Todd Schorr is an American artist and member of the "Lowbrow", or pop surrealism, art movement. Combining a cartoon influenced visual vocabulary with a highly polished technical ability, based on the exacting painting methods of the Old Masters, Schorr weaves intricate narratives that are often biting yet humorous in their commentary on the human condition.
The California African American Museum (CAAM) is a museum located in Exposition Park, Los Angeles, California, United States. The museum focuses on enrichment and education on the cultural heritage and history of African Americans with a focus on California and western United States. Admission is free to all visitors. Their mission statement is "to research, collect, preserve, and interpret for public enrichment the history, art and culture of African Americans with an emphasis on California and the western United States."
Betye Irene Saar is an African American artist known for her work in the medium of assemblage. Saar is a visual storyteller and an accomplished printmaker. Saar was a part of the Black Arts Movement in the 1970s, which engaged myths and stereotypes about race and femininity. Her work is considered highly political, as she challenged negative ideas about African Americans throughout her career; Saar is best known for her artwork that critiques American racism toward Black people.
Sheila Levrant de Bretteville is an American graphic designer, artist and educator whose work reflects her belief in the importance of feminist principles and user participation in graphic design. In 1990 she became the director of the Yale University Graduate Program in Graphic Design and the first woman to receive tenure at the Yale University School of Art. In 2010 she was named the Caroline M. Street Professor of Graphic Design.
Alison Saar is a Los Angeles, California based sculptor, mixed-media, and installation artist. Her artwork focuses on the African diaspora and black female identity and is influenced by African, Caribbean, and Latin American folk art and spirituality. Saar is well known for "transforming found objects to reflect themes of cultural and social identity, history, and religion." Saar credits her parents, collagist and assemblage artist Betye Saar and painter and art conservator Richard Saar, for her early exposure to are and to these metaphysical and spiritual practices. Saar followed in her parents footsteps along with her sisters, Lezley Saar and Tracye Saar-Cavanaugh who are also artists. Saar has been a practicing artist for many years, exhibiting in galleries around the world as well as installing public art works in New York City. She has received achievement awards from institutions including the New York City Art Commission as well as the Institute of Contemporary Art in Boston.
Walter Maciel Gallery is an art gallery founded in 2005, located at 2642 S. La Cienega Boulevard, in the Culver City Arts District in Los Angeles, California, United States. Walter Maciel worked as a gallery director in San Francisco for fourteen years before he moved to Southern California and opened his own space. Maciel has served on many boards and committees, including Southern Exposure, Headlands Center for the Arts, Hospitality House in San Francisco, and the San Francisco Art Dealers Association. He has been on lecture panels at UCLA, the San Francisco Art Institute, California College of the Arts, UC Berkeley, Pacific Northwest College of Art, University of Missouri, Kansas City, Ulrich Museum of Art, Wichita State University, Wichita, KS and the Institute of Contemporary Art, San Jose.
Craft Contemporary, formerly the Craft and Folk Art Museum, is a non-profit, non-collecting arts museum dedicated to showcasing contemporary craft in Los Angeles, California. The museum is located on Los Angeles' Museum Row on Wilshire Boulevard, and across from the George C. Page Museum and La Brea Tar Pits. It is the only institution on the West Coast of the United States to focus exclusively on craft.
Sonya Clark is an American artist of Afro-Caribbean heritage. Clark is a fiber artist known for using a variety of materials including human hair and combs to address race, culture, class, and history. Her beaded headdress assemblages and braided wig series of the late 1990s, which received critical acclaim, evoked African traditions of personal adornment and moved these common forms into the realm of personal and political expression. Although African art and her Caribbean background are important influences, Clark also builds on practices of assemblage and accumulation used by artists such as Betye Saar and David Hammons.
"Where We At" Black Women Artists, Inc. (WWA) was a collective of Black women artists affiliated with the Black Arts Movement of the 1960s and 1970s. It included artists such as Dindga McCannon, Kay Brown, Faith Ringgold, Carol Blank, Jerri Crooks, Charlotte Kâ (Richardson), and Gylbert Coker. Where We At was formed in the spring of 1971, in the wake of an exhibition of the same name organized by 14 Black women artists at the Acts of Art Gallery in Greenwich Village. Themes such as the unity of the Black family, Black female independence and embodiment, Black male-female relationships, contemporary social conditions, and African traditions were central to the work of the WWA artists. The group was intended to serve as a source of empowerment for African-American women, providing a means for them to control their self-representation and to explore issues of Black women's sensibility and aesthetics. Like AfriCobra, a Chicago-based Black Arts group, the WWA was active in fostering art within the African-American community and used it as a tool of awareness and liberation. The group organized workshops in schools, jails and prisons, hospitals, and cultural centers, as well as art classes for youth in their communities.
Maren Hassinger is an African-American artist and educator whose career spans four decades. Hassinger uses sculpture, film, dance, performance art, and public art to explore the relationship between the natural world and industrial materials. She incorporates everyday materials in her art, like wire rope, plastic bags, branches, dirt, newspaper, garbage, leaves, and cardboard boxes. Hassinger has stated that her work “focuses on elements, or even problems—social and environmental—that we all share, and in which we all have a stake…. I want it to be a humane and humanistic statement about our future together.”
William Etienne "Bill" Pajaud was an African-American artist, primarily working in watercolor, known for his paintings exploring themes of jazz. He was born in New Orleans, Louisiana, and died in Los Angeles, California, on June 16, 2015, at the age of 89. He was the curator of the Golden State Mutual Life Insurance Fine Art Collection.
Eileen Abdulrashid is an American artist and craftsperson who is known for her work in enamel on copper.
Barbara DuMetz is an American photographer and pioneer in the field of commercial photography. She began working in Los Angeles as a commercial photographer in the 1970s, when very few women had established and maintained successful careers in the field, especially African-American women. Over the course of her career, "she made a major contribution to diversifying the landscape of images that defined pop culture in the United States."
Lisa C Soto is a visual artist based in Los Angeles, California. The themes of her work are informed by both "her Caribbean heritage and her continuous movements between continents and islands." Soto's drawings, installations and sculptures embody the struggle between connections and disconnections. Supporting the belief that all things, seen and unseen are essentially linked. There is a conversation that includes a personal and a universal situation, an interplay between the micro and the macro. Questioning the endless conflicts, the creation of artificial differences, and the establishment of borders. While exploring the essence of the forces at work in the macrocosm. Shaping what those energies, frequencies, and vibrations might look like.
Suzanne Jackson is an American visual artist, gallery owner, poet, dancer, educator, and set designer; with a career spanning five decades. Her work has been exhibited in museums and galleries around the world. Since the late 1960s, Jackson has dedicated her life to studio art with additional participation in theatre, teaching, arts administration, community life, and social activism. Jackson's oeuvre includes poetry, dance, theater, costume design, paintings, prints, and drawings.
Carolyn Castaño, is an American visual artist. She is the recipient of the Joan Mitchell Foundation Grant for Painters and Sculptors (2013), the California Community Foundation Getty Fellow Mid-Career Grant (2011), and the City of Los Angeles Individual Artist Grant (2011). She is an Assistant Professor, Drawing & Painting, at Long Beach City College.
Lisa Diane Wedgeworth is an African-American visual artist, curator, and writer. Her work encompasses abstract painting, video, and performance works. She has been a teaching artist at several Los Angeles-area museums, including the California African American Museum, the Craft and Folk Art Museum, and LACMA. She earned her B.A. in studio art from California State University, Los Angeles, in 2002, and her M.F.A. in Studio Art from the same institution in 2014. In an interview with the magazine Curator in 2018, Wedgeworth cited childhood visits to the Barnsdall Art Park in the 1970s and 80s, and the Candice Bergen-narrated commercials for the Norton Simon Museum, as early influences. She also cites Lezley Saar, daughter of Betye Saar, as well as painter Suzanne Jackson and "outsider/self-taught artists." Wedgeworth's work is in the permanent collection of the California African American Museum.
Gloria Racine Bohanon was an American visual artist and educator based in Los Angeles, California. She was born in Atlanta, Georgia. She received a BA in Art Education and an MA in Art Education from Wayne State. She also studied at Otis College of Art and Design in 1973. She was an active member of the Los Angeles contemporary art scene in the 1970s. As a professor at Los Angeles Community College, she organized "Black Culture Week" in 1974. She taught design, painting, printmaking, and served as chair of the Arts Department while there. She was the director of ADAPT, an organization for disabled students while at LACC.
Roberts Projects is a contemporary art gallery located in Los Angeles.
Yvonne Olivia Cole Meo (1923–2016) was an American artist known primarily for sculpture and printmaking. Born in Seattle, Washington, Meo lived in Los Angeles for most of her life, primarily in Altadena CA.
