Related Research Articles
Jean Rouch was a French filmmaker and anthropologist.
Visual anthropology is a subfield of social anthropology that is concerned, in part, with the study and production of ethnographic photography, film and, since the mid-1990s, new media. More recently it has been used by historians of science and visual culture. Although sometimes wrongly conflated with ethnographic film, visual anthropology encompasses much more, including the anthropological study of all visual representations such as dance and other kinds of performance, museums and archiving, all visual arts, and the production and reception of mass media. Histories and analyses of representations from many cultures are part of visual anthropology: research topics include sandpaintings, tattoos, sculptures and reliefs, cave paintings, scrimshaw, jewelry, hieroglyphics, paintings and photographs. Also within the province of the subfield are studies of human vision, properties of media, the relationship of visual form and function, and applied, collaborative uses of visual representations.
Salvage ethnography is the recording of the practices and folklore of cultures threatened with extinction, including as a result of modernization. It is generally associated with the American anthropologist Franz Boas; he and his students aimed to record vanishing Native American cultures. Since the 1960s, anthropologists have used the term as part of a critique of 19th-century ethnography and early modern anthropology.
Timothy Asch was an American anthropologist, photographer, and ethnographic filmmaker. Along with John Marshall and Robert Gardner, Asch played an important role in the development of visual anthropology. He is particularly known for his film The Ax Fight and his role with the USC Center for Visual Anthropology.
Digital anthropology is the anthropological study of the relationship between humans and digital-era technology. The field is new, and thus has a variety of names with a variety of emphases. These include techno-anthropology, digital ethnography, cyberanthropology, and virtual anthropology.
Robert Grosvenor Gardner was an American academic, anthropologist, and documentary filmmaker who was the Director of the Film Study Center at Harvard University from 1956 to 1997. He is known for his work in the field of visual anthropology and films like the National Film Registry inductee Dead Birds and Forest of Bliss. In 2011, a retrospective of his work was held at Film Forum, New York.
Ethnofiction refers to a subfield of ethnography which produces works that introduces art, in the form of storytelling, "thick descriptions and conversational narratives", and even first-person autobiographical accounts, into peer-reviewed academic works.
The Sensory Ethnography Lab (SEL) at Harvard University is an interdisciplinary center for the making of anthropologically informed works of media that combine aesthetics and ethnography. Production courses associated with the SEL are offered through Anthropology, Visual and Environmental Studies, and the Graduate School of Design.
Ethnocinema, from Jean Rouch’s cine-ethnography and ethno-fictions, is an emerging practice of intercultural filmmaking being defined and extended by Melbourne, Australia-based writer and arts educator, Anne Harris, and others. Originally derived from the discipline of anthropology, ethnocinema is one form of ethnographic filmmaking that prioritises mutuality, collaboration and social change. The practice's ethos claims that the role of anthropologists, and other cultural, media and educational researchers, must adapt to changing communities, transnational identities and new notions of representation for the 21st century.
Incidents of Travel in Chichén Itzá is an ethnographic film . Jeff Himpele and Quetzil E. Castañeda, filmmakers and producers. Production 1995 and 1997. Postproduction release: 1997.
Alfred Guzzetti is a maker of documentary and experimental films and tapes. His work has been shown at the New York Film Festival, the Margaret Mead Festival, and other festivals in London, Rotterdam, Germany, Spain and France, as well as in installation settings in New York, Copenhagen, and Santa Monica.
Social anthropology is the study of patterns of behaviour in human societies and cultures. It is the dominant constituent of anthropology throughout the United Kingdom and much of Europe, where it is distinguished from cultural anthropology. In the United States, social anthropology is commonly subsumed within cultural anthropology or sociocultural anthropology.
John Melville Bishop is a contemporary, U.S., documentary filmmaker known for the breadth of his collaborations, primarily in the fields of anthropology and folklore. He has worked with Alan Lomax, John Marshall, and extensively with the Smithsonian Institution and the American Folklife Center at the Library of Congress. In 2005, he received a Lifetime Achievement Award from the Society for Visual Anthropology.
Disappearing World is a British documentary television series produced by Granada Television, which produced 49 episodes between 1970 and 1993. The episodes, each an hour long, focus on a specific human community around the world, usually but not always a traditional tribal group.
David MacDougall is an American-Australian visual anthropologist, academic, and documentary filmmaker, who is known for his ethnographic film work in Africa, Australia, Europe and India. For much of his career he co-produced and co-directed films with his wife, fellow filmmaker Judith MacDougall. In 1972, his first film, To Live with Herds was awarded the Grand Prix "Venezia Genti" at the Venice Film Festival. He has lived in Australia since 1975, and is currently a professor in the Research School of Humanities & the Arts at Australian National University.
Judith MacDougall is an American visual anthropologist and documentary filmmaker, who has made over 20 ethnographic films in Africa, Australia and India. For many of the films, she worked with her husband, David MacDougall, also an anthropologist and a documentary filmmaker. Both of them are considered among the most significant anthropological filmmakers in the English-speaking world.
Paul Hockings is an anthropologist whose prime areas of focus are the Dravidian languages, social, visual and medical anthropology.
A Wife Among Wives is a 1981 ethnographic documentary produced by filmmakers Judith and David MacDougall. It is about the dynamics of polyamorous marriage in a small Turkana village in Kenya. The film premiered at the 1981 Margaret Mead Film Festival. It has a runtime of 72 minutes.
Howard Morphy is a British anthropologist who has conducted extensive fieldwork in northern Australia, mainly among the Yolngu people. He was founding director of the Research School of Humanities and the Arts at the Australian National University and is currently a distinguished professor of anthropology.
References
- ↑ "Lina Fruzzetti | Center for Contemporary South Asia". watson.brown.edu. Retrieved 2021-02-02.
- ↑ "Anthropologist Lina Fruzzetti and Tanzania". 1997-06-06. Archived from the original on 1997-06-06. Retrieved 2021-02-02.
- ↑ "Lina Fruzzetti | DER Filmmaker Bio". www.der.org. Retrieved 2021-02-02.
- ↑ "In My Mother's House". Documentary Educational Resources Online Store. Retrieved 2021-02-02.
- ↑ "Awards". XV International Festival of Ethnological Film. Ethnographic Museum (Belgrade). November 2006. Archived from the original on 2011-10-07. Retrieved 2010-10-19.
