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Silly Symphony is an American animated series of 75 musical short films produced by Walt Disney Productions from 1929 to 1939. As the series name implies, the Silly Symphonies were originally intended as whimsical accompaniments to pieces of music. As such, the films usually did not feature continuing characters, unlike the Mickey Mouse shorts produced by Disney at the same time. The series is notable for its innovation with Technicolor and the multiplane motion picture camera, as well as its introduction of the character Donald Duck making his first appearance in the Silly Symphony cartoon The Wise Little Hen in 1934. Seven shorts won the Academy Award for Best Animated Short Film.
A feature film or feature-length film, also called a theatrical film, is a narrative film with a running time long enough to be considered the principal or sole presentation in a commercial entertainment program. The term feature film originally referred to the main, full-length film in a cinema program that included a short film and often a newsreel. Matinee programs, especially in the US and Canada, in general, also included cartoons, at least one weekly serial and, typically, a second feature-length film on weekends.
Phyllis Virginia "Bebe" Daniels was an American actress, singer, dancer, writer, and producer.
Silent comedy is a style of film, related to but distinct from mime, invented to bring comedy into the medium of film in the silent film era (1900s–1920s) before a synchronized soundtrack which could include talking was technologically available for the majority of films. Silent comedy is still practiced, albeit much less frequently, and it has influenced comedy in modern media as well.
Jack Cardiff, was a British cinematographer, film and television director, and photographer. His career spanned the development of cinema, from silent film, through early experiments in Technicolor, to filmmaking more than half a century later.
A lost film is a feature or short film that no longer exists in any studio archive, private collection, or public archive.
Color motion picture film refers both to unexposed color photographic film in a format suitable for use in a motion picture camera, and to finished motion picture film, ready for use in a projector, which bears images in color.
The 14 Hour Technicolor Dream was a concert held in the Great Hall of the Alexandra Palace, London, on 29 April 1967. The fund-raising concert for the counterculture paper International Times was organised by Barry Miles, John "Hoppy" Hopkins, David Howson, Mike McInnerney and Jack Henry Moore. It was part-documented by Peter Whitehead in a film called Tonite Let's All Make Love in London.
The Flag: A Story Inspired by the Tradition of Betsy Ross is a 1927 MGM silent fictionalized film short in two-color Technicolor, about the making of the U.S. flag by Betsy Ross. It was the first of the "Great Events" series co-produced by Technicolor and Colorcraft Pictures Inc., and distributed by Metro-Goldwyn-Mayer. The basically true story is combined with a completely fictional subplot in which a British soldier crosses enemy lines to visit his wife, a friend of Betsy Ross.
Technicolor is a series of color motion picture processes, the first version dating back to 1916, and followed by improved versions over several decades.
Buffalo Bill's Last Fight is a 1927 MGM silent fictionalized film short in two-color Technicolor. It was the second short film produced as part of Metro-Goldwyn-Mayer's "Great Events" series. As with the first film in the series, The Flag: A Story Inspired by the Tradition of Betsy Ross, this film continued the series' original intent to focus on events from American history. Ultimately, only one other short was shot which stuck to this format; the other films in the series featured historical events with a European or Asian focus.
The Lady of Victories is a 1928 MGM silent fictionalized film short in two-color Technicolor. It was the third short film produced as part of Metro-Goldwyn-Mayer's "Great Events" series.
The Czarina's Secret is a 1928 MGM silent fictionalized film short in two-color Technicolor. It was the fourth film produced as part of Metro-Goldwyn-Mayer's "Great Events" series.
The Virgin Queen is a 1928 MGM silent fictionalized film short in two-color Technicolor. It was the third short film produced as part of Metro-Goldwyn-Mayer's "Great Events" series.
Cleopatra is a 1928 MGM silent fictionalized film, shot in two-color Technicolor. It was the sixth short produced as part of Metro-Goldwyn-Mayer's "Great Events" series.
The Heart of General Robert E. Lee is a 1928 MGM short silent fictionalized film short in two-color Technicolor. It was the seventh film produced as part of Metro-Goldwyn-Mayer's "Great Events" series.
Madame du Barry is a 1928 MGM short silent fictionalized film short in two-color Technicolor. It was the eighth film produced as part of Metro-Goldwyn-Mayer's "Great Events" series, and the last to be released before the new year.
Manchu Love is a 1929 American pre-code Hollywood Metro-Goldwyn-Mayer short silent historical fiction film short in two-color Technicolor. The film features a cast entirely of people of Asian descent and stars Sojin as Su Shun and Etta Lee as Empress Tzu Hsi. It was the ninth film produced as part of Metro-Goldwyn-Mayer's "Great Events" series.
A Princess of Destiny is a 1929 MGM short silent film short in two-color Technicolor. It was the eleventh and penultimate film produced as part of Metro-Goldwyn-Mayer's "Great Events" series.
Frontier Romance is a 1929 MGM short silent film short in two-color Technicolor. It was the twelfth and final film produced as part of Metro-Goldwyn-Mayer's "Great Events" series. A romantic historical drama, the film depicts George Rogers Clark and other American colonists as they interact with Native American tribespeople.
References
- 1 2 Layton, James; Pierce, David (2015). The Dawn of Technicolor: 1915-1935. Rochester, New York: George Eastman House. p. 345. ISBN 9780935398281. OCLC 893557706.
- ↑ Slide, Anthony (2005). "The "Great Events" Series". Silent Topics: Essays on Undocumented Areas of Silent Film. Lanham, Maryland: Scarecrow Press. p. 38. ISBN 9780810850163. OCLC 474654178.
