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Agnes George de Mille was an American dancer and choreographer.
Labanotation is a system for analyzing and recording human movement, invented by Austro-Hungarian choreographer and dancer Rudolf von Laban, who developed his notation on movements in the 1920s.
Dance notation is the symbolic representation of human dance movement and form, using methods such as graphic symbols and figures, path mapping, numerical systems, and letter and word notations. Several dance notation systems have been invented, many of which are designed to document specific types of dance while others have been developed with capturing the broader spectrum of human movement potential. A dance score is a recorded dance notation that describes a particular dance.
Doris Batcheller Humphrey was an American dancer and choreographer of the early twentieth century. Along with her contemporaries Martha Graham and Katherine Dunham, Humphrey was one of the second generation modern dance pioneers who followed their forerunners – including Isadora Duncan, Ruth St. Denis, and Ted Shawn – in exploring the use of breath and developing techniques still taught today. As many of her works were annotated, Humphrey continues to be taught, studied and performed.
Benesh Movement Notation (BMN), also known as Benesh notation or choreology, is the literacy of body language, it is a dance and movement notation system used to document dance and other types of human movement. Invented by Joan and Rudolf Benesh in the late 1940s, the system uses abstract symbols based on figurative representations of the human body. It is used in choreography and physical therapy, and by the Royal Academy of Dance to teach ballet.
Appalachian Spring is an American ballet created by the choreographer Martha Graham and the composer Aaron Copland, later arranged as an orchestral work. Commissioned by Elizabeth Sprague Coolidge, Copland composed the ballet music for Graham; the original choreography was by Graham, with costumes by Edythe Gilfond and sets by Isamu Noguchi. The ballet was well received at the 1944 premiere, earning Copland the Pulitzer Prize for Music during its 1945 United States tour. The orchestral suite composed in 1945 was played that year by many symphony orchestras; the suite is among Copland's best-known works, and the ballet remains essential in the Martha Graham Dance Company repertoire.
Ann Hutchinson Guest was an American authority on dance notation and movement analysis, long based in the United Kingdom. She studied more than 80 dance notation systems and translated 20 to Labanotation. This gave her access to a number of dance works in their original version – such as Vaslav Nijinsky's L'Après-midi d'un Faune. Her extensive research, performing, and teaching career led her to establish the "Language of Dance" approach to empower educators, artists, researchers, and other professionals in their study and use of Motif notation to engage and deepen movement understanding.
The Dance Notation Bureau (DNB) is a non-profit organization founded to preserve choreographic works through notating dance scores in Labanotation and collaborating with dance companies to stage reconstructions of those works. Based in New York City, DNB was founded by Helen Priest Rogers, Eve Gentry, Janey Price, and Ann Hutchinson in 1940. It has significant holdings of videotapes, photographs, programs, and production information. Its mission is to advance the art of dance through the use of a system of notation called Labanotation. This allows the dances to continue to be performed long after the lifetime of the artist.
Modern dance is a broad genre of western concert or theatrical dance which includes dance styles such as ballet, folk, ethnic, religious, and social dancing; and primarily arose out of Europe and the United States in the late 19th and early 20th centuries. It was considered to have been developed as a rejection of, or rebellion against, classical ballet, and also a way to express social concerns like socioeconomic and cultural factors.
The terms dance technology and Dance and Technology is the application of modern information technology in activities related to dance: in dance education, choreography, performance, and research.
La Meri was an American ethnic dancer, choreographer, teacher, poet, anthropologist and scholar. She integrated the dance styles of many cultures, most notably those of Spain and India, in her work.
Laban Notation Symbols generally refers to the wide range of notation symbols developing from the original work of Rudolf Laban and used in many different types of Laban Movement Study such as Labanotation and Laban Movement Analysis for graphically representing human body positions and movements.
Jardin aux lilas is a ballet in one act choreographed by Antony Tudor to a composition by Ernest Chausson entitled Poème, Op. 25. With scenery and costumes designed by Hugo Stevenson, it was first presented by Ballet Rambert at the Mercury Theatre, London, on 26 January 1936. It is considered to be the first of the genre of psychological ballets.
The Laban/Bartenieff Institute of Movement Studies (LIMS) in New York was founded in 1978 as a center for the development and study of the principles of Laban Movement Analysis, formulated by Rudolf Laban and further developed by his student and colleague Irmgard Bartenieff. The institute maintains a library and media resource center that includes published and unpublished text, films and photographs on the subject of Laban Movement Analysis.
Valerie Sutton is an American developer of movement notation and a former dancer.
Eugenia Popescu-Județ was a Romanian dancer, dance teacher, choreographer, and folklorist. Trained in ballet, she performed as a solo dancer for several professional theatres in Bucharest and became a famed choreographer of folk-inspired character dance working for film, TV, and several professional ensembles in Romania. She taught folk dance in Romania and internationally. Later she became an expert in manuscripts relating to the 17th century Romanian prince and composer Dimitrie Cantemir.
Wilfride Piollet was a French ballerina and choreographer. She was born in Saint-Rambert-d'Albon. Her philosophy of dance and her research led to the publication of several books. Piollet joined the Paris Opera Ballet company in 1960. She gained the rank "coryphée" in 1963, "sujet" in 1964, soloist in 1966, and was promoted to principal dancer (étoile) in 1969. In 1973, Nouvelle lune c-à-d was created for her retirement of the Paris Opera. Invited as a guest by Rudolf Nureyev, she danced at the Paris Opera until 1990, the year when Jean Guizerix left. At the Paris Opera and worldwide, she performed the classical, neo-classical and contemporary repertory, and from the 1980s, the Baroque and Renaissance ones. She ended her dance career in 2003 with a piece on Isadora Duncan's dances studied with Madeleine Lytton, and performed with Jean Guizerix.
Zena Rommett was an Italian-born American dancer, teacher, and originator of the Zena Rommett Floor-Barre and Ballet Technique.
Zella Wolofsky is a Canadian modern dancer, researcher, columnist, and educator. During her dance career, she danced with various dance companies including Dancemakers, Winnipeg's Contemporary Dancers, Burnaby Dance, Laura Dean, and independent choreographers such as Jean Pierre Perrault, Muna Tseng, Elizabeth Chitty as part of 15 Dance Labs, founded by Miriam Adams and Lawrence Adams in Toronto, Canada.
Jacqueline Challet-Haas was a French dancer and professor.
References
- ↑ "Linda Crist (1944-2005)". University of Iowa. Archived from the original on 2 January 2011. Retrieved 16 January 2011.
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