"Li'l Darlin'" (copyrighted in 1958 as "Lil' Darlin'") [1] is a jazz standard, composed and arranged in 1957 by Neal Hefti for the Count Basie Orchestra [2] and first recorded on the 1958 album, The Atomic Mr. Basie (Roulette Records).
The composition, in the words of jazz writer, Donald Clarke, is "an object lesson in how to swing at a slow tempo." [3]
Gary Giddins expands on the importance of tempo in the performance of 'Lil' Darlin,' saying that "in the enduring 'Li'l Darlin', [Hefti] tested the band's temporal mastery with a slow and simple theme that dies if it isn't played at exactly the right tempo. Basie never flinched." [4] Hefti envisioned the piece to be played at a medium swing tempo, not as a ballad. [5]
The Jazz Discography (online), as of June 24, 2019, lists 324 recordings of the work.
Around 1958, Jon Hendricks wrote and arranged lyrics to "Li'l Darlin'" and his vocal trio, Lambert, Hendricks & Ross, performed it with Basie on May 26, 1958, in a New York studio (Roulette, initially, unissued; session No. 13064). In 1963, Mel Torme sang "Li'l Darlin'" with the Basie Band on The Judy Garland Show. Ella Fitzgerald recorded "Li'l Darlin'" as "Don't Dream of Anybody But Me"" on her 1971 album, Things Ain't What They Used to Be. Vocalist Mark Murphy recorded it in 1961, as did Hendricks & Company in 1982, and vocalist Kurt Elling in 2001. [2]
"Li'l Darlin'" rapidly became small-group and solo instrument standard. Notable guitarists to record the piece include Joe Pass, Charlie Byrd, George Benson, Tal Farlow, Barney Kessel, Kenny Burrell, Howard Alden, George Van Eps and Howard Roberts. [2] Pass performed it live at the Montreux Jazz Festival in 1979. [6] [7] Martin Taylor published his arrangement of the piece in a 2000 issue of Guitar Techniques .
The Basie arrangement without lyrics was often used as the closing theme for The Tonight Show Starring Johnny Carson. [8] [9]
"Sweetie Pie" – composed and arranged by Don Sebesky and recorded March 1962 as "Easy Chair" on Maynard Ferguson's Maynard '64 (Roulette R-52107) – has been described by its publisher, Sierra Music Publications, as "Li'l Darliln'-ish," owed its similarity as a swing ballad. [11] (audio)
Session / performance date | Artist(s) (leader) | Album or Single | Label (Catalog No.) | Studio (Venue) | Matrix No. |
---|---|---|---|---|---|
21 October 1958 | Count Basie and His Orchestra (audio) | The Atomic Mr. Basie | Roulette R 4040 | Capitol New York | R52003B (Side B) |
2 July 1960 | Ray Charles (video) | Ray Charles Concert, Newport Jazz Festival, July 2, 1960 | Wolfgang's Vault 421) (DL) (re-issued on WaxTime) | Newport Jazz Festival | |
11 November 1996 | The New York Allstars Randy Sandke (trumpet); Dan Barrett (trombone); Brian Ogilvie (de) (tenor & alto sax, clarinet); Billy Mitchell (tenor sax); Mark Shane (piano); James Chirillo (guitar); Bob Haggart (bass); Joe Ascione (drums) (audio) | Swingin' the Blues: Count Basie Remembered (Vol. 2) | Nagel-Heyer (G) CD 041 | Live at the Amerika Haus Hamburg | Sonopress T-8857 |
Neal Paul Hefti was an American jazz trumpeter, composer, and arranger. He wrote music for The Odd Couple movie and TV series and for the Batman TV series.
Harry "Sweets" Edison was an American jazz trumpeter and a member of the Count Basie Orchestra. His most important contribution was as a Hollywood studio musician, whose muted trumpet can be heard backing singers, most notably Frank Sinatra.
Eugene Edward "Snooky" Young was an American jazz trumpeter. He was known for his mastery of the plunger mute, with which he was able to create a wide range of sounds.
Al Grey was an American jazz trombonist who was a member of the Count Basie orchestra. He was known for his plunger mute technique and wrote an instructional book in 1987 called Plunger Techniques.
The Count Basie Orchestra is a 16- to 18-piece big band, one of the most prominent jazz performing groups of the swing era, founded by Count Basie in 1935 and recording regularly from 1936. Despite a brief disbandment at the beginning of the 1950s, the band survived long past the big band era itself and the death of Basie in 1984. It continues under the direction of trumpeter Scotty Barnhart.
The Atomic Mr. Basie (originally called Basie, also known as E=MC2 and reissued in 1994 as The Complete Atomic Basie) is a 1958 album by Count Basie, featuring the song arrangements of Neal Hefti and the Count Basie Orchestra. Allmusic gave it 5 stars, reviewer Bruce Eder saying: "it took Basie's core audience and a lot of other people by surprise, as a bold, forward-looking statement within the context of a big-band recording." It is included in the book 1001 Albums You Must Hear Before You Die, Will Fulford-Jones calling it "Basie's last great record." It was voted number 411 in the third edition of Colin Larkin's All Time Top 1000 Albums (2000).
Joseph Dwight Newman was an American jazz trumpeter, composer, and educator, best known as a musician who worked with Count Basie during two periods.
Charles Baker Fowlkes was an American baritone saxophonist who was a member of the Count Basie Orchestra for over twenty-five years.
Ernest Brooks Wilkins Jr. was an American jazz saxophonist, conductor and arranger who spent several years with Count Basie. He also wrote for Tommy Dorsey, Harry James, and Dizzy Gillespie. He was musical director for albums by Cannonball Adderley, Dinah Washington, Oscar Peterson, and Buddy Rich.
Sound Venture is a jazz album recorded by Georgie Fame and the Harry South Big Band in 1966. Featuring many of Britain's top jazz musicians, and arranged by big band arranger Harry South, it marked a departure from Fame's R&B hits with the Blue Flames. The record peaked at number 9 on the national albums chart in the UK.
Eddie Jones was an American jazz double bassist.
Santo J. "Sonny" Russo was an American jazz trombonist.
Satch and Josh...Again is a 1978 album by Oscar Peterson and Count Basie.
Benny Powell was an American jazz trombonist. He played both standard (tenor) trombone and bass trombone.
Montreux '77 is an album by Count Basie and his orchestra, recorded at the 1977 Montreux Jazz Festival.
"Duet" is a 1957 (©1958) big band swing composition and arrangement by Neal Hefti that was part of his larger body of work for the Count Basie Orchestra. His arrangement features two muted trumpets, which – when first recorded in 1957 on The Atomic Mr. Basie – featured Thad Jones and Joe Newman.
Basie Plays Hefti is an album released by pianist, composer and bandleader Count Basie performing the compositions and arrangements of Neal Hefti recorded in 1958 and originally released on the Roulette label. Basie, Hefti, and producer Teddy Reig had collaborated six months earlier on the album E=MC2.
Sing Along with Basie is an album by vocalese jazz group Lambert, Hendricks & Ross with Joe Williams and the Count Basie Orchestra recorded in 1958 and originally released on the Roulette label.
Breakfast Dance and Barbecue is a live album by pianist, composer and bandleader Count Basie and his Orchestra with vocalist Joe Williams featuring tracks recorded at a Disc Jockey convention in Florida in 1959 and originally released on the Roulette label.
When Lights Are Low is an album by American guitarist Kenny Burrell recorded in 1978 and released on the Concord Jazz label.