the first truly athematic works composed in England. Her Cello Concerto was premiered by Jacqueline du Pré in 1964, and her Violin Concerto Due Canti e Finale was premiered by Yehudi Menuhin in 1977.
Cynthia Cozette Lee, also known as Cynthia Cozette or Nazik Cynthia Cozette is a contemporary African-American classical music composer and librettist. Cozette was the first African-American woman to graduate from the University of Pennsylvania with a Master of Arts degree in music composition. Cozette was also the first African-American woman graduate of the University of Pennsylvania to be instructed in music composition by the American composers, George Crumb and George Rochberg.
Helen Eugenia Hagan was an American pianist, music educator and composer of African descent.
Regina A. Harris Baiocchi is an American musician, music educator, composer and writer of short stories and poetry.
Åse Hedstrøm is a Norwegian contemporary composer.
Alexandra Pierce was an American composer, pianist, music theorist, movement educator, author, and Emerita Research Professor of Music and Movement at the University of Redlands.
Hyo-Won Woo is a South Korean composer, especially of choral music. She uses elements from both Korean music and Western contemporary composition techniques.
Anna Gardner Goodwin was an American composer, mainly of religious music and marches.
L. Viola Kinney was an American composer, pianist, and teacher active during the first half of the twentieth century. Her piano piece Mother's Sacrifice was published in 1909 and recorded by Albany Records in 2005.
Helen Walker-Hill was a Canadian pianist and musicologist who specialised in the music of black women composers.
References
- 1 2 Gray, Anne (2007). The World of Women in Classical Music. La Jolla, Calif.: WordWorld. pp. 211. ISBN 978-1-59975-320-1. OCLC 123539910.
- 1 2 3 4 5 "Lettie Beckon Alston Scores and Other Material". Black Metropolis Research Consortium. Retrieved December 14, 2019.
- 1 2 Walker-Hill, Helen (2007). From Spirituals to Symphonies: African-American Women Composers and Their Music . Urbana: University of Illinois Press. pp. 42. ISBN 978-0-252-07454-7.
lettie alston and friends.
- 1 2 Stryker, Mark (February 6, 2004). "Big Weekend for the DSO". Detroit Free Press. p. 44. Retrieved December 14, 2019– via Newspapers.com.
- 1 2 Stryker, Mark (May 20, 2001). "Detroit Disc". Detroit Free Press. p. 70. Retrieved December 14, 2019– via Newspapers.com.
- 1 2 3 4 5 Walker-Hill, Helen (1995). Music by Black women composers : a bibliography of available scores. Chicago: Center for Black Music Research, Columbia College. ISBN 0-929911-04-0. OCLC 31971765.
