Lileana Blain-Cruz is an American theatre director who currently works as the Resident Director of Lincoln Center Theater.
Blain-Cruz grew up primarily in New York City and Miami. [1] She earned her BA in English with certificates in Theater and Spanish from Princeton University in 2006. [2] She earned an MFA in Directing from the David Geffen School of Drama at Yale University in 2012. [3]
In her last year as an undergraduate at Princeton, Blain-Cruz directed Ntozake Shange’s For Colored Girls Who Have Considered Suicide / When the Rainbow Is Enuf for her senior thesis. [4] She directed Suzan-Lori Parks’ 365 Days 365 Plays at GALA Hispanic Theater. [5] She continued to direct for Princeton for their Summer Theater from 2007 to 2009.
In 2009, Blain-Cruz co-founded Overhead Projector, a devised theater company, and continues to serve as curator. [6]
Blain-Cruz directed plays at Yale School of Drama and Yale Cabaret from 2009 to 2011, including devised pieces by Overhead Projector such as Cavity and SALOME. [7] Blain-Cruz was co-Artistic Director at Yale Cabaret in 2011–12. In 2011, she also directed Gertrude Stein’s Doctor Faustus Lights the Lights at Yale School of Drama. [8] She directed Buffalo Maine by Martyna Majok in 2012 as part of the Carlotta Festival of New Plays. [9]
Her 2011 production of The Taming of the Shrew starred Lupita Nyong’o, then a graduate student in acting, as Kate. [10] Her interpretation ended with Kate poisoning the other characters, and the production is known for “it’s freshness and power” according to James Bundy. [11]
In 2013, she directed The Bakkhai (translated by Ned Moore) at Bard College, [12] and Hollow Roots by Christina Anderson for the Under the Radar Festival at The Public Theater. [13] In 2015, she directed Salome at JACK in Brooklyn, [14] and in 2016, Red Speedo by Lucas Hnath at New York Theatre Workshop [15] and Revolt. She Said. Revolt Again. by Alice Birch at Soho Repertory Theatre. [16]
Her 2016 direction of The Death of the Last Black Man in the Whole Entire World by Suzan-Lori Parks at Signature Theatre [17] was lauded by critic Ben Brantley, who called it “a hypnotic staging” by Blain-Cruz. [18]
In 2017, she directed War by Branden Jacobs-Jenkins, at Yale Repertory Theater, [19] The Bluest Eye by Toni Morrison and Lydia Diamond, based on Morrison's novel, at The Guthrie Theater, [20] Henry IV, Part I [21] and Much Ado About Nothing , casting a woman as Dogberry, both at Oregon Shakespeare Festival, [22] and Pipeline (play) at Lincoln Center Theater. [23]
In 2018, Blain-Cruz directed Thunderbodies by Kate Tarker at Soho Rep, [24] The House That Will Not Stand by Marcus Gardley at New York Theatre Workshop, [25] and Fabulation, Or the Reeducation of Undine at Signature Theatre, which was directed with “screwball precision” by Blain-Cruz. [26] Her 2018 production of Water by the Spoonful at the Mark Taper Forum [27] was part of a Los Angeles-wide production of Quiara Alegría Hudes’ trilogy with the other plays staged at the Kirk Douglas Theatre and the Los Angeles Theatre Center.
In 2019, she directed Branden Jacobs-Jenkins’ play Girls, a riff on The Bacchae, for Yale Rep, [28] Maria Irene Fornes’ play, Fefu and Her Friends , at TFANA, [29] and in 2020, Anatomy of a Suicide by Alice Birch at Atlantic Theater Company. [30]
In 2022, Blain-Cruz directed Dreaming Zenzile by Somi Kakoma for a rolling world premiere production that “brought together seven producers” including New York Theatre Workshop, The Repertory Theatre of St. Louis, and The National Black Theatre. [31] In 2023, she directed White Girl in Danger at Second Stage / Vineyard Theatre. [32]
Blain-Cruz became the Resident Director of Lincoln Center Theater in 2020. [33]
Blain-Cruz had directed War by Jacobs-Jenkins at Lincoln Center Theater in 2016. [34] She directed Marys Seacole by Jackie Sibblies Drury in 2019, for which she and Drury received a Special Citation Obie Award. [35]
She directed The Skin of Our Teeth by Thornton Wilder which included additional material by Branden Jacobs-Jenkins in 2022. [36] This was her Broadway debut as a director, and she was nominated for the Tony Award for Best Direction of a Play. [37]
In 2019, Blain-Cruz directed Charles Gounod’s Faust at Opera Omaha. [38] In 2021, she directed an opera film of Hansel & Gretel with music by Engelbert Humperdinck, for Houston Grand Opera [39] and she directed the premiere of Wayne Shorter and esperanza spalding's opera Iphigenia at ArtsEmerson in Boston, with set design by Frank Gehry. [40]
In 2022, she directed The Listeners by Missy Mazzoli at The Norwegian National Opera, [41] in 2023 Stranger Love at the Los Angeles Philharmonic, [42] and in 2024, she will direct John Adams's oratorio El Niño at Metropolitan Opera. [43]
She wrote for the television series, Dead Ringers , in 2023. She wrote the play Create Dangerously, based on Edwidge Danticat's book of essays, and directed it at Miami New Drama in 2023. [44]
In January 2024, it was announced that a new musical about Prince called Purple Rain was in the works, with book by Branden Jacobs-Jenkins and directed by Blain-Cruz. [45] Blain-Cruz and Jacobs-Jenkins met as undergraduates at Princeton, and they have collaborated many times. [46]
Blain-Cruz was the Allen Lee Hughes Directing Fellow at Arena Stage from 2006 to 2007. She held a fellowship at the Goodman Theater in 2008. She was Artistic Associate at The Orchard Project & The Exchange from 2007 to 2009, [47] and in the Director's Lab at Lincoln Center Theater in 2008. [48]
In both 2017 and 2018, she was a United States Artists Fellow,[ citation needed ] and a former New York Theatre Workshop 2050 Fellowship awardee.[ citation needed ]
She was a Presidential Visiting Fellow at Yale in 2020-21 and teaches at the David Geffen School of Drama at Yale. [49]
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