Libby Appel

Last updated
Libby Appel
Libby Appel.png
BornMay 14, 1937

Libby Appel (born May 14, 1937) [1] served as the fourth artistic director of the Oregon Shakespeare Festival (OSF) from 1995 to June 2007. [2] Appel directed more than 25 productions at OSF, and her artistic vision influenced the 11 plays presented each year during her tenure. Despite the festival's name, she placed increased emphasis on new works. “We have made major connections with world playwrights, artists whose voices we’re particularly interested in.” Appel said. “We commission playwrights, we develop plays here; we have playwrights in residence. We’re a world force now, and I’m really proud of that.” [3]

Contents

Biography

Appel holds a BA from The University of Michigan, an MA from Northwestern University, and three honorary doctorates from Southern Oregon University, University of Portland, and Willamette University. [4] She began her theatrical career teaching acting at the Goodman Theatre in Chicago, 1970 to 1976. [1] From 1976 to 1981, she chaired the acting program at California State University Long Beach, and served as associate artistic director at the California Shakespeare Festival in 1980-1981. In 1981, Appel was named dean of theatre at the California Institute of the Arts in Valencia, California. [5] [6] During this period she took freelance directing jobs during summers, authored Mask Characterization: An Acting Process, co-authored two plays, Shakespeare’s Women and Shakespeare’s Lovers, with Michael Flachmann, and created and produced a video, Inter/Face: The Actor and the Mask. From 1992 to 1996, she served as artistic director of Indiana Repertory Theatre, where she saw her mission as bringing “diversity to every aspect of the theatre, reinvigorate the theatre’s approach to the classics, increase dialogue with the community…expand the theatre’s commitment to young people, and increase the commissioning of new projects.” [7]

She is the recipient of the 2010 Kennedy Center’s Stephen and Christine Schwarzman Legacy Award for Excellence in Theatre, which recognizes “lifetime achievement in theatre and unparalleled commitment to the future of the art form through teaching.” Awarded only six times, the Legacy Award includes a $10,000 scholarship in her name to the Oregon Shakespeare Festival's Fellowships, Assistantships, Internships and Residencies [FAIR] program that fosters collaborative exchange of knowledge, skills, and perspectives between experienced professionals and the next generation of theatre practitioners. [8]

Theatres in which Appel worked include Intiman Theatre, the Guthrie Theater, Indiana Repertory Theatre, Seattle Repertory Theatre, South Coast Repertory, PlayMakers Repertory Company, Arizona Theatre Company, Alliance Theatre Company, Milwaukee Repertory Theater, New Mexico Repertory, The Goodman Theatre, Court Theatre, Syracuse Stage, Repertory Theatre of St. Louis, San Jose Repertory Theatre, Utah Shakespeare Festival, and the Alabama, Colorado and Kern Shakespeare Festivals. [9]

Work at Oregon Shakespeare Festival

In 1995, Appel became the fourth artistic director in the company's history, but had already directed a production of The Merchant of Venice in 1991. [10] “I was the risky director who did The Merchant of Venice and rocked this theater,” she says. The Christian characters wore Armani-style suits and Shylock was presented as a yarmulke-wearing Orthodox Jew. “I’m an American Jew, and I had stayed away from Merchant all my life because of the anti-Semitism that surrounds the character of Shylock.” She decided the play was more about xenophobia than anti-Semitism. As the first woman to run the festival, Appel set out to make it more ethnically diverse and inclusive of women. She not only increased the representation of non-white actors in the company to more than a third, she raised the number of new plays in the festival's mix. Appel has been intent on attracting an audience that is both younger and less white, while keeping the sophisticated seniors who flock to Ashland. “For me, it’s about the truth of the play in the moment that I’m living,” Appel says. “I think to contemporize the speech, or bastardize it, is dumbing it down.” [11] [12]

In 18 seasons at the Oregon Shakespeare Festival, Appel directed: Pride and Prejudice, Paradise Lost, A View from the Bridge, The Cherry Orchard (her own adaptation from an original translation), The Tempest, The Winter’s Tale (2006 and 1989), Bus Stop, Richard III, Napoli Milionaria!,Henry VI, Parts One, Two and Three (co-directed with the adapter, Scott Kaiser), Richard II, Macbeth, Saturday, Sunday, Monday, The Trip to Bountiful, Three Sisters, Henry V, Hamlet, Henry IV, Part Two,Measure for Measure, Uncle Vanya, King Lear, The Magic Fire (also at the Kennedy Center), The Merchant of Venice, Breaking the Silence, Enrico IV (the Emperor), The Seagull (Portland). (Chronological order, most recent at the top) [9]

Appel has completed five commissions from OSF for new versions (from literal translations from Russian to English by Alison Horsley) of The Cherry Orchard,The Seagull,Uncle Vanya,Three Sisters and Ivanov. [9] [13]

Related Research Articles

<i>The Merchant of Venice</i> Play by Shakespeare

The Merchant of Venice is a play by William Shakespeare, believed to have been written between 1596 and 1598. A merchant in Venice named Antonio defaults on a large loan taken out on behalf of his dear friend, Bassanio, and provided by a Jewish moneylender, Shylock, with seemingly inevitable fatal consequences.

<span class="mw-page-title-main">Atlantic Theatre Festival</span>

The Atlantic Theatre Festival (ATF) was a professional theatre company located in Wolfville, Nova Scotia, Canada. The Theatre Festival presented a "broad range of critically acclaimed theatre classics" during the summer in Wolfville's Festival Theatre, the former town hockey arena that was converted into a 504 seat, thrust stage theatre and professional production facility by the Atlantic Theatre Festival Society.

<i>The Seagull</i> 1895 play by Anton Chekhov

The Seagull is a play by Russian dramatist Anton Chekhov, written in 1895 and first produced in 1896. The Seagull is generally considered to be the first of his four major plays. It dramatizes the romantic and artistic conflicts between four characters: the famous middlebrow story writer Boris Trigorin, the ingenue Nina, the fading actress Irina Arkadina, and her son the symbolist playwright Konstantin Treplev.

<span class="mw-page-title-main">Oregon Shakespeare Festival</span> Repertory theatre in Oregon, United States

The Oregon Shakespeare Festival (OSF) is a regional repertory theatre in Ashland, Oregon, United States, founded in 1935 by Angus L. Bowmer. The Festival now offers matinee and evening performances of a wide range of classic and contemporary plays not limited to Shakespeare. During the Festival, between five and eleven plays are offered in daily rotation six days a week in its three theatres. It welcomed its millionth visitor in 1971, its 10-millionth in 2001, and its 20-millionth visitor in 2015.

<i>The Cherry Orchard</i> Play by Anton Chekhov

The Cherry Orchard is the last play by Russian playwright Anton Chekhov. Written in 1903, it was first published by Znaniye, and came out as a separate edition later that year in Saint Petersburg, via A.F. Marks Publishers. On the 17th of January, 1904, it opened at the Moscow Art Theatre in a production directed by Konstantin Stanislavski. Chekhov described the play as a comedy, with some elements of farce, though Stanislavski treated it as a tragedy. Since its first production, directors have contended with its dual nature. It is often identified as one of the three or four outstanding plays by Chekhov, along with The Seagull, Three Sisters, and Uncle Vanya.

<span class="mw-page-title-main">San Jose Repertory Theatre</span>

The San Jose Repertory Theatre was the first resident professional theatre company in San Jose, California. It was founded in 1980 by James P. Reber. In 2008, after the demise of the American Musical Theatre of San Jose, the San Jose Rep became the largest non-profit, professional theatre company in the South Bay with an annual operating budget of $5 million. In 2006, it was saved from impending insolvency by a $2 million bailout loan from the city of San Jose; this was later restructured into a long-term loan similar to a mortgage.

Eileen DeSandre is an American stage actor and a member of the Actors' Equity Association. Known for much of her career as a character actor in the Oregon Shakespeare Festival in Ashland, Oregon, she has more recently taken lead roles in a variety of theaters. She has an M.F.A. in acting from Pennsylvania State University, and a B.A. in French and theater from Seton Hill University.

Production history of plays performed by the Oregon Shakespeare Festival, as of September 2021.

Bill Rauch is an American theatre director. He was named the inaugural artistic director of the Ronald O. Perelman Performing Arts Center (PACNYC) at the World Trade Center in 2018. The Perelman was the final piece of the plan to revitalize the World Trade Center site and creates work which inspires hope.

Jerry Turner (1927–2004) served as artistic director of the Oregon Shakespeare Festival from 1971 to 1991. He transformed the festival from a summer program for semi-professional actors into one of the top regional theaters in the country by leading the Ashland, Oregon-based company beyond its Shakespearean repertoire. He produced plays by Bertold Brecht, Henrik Ibsen, George Bernard Shaw, and August Strindberg and added the Angus Bowmer Theatre in 1970 and the Black Swan in 1977 to the festival's original theater, the Elizabethan Stage.

Angus L. Bowmer was the founder of the Oregon Shakespeare Festival in Ashland, Oregon, United States. During his tenure as artistic director, he produced all 37 of William Shakespeare's plays and performed 32 Shakespearean roles in 43 separate stagings.

Henry Woronicz is an American actor, director, and producer who served as the artistic director of the Oregon Shakespeare Festival (OSF) from 1991 to 1995. He was an actor and resident director there starting in 1984. In addition to his work at OSF, he has acted and directed in many other theaters, and has extensive film and TV credits.

<span class="mw-page-title-main">Portland Center Stage</span> Theatrical company in Portland, Oregon

Portland Center Stage at The Armory is a theater company based in Portland, Oregon, United States. Theater productions are presented at The Armory in Portland's Pearl District. Portland Center Stage at The Armory was founded in 1988 as the northern sibling of the Oregon Shakespeare Festival in Ashland, Oregon. It became an independent theater in 1993 and in 1994 Elizabeth Huddle became producing artistic director. Chris Coleman took over in 2000 as the company's fourth artistic director. In 2018, Marissa Wolf was named the fifth artistic director and Cynthia Fuhrman named Managing Director.

<span class="mw-page-title-main">Richard L. Hay (scenic designer)</span>

Richard L. Hay is the principal theatre and scenic director at the Oregon Shakespeare Festival.

<span class="mw-page-title-main">Dawn Monique Williams</span> American theatre director (born 1978)

Dawn Monique Williams is an American theatre director. She was born in Oakland, California, United States, and is a graduate of California State University, Hayward, San Francisco State University and earned a Master of Fine Arts degree from the University of Massachusetts Amherst in 2011.

Curt Columbus became Trinity Repertory Company’s fifth artistic director in January 2006. He is also the artistic director of the Brown/Trinity MFA programs in Acting and Directing. His directing credits for Trinity include Macbeth, Ragtime,Beowulf: A Thousand Years of Baggage, Middletown, Vanya and Sonia and Masha and Spike, The Merchant of Venice, His Girl Friday, Camelot, Cabaret, Blithe Spirit, A Christmas Carol, Cherry Orchard and the world premieres of Stephen Thorne's The Completely Fictional, Utterly True, Final Strange Tale of Edgar Allan Poe and Jackie Sibblies Drury's Social Creatures. Trinity has been home to the world premieres of three of his plays, Paris by Night, The Dreams of Antigone, and Sparrow Grass. Trinity has also produced his translations of Chekhov’s Cherry Orchard and Ivanov, as well as Feydeau’s A Flea in Her Ear and Lope de Vega’s Like Sheep to Water .

Michael O'Sullivan was an American actor, "larger than life," who appeared on Broadway, at Lincoln Center, on the London stage, at San Francisco's Actor's Workshop and in many regional theaters and festivals of America throughout his brief career in the late 1950s and '60s.

Aaron Posner is an American playwright and theatre director. He was co-founder of the Arden Theatre Company in Philadelphia and was the artistic director of Two River Theater from 2006 to 2010. He has directed over 100 productions at major regional theater companies across the country. He has won six Helen Hayes Awards, two Barrymore Awards, the Outer Critics Circle Award, the John Gassner Prize, a Joseph Jefferson Award, a Bay Area Theatre Award, and an Eliot Norton Award.

<span class="mw-page-title-main">Karin Coonrod</span> American theater director and writer

Karin Coonrod is an American theater director and writer who teaches at Yale School of Drama. Coonrod is known for her modern adaptations of classic plays by William Shakespeare and other playwrights. She often chooses to direct plays produced from unusual sources such as lesser-known works by notable playwrights, adaptations from non-dramatic sources, and the writings of notable figures in history.

<span class="mw-page-title-main">Timothy Bond (professor)</span> US art director

Timothy Bond is the Artistic Director of the Oregon Shakespeare Festival as of September 1, 2023. His previous role was as the Head of the Professional Actor Training Program and professor at the University of Washington School of Drama.

References

  1. 1 2 Fliotsos, A. (2008). "Libby Appel." American Women Stage Directors of the Twentieth Century. Urbana: University of Illinois Press.
  2. Moeschl, R. (2004-10-01). "OSD Artistic Director to Retire in '07". Medford, OR: Mail Tribune.
  3. Adcock, J. (1996-06-27). "Beyond the Bard". Seattle Post-Intelligencer.
  4. "Ashland's Appel Receives Degrees". Medford, OR: Mail Tribune. 2007-05-18.
  5. Alvarez, T. (March 1992). "More than Just Applause". Arts Indiana.
  6. Berson, M. (May–June 1994). "Women at the Helm". American Theatre.
  7. Langworthy, D. (May–June 1994). "Libby Appel: A Natural Sequel". American Theatre.
  8. "Libby Appel to Receive Legacy Award at Kennedy Center 4/16" . Retrieved 2010-04-05.
  9. 1 2 3 "Meet the Company: Libby Appel". Oregon Shakespeare Festival. Retrieved 2009-12-23.
  10. Jones, C. (Nov–Dec 1995). "Heartland to Ashland: Bard Fest Taps Indy A.D.". Variety.
  11. Monson, M. (June 2008). "Backstage Business". Oregon Business.
  12. "Libby Appel: Center Stage". Oregon Automobile Association. Retrieved 2008-09-23.
  13. "FIVE CHEKHOV PLAYS. Contemporary American translations of Chekhov's plays" . Retrieved 2014-05-02.