The museum's main attraction is its collection of Italian paintings from the late Gothic and early Renaissance age (13th–15th centuries), which are among the largest outside Italy. The artworks include Filippo Lippi's St. Jerome in Penance, Sandro Botticelli's Portrait of Caterina Sforza and a predella panel by Fra Angelico. It also keeps ancient antiquities and modern works, and has a library.
Additionally, there are collections of paintings primarily from the 16th to 19th centuries and asw well the 20th century, that were created in German, Italy, Netherlands and France. After 1945, collections primarily consisted of artwork created by artists from Berlin, Chemnitz, Dresden, and Leipzig. The art of the 1920s and classical modernism are emphasized in painting and graphic design. One of the most extensive collections of illustrated portfolios of late Expressionism and New Objectivity can be found in the graphic Collection. The museum also has the largest collection of works created by Gerhard Altenbourg (1926–1989) in the entire globe.[1]
The Lindenau Museum building adheres to the architectural tradition of 19th-century picture galleries, which were a distinct type of museum structure. The prototype for this style was created by Leo von Klenze with the Alte Pinakothek in Munich. What defines this “museum building style” is the reception of the palace building of the Italian High Renaissance in the sense of an art historical ideal that should be expressed in a new, representative and functional museum architecture. The immediate model for the Lindenau Museum was the Dresden Picture Gallery, built according to plans by Gottfried Semper. Semper adopted the basic architectural concept from the Alte Pinakothek but introduced a decisive internal symmetry with a central octagonal rotunda. When constructing the Lindenau Museum, Julius Robert Enger, a senior building inspector from Altenburg and a student of Semper, clearly referred to his teacher's Dresden model. Enger succeeded in creating a museum building that is significantly simplified in both material and architectural terms and yet impresses with its palatial overall effect and compositional balance.[1]
Sources
Jena, Klaus; Ingeborg Titz-Matuszak; Miklos Boskovits (1998). 150 anni del Lindenau-Museum Altenburg. ISBN3-86104-032-8.
Altenburg is a city in Thuringia, Germany, located 40 kilometres south of Leipzig, 90 kilometres west of Dresden and 100 kilometres east of Erfurt. It is the capital of the Altenburger Land district and part of a polycentric old-industrial textile and metal production region between Gera, Zwickau and Chemnitz with more than 1 million inhabitants, while the city itself has a population of 33,000. Today, the city and its rural county is part of the Central German Metropolitan Region.
The Alte Pinakothek is an art museum located in the Kunstareal area in Munich, Germany. It is one of the oldest galleries in the world and houses a significant collection of Old Master paintings. The name Alte (Old) Pinakothek refers to the time period covered by the collection—from the fourteenth to the eighteenth century. The Neue Pinakothek, re-built in 1981, covers nineteenth-century art, and Pinakothek der Moderne, opened in 2002, exhibits modern art. All three galleries are part of the Bavarian State Painting Collections, an organization of the Free state of Bavaria.
Adam Elsheimer was a German artist working in Rome, who died at only thirty-two, but was very influential in the early 17th century in the field of Baroque paintings. His relatively few paintings were small-scale, nearly all painted on copper plates, of the type often known as cabinet paintings. They include a variety of light effects, and an innovative treatment of landscape. He was an influence on many other artists, including Rembrandt and Peter Paul Rubens.
Baron Bernhard August von Lindenau was a German lawyer, astronomer, politician, and art collector.
The Neue Pinakothek is an art museum in Munich, Germany. Its focus is European Art of the 18th and 19th centuries, and it is one of the most important museums of art of the nineteenth century in the world.
The Kunstareal is a museum quarter in the city centre of Munich, Germany.
The Gemäldegalerie Alte Meister in Dresden, Germany, displays around 750 paintings from the 15th to the 18th centuries. It includes major Italian Renaissance works as well as Dutch and Flemish paintings. Outstanding works by German, French, and Spanish painters of the period are also among the gallery's attractions.
Leo von Klenze was a German architect and painter. He was the court architect of Ludwig I of Bavaria.
The Alte Nationalgalerie is a listed building on the Museum Island in the historic centre of Berlin, Germany. The gallery was built from 1862 to 1876 by the order of King Frederick William IV of Prussia according to plans by Friedrich August Stüler and Johann Heinrich Strack in Neoclassical and Renaissance Revival styles. The building's outside stair features a memorial to Frederick William IV. Currently, the Alte Nationalgalerie is home to paintings and sculptures of the 19th century and hosts a variety of tourist buses daily. As part of the Museum Island complex, the gallery was inscribed on the UNESCO World Heritage List in 1999 for its outstanding architecture and its testimony to the development of museums and galleries as a cultural phenomenon in the late 19th century.
Renaissance Revival architecture is a group of 19th-century architectural revival styles which were neither Greek Revival nor Gothic Revival but which instead drew inspiration from a wide range of classicizing Italian modes. Under the broad designation Renaissance architecture 19th-century architects and critics went beyond the architectural style which began in Florence and Central Italy in the early 15th century as an expression of Renaissance humanism; they also included styles that can be identified as Mannerist or Baroque. Self-applied style designations were rife in the mid- and later 19th century: "Neo-Renaissance" might be applied by contemporaries to structures that others called "Italianate", or when many French Baroque features are present.
Adriaen van der Werff was a Dutch painter of portraits and erotic, devotional and mythological scenes. He painted several works for the Medicis. His brother, Pieter van der Werff (1661–1722), was his principal pupil and assistant.
The Bavarian State Painting Collections, based in Munich, Germany, oversees artwork held by the Free State of Bavaria. It was established in 1799 as Centralgemäldegaleriedirektion. Artwork includes paintings, sculptures, photographs, video art and installation art. Pieces are on display in numerous galleries and museums throughout Bavaria.
Johann Georg von Dillis was a German painter.
The Dresden City Art Gallery is the municipal art collection of Dresden, Germany, housed in the city's Landhaus. It was formed by the 19th and 20th century artworks of the Stadtmuseum Dresden, split off from the Museum and given a separate display in 2000. In 2002, Gisbert Porstmann became the founding director of the Dresden City Art Gallery, which officially opened in 2005.
The Kupferstichkabinett, or Museum of Prints and Drawings, is a prints museum in Berlin, Germany. It is part of the Berlin State Museums, and is located in the Kulturforum on Potsdamer Platz. It is the largest museum of graphic art in Germany, with more than 500,000 prints and around 110,000 individual works on paper.
The Skulpturensammlung is part of the Staatliche Kunstsammlungen Dresden. It is located in the Albertinum in Dresden.
Wilhelm Schubert van Ehrenberg or Willem Schubart van Ehrenberg (also: Wilhem Schubert von Ehrenberg or Wilhem Schubert van Ehrenberg was a Flemish painter mainly active in Antwerp who specialized in architectural paintings including of real and imaginary church interiors, Renaissance palaces and picture galleries.
The Semper Gallery or Semper Building in Dresden, Germany, was designed by the architect Gottfried Semper and constructed from 1847 until 1854.
The National Gallery in Berlin, Germany, is a museum for art of the 19th, 20th and 21st centuries. It is part of the Berlin State Museums. From the Alte Nationalgalerie, which was built for it and opened in 1876, its exhibition space has expanded to include five other locations. The museums are part of the Berlin State Museums, owned by the Prussian Cultural Heritage Foundation.
Max Uhlig is a German painter. He won the Hans Theo Richter-Preis of the Sächsische Akademie der Künste in 1998.
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