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Linda Lister (born June 30, 1969) is an American soprano and teacher of singing.
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Linda Lister (born June 30, 1969) is an American soprano and teacher of singing.
Linda Lister's solo career includes performances with the Prague Radio Symphony Orchestra (SOČR), the Washington Symphony Orchestra, the Buffalo Philharmonic, Piedmont Opera Theatre, Opera Theatre of Rochester, Rochester Oratorio Society, Long Leaf Opera, Greensboro Oratorio Society, Cambridge Opera, Cambridge Gilbert and Sullivan Society, and Maine State Music Theatre. Her favorite roles include Monica in The Medium , Musetta in La Bohème , Maria in West Side Story , Maggie in A Chorus Line , and the title role in Massenet's Cendrillon .
A featured soloist on the Albany Records CDs The American Soloist and Midnight Tolls, she sang the world premiere of “Mountain Night Recessional” at the Biltmore House. Lister has won awards from the National Association for Teachers of Singing (NATS), the Metropolitan Opera Council Auditions, and Greater Miami Opera in addition to winning the 1998 Dissertation Prize from the National Opera Association.
She is currently on the faculty at the University of Evansville. [1] A Phi Beta Kappa graduate of Vassar College, she received the Master of Music degree in vocal performance from the Eastman School of Music and the Doctor of Musical Arts degree in vocal performance from the University of North Carolina at Greensboro. Before coming to the University of Evansville, she served on the voice faculties of Shorter College (Shorter University) where she created the course Yoga for Singers, Elon University, Greensboro College, the SUNY Fredonia, the Music Academy of North Carolina, the Hochstein School of Music, and the School of Choral Studies at the New York State Summer School of the Arts (NYSSA).
Lister is also a composer, and her chamber opera about the Brontë sisters (How Clear She Shines!) had its world premiere in 2002 and the Ladies Musical Club of Seattle commissioned a piano trio version of the opera for its west coast revival in 2006. [2]
John M. McCollum was an American tenor who had an active singing career in operas, concerts, and recitals during the 1950s through the 1970s. As an opera singer he performed with companies throughout North America, mostly working with second tier opera houses. He was much more successful as a singer of oratorios and other works from the concert repertoire, and enjoyed a particularly productive and lengthy relationship with the Boston Symphony Orchestra. As a concert singer he sang a wide repertoire but drew particular acclaim for his performances in the works of Johann Sebastian Bach and George Frideric Handel.
Sarah Elizabeth Royle Walker is an English mezzo-soprano.
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Helen Cha-Pyo is a South Korean-born American conductor and organist. The Mail Tribune describes her as being "on the front edge of a lustrous career as a conductor".
D'Anna Fortunato is an American mezzo-soprano. She has long been an admired favorite on the American orchestral-concert scene, while establishing herself as a respected operatic artist as well. Of her New York City Opera debut in Handel's Alcina, the New Yorker called her "a Handelian of crisp accomplishment".
Arianna Zukerman is an American lyric soprano who has performed with some of the world's finest orchestras and opera companies. Her voice was described in The Washington Post as "remarkable" combining the "range, warmth and facility of a Rossini mezzo with shimmering, round high notes and exquisite pianissimos."
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Betty Allen was an American operatic mezzo-soprano who had an active international singing career during the 1950s through the 1970s. In the latter part of her career her voice acquired a contralto-like darkening, which can be heard on her recording of Sergei Prokofiev’s Alexander Nevsky with conductor Eugene Ormandy and the Philadelphia Orchestra. She was known for her collaborations with American composers, such as Leonard Bernstein, Aaron Copland, David Diamond, Ned Rorem, and Virgil Thomson among others.
Ernest McChesney was an American tenor who had an active singing career in operas, musicals, and concerts during the late 1920s through the early 1960s. He was notably a principal tenor with the New York City Opera from 1954 to 1960.
Walter Carringer was an American classical tenor who had an active career in operas, concerts, and recitals during the 1950s and 1960s. He was twice the recipient of the Martha Baird Rockefeller Foundation award and was a winner of the American Federation of Music Clubs singing competition. He also was twice awarded the Orpheus Award by Phi Mu Alpha Sinfonia for “significant and lasting contributions to the cause of music in America.”
Shirlee Emmons was an American classical soprano, voice teacher, and author on vocal pedagogy. She began her career in the early 1940s as a concert soprano, eventually becoming one of the original singers in the Robert Shaw Chorale in 1948. She branched out into opera in the 1950s; performing mainly with regional companies in the United States. She achieved several honours as a performer, including winning the Marian Anderson Award in 1953 and an Obie Award in 1956.
Andrew McKinley was an American operatic tenor, violinist, arts administrator, music educator, and school administrator. Although he mainly performed in the United States, he had an active international singing career with major opera companies and symphony orchestras from the 1940s through the 1960s. His repertoire spanned a wide range, from leading tenor parts to character roles.
Martha Lipton was an American operatic mezzo-soprano and music educator who is best known for her career performing at the Metropolitan Opera from 1944-1961. A native of New York City, she began her training as a vocalist with her mother who had a brief career as a concert soprano under the name Estelle Laiken. She later studied both privately and at the School of Musicianship for Singers, Inc and the Juilliard School. She made her professional concert debut while still a student in 1933 at Carnegie Hall, performing in a concert of light opera excerpts with the New York Light Opera Guild. In 1936 she began working as a church vocalist at both Riverside Church and Temple Emanu-El of New York.
Julius Penson Williams, is an American composer, conductor, and college professor. He is currently president of the Conductors Guild. An author of both instrumental and vocal music, Julius Williams has composed operas, symphonies, and chorus works for stage, concert hall, film, and television. Primarily a classically trained musician, Williams also writes in genres including gospel, jazz, and other contemporary forms.
Sinfonia da Camera is a professional chamber orchestra in Central Illinois. It was founded in 1984 by Ian Hobson, a noted pianist who in 1981 was awarded the First Prize in the Leeds International Piano Competition. The orchestra is composed of musicians throughout the Midwest and brings music to audiences in Central Illinois and elsewhere. In addition to performing the standard repertoire from baroque to modern music, Ian Hobson and Sinfonia da Camera frequently present compositions by composers that are performed less often and a world premiere by a contemporary composer or a newly made orchestration of an earlier work.
Fredrick Redd is an operatic baritone and businessman. He is the currently Vice President of Operations at PACO Group and has held numerous positions prior, including President/CEO of Project Management Resource Group, PMO Director for the Port Authority of NY & NJ, Principal with North Highland among others. As an operatic baritone and performing artist, Mr. Redd has performed in concert, opera, musical theatre, recitals, radio, television and film. As a lead baritone singer, he has performed over 20 roles including the Metropolitan Opera Guild, New York City Opera, Opera North, Opera Carolina, Connecticut Grand Opera, Teatro Grattacielo, New York Grand Opera, Harrisburg Opera, Verismo Opera, Piedmont Opera, and Houston Opera Ebony, among others.
Thomas Warburton Paul is an American bass and voice teacher who had an active performance career during the second half of the 20th century. While more frequently heard in oratorios and other concert literature, Paul also appeared in operas during his career with companies like the New York City Opera, the San Francisco Opera, and Washington National Opera. In 1964 he created the role of Jack Spaniard in the world premiere of Robert Ward's The Lady From Colorado at the Central City Opera. In 1976 he portrayed Jared Bilby in the world premiere of Carlisle Floyd's Bilby's Doll at the Houston Grand Opera. He was a full time professor of voice at the Eastman School of Music at the University of Rochester from 1973 through 1998, and also taught at the Aspen Music Festival and School.
Barbara Thorne, also known by her married name Barbara Stevenson and as Barbara Thorne Stevenson, was an American soprano who had an active performance career from 1930 through 1959. She made her professional singing debut in 1930 as a soloist with the Portland Symphony Orchestra while an undergraduate music student at Pacific University. She performed in several more oratorios with that orchestra in the 1930s. She continued to perform professionally while pursuing further vocal studies at the Curtis Institute of Music in Philadelphia from 1935–1938 where she was a pupil of Harriet van Emden and Estelle Liebling. She was a leading soprano of the Philadelphia Opera Company from 1939–1942, and also performed with other American opera companies during the 1940s and 1950s. She also worked as an oratorio soloist, mainly in the cities of Philadelphia and New York City, but also on stages throughout the United States. In 1939 she recorded Wolfgang Amadeus Mozart's Requiem with the Philadelphia Orchestra for RCA Victor. In the 1950s she taught on the voice faculties of the University of North Texas and Southern Methodist University.
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