Line in the sand

Last updated

Line in the sand is an idiom with two similar meanings:

Contents

Origin

Biblical link to John 8 (John 8:6). Some have (perhaps erroneously) interpreted Jesus' writing in the sand, as drawing a line in the sand in order to address those who are about to stone a woman caught in adultery. However, the literal translation is not that he drew a line in the sand, but that he "wrote" (or "drew lines" in some translations) in the sand, an important distinction.

The exact origin of the phrase is unknown: the Oxford English Dictionary suggests a transitional use from 1950, but a definitely figurative use only as late as 1978:

He drew a line in the sand with the toe of his boot, and said, 'It's as though I told you "I can punch you in the nose, but you can't reach across that line to hit me back."'

The Washington Post , 19 December 1950

Notwithstanding the supposed public revulsion toward more federal spending, waste and bureaucracy-building, Congress seems to have gone out of its way to draw a wide line in the sand in front of Carter.

The Washington Post , 29 October 1978 [1]

There is reference to an actual line being drawn in several historical, or legendary, military events:

Recent uses

See also

Related Research Articles

An idiom is a phrase or expression that typically presents a figurative, non-literal meaning attached to the phrase. Some phrases which become figurative idioms, however, do retain the phrase's literal meaning. Categorized as formulaic language, an idiom's figurative meaning is different from the literal meaning. Idioms occur frequently in all languages; in English alone there are an estimated twenty-five million idiomatic expressions.

<span class="mw-page-title-main">168 BC</span> Calendar year

Year 168 BC was a year of the pre-Julian Roman calendar. At the time it was known as the Year of the Consulship of Macedonicus and Crassus. The denomination 168 BC for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years.

The point of no return is the point beyond which one must continue on one's current course of action because turning back is dangerous, physically impossible or difficult, or prohibitively expensive. The point of no return can be a calculated point during a continuous action. A particular irreversible action can be a point of no return.

<span class="mw-page-title-main">Martín Perfecto de Cos</span> General of the Mexican Army

Martín Perfecto de Cos was a Mexican Army general and politician during the mid-19th century. Born in Veracruz, the son of an attorney, he became an army cadet at the age of 20, a Lieutenant in 1821, and a Brigadier General in 1833.

<span class="mw-page-title-main">William B. Travis</span> American lawyer and soldier (1809–1836)

William Barret "Buck" Travis was a 19th-century American lawyer and soldier. He is known for helping set the Texas Revolution in motion during the Anahuac disturbances and commanding the Misión San Antonio de Valero as a lieutenant colonel in the Texian Army.

<span class="mw-page-title-main">James Bowie</span> Historical figure of Texas (c. 1796 – 1836)

James Bowie was a 19th-century American pioneer, slave smuggler and trader, and soldier who played a prominent role in the Texas Revolution. He was among the Americans who died at the Battle of the Alamo. Stories of him as a fighter and frontiersman, both real and fictitious, have made him a legendary figure in Texas history and a folk hero of American culture.

<span class="mw-page-title-main">Battle of the Alamo</span> Major battle of the Texas Revolution

The Battle of the Alamo was a pivotal event and military engagement in the Texas Revolution. Following a 13-day siege, Mexican troops under President General Antonio López de Santa Anna reclaimed the Alamo Mission near San Antonio de Béxar, killing most of the occupants. Santa Anna's refusal to take prisoners during the battle inspired many Texians and Tejanos to join the Texian Army. Motivated by a desire for revenge, as well as their written desire to preserve a border open to immigration and the importation and practice of slavery, the Texians defeated the Mexican Army at the Battle of San Jacinto, on April 21, 1836, ending the conquering of the Mexican state of Coahuila y Tejas by the newly formed Republic of Texas.

<i>The Alamo</i> (2004 film) 2004 epic war film by John Lee Hancock

The Alamo is a 2004 American war historical drama about the Battle of the Alamo during the Texas Revolution. The film was directed by John Lee Hancock, produced by Ron Howard, Brian Grazer, and Mark Johnson, distributed by Buena Vista Pictures, and starring Dennis Quaid as Sam Houston, Billy Bob Thornton as Davy Crockett, Jason Patric as Jim Bowie, and Patrick Wilson as William B. Travis. The screenplay is credited to Hancock, Stephen Gaghan, and Leslie Bohem.

<i>The Alamo</i> (1960 film) 1960 film

The Alamo is a 1960 American epic historical war film about the 1836 Battle of the Alamo produced and directed by John Wayne and starring Wayne as Davy Crockett. The film also co-stars Richard Widmark as Jim Bowie and Laurence Harvey as William B. Travis, and features Frankie Avalon, Patrick Wayne, Linda Cristal, Joan O'Brien, Chill Wills, Joseph Calleia, Ken Curtis, Ruben Padilla as Santa Anna, and Richard Boone as Sam Houston. Shot in 70 mm Todd-AO by William H. Clothier, it was released by United Artists.

<span class="mw-page-title-main">Susanna Dickinson</span>

Susanna Wilkerson Dickinson and her infant daughter, Angelina, were among the few American survivors of the 1836 Battle of the Alamo during the Texas Revolution. Her husband, Almaron Dickinson, and 185 other Texian defenders were killed by the Mexican Army.

<span class="mw-page-title-main">To the People of Texas & All Americans in the World</span> 1836 open letter written by William B. Travis

To the People of Texas & All Americans in the World, commonly referred to as the Victory or Death letter, is an open letter written on February 24, 1836, by William B. Travis, commander of the Texian forces at the Battle of the Alamo, to settlers in Mexican Texas. The letter is renowned as a "declaration of defiance" and a "masterpiece of American patriotism", and forms part of the history education of Texas schoolchildren.

<i>The Last Command</i> (1955 film) 1955 film by Frank Lloyd

The Last Command is a 1955 American Western film directed by Frank Lloyd starring Sterling Hayden, Anna Maria Alberghetti, Richard Carlson, Arthur Hunnicutt, Ernest Borgnine and J. Carrol Naish based on the life of Jim Bowie and the Battle of the Alamo.

Juana Gertrudis Navarro Alsbury was one of the few Texian survivors of the Battle of the Alamo during the Texas Revolution in 1836. As Mexican forces entered her hometown, San Antonio de Bexar, on February 23, Alsbury's cousin by marriage, James Bowie, brought her with him to the Alamo Mission so that he could protect her. Bowie, the co-commander of the Texian forces, collapsed from illness on the second day of the siege; Alsbury nursed him throughout the remainder of the siege. On March 4, Texian co-commander William Barret Travis sent her as an emissary to Mexican commander Antonio Lopez de Santa Anna to negotiate an honorable surrender for the Texian forces. She made no headway, and her visit likely increased Santa Anna's impatience to end the siege in a spectacular fashion. Santa Anna launched an early-morning assault on the Alamo on March 6.

<i>The Immortal Alamo</i> 1911 film

The Immortal Alamo is an American silent film released on May 25, 1911. The Immortal Alamo is the earliest film version of the events surrounding the 1836 Battle of the Alamo. The film was directed by William F. Haddock, and produced by Gaston Méliès. The film's cast included Francis Ford, Edith Storey, William A. Carroll and one hundred cadets from the Peacock Military Academy. The film was said to be 10 minutes in length, and focused on "pretty girl, shy hero, and a villain" formula during the battle.

<span class="mw-page-title-main">Siege of the Alamo</span> Part of the Battle of the Alamo

The siege of the Alamo was the first thirteen days of the Battle of the Alamo. On February 23, Mexican troops under General Antonio Lopez de Santa Anna entered San Antonio de Bexar, Texas, and surrounded the Alamo Mission. The Alamo was defended by a small force of Texians and Tejanos, led by William Barrett Travis and James Bowie, and included Davy Crockett. Before beginning his assault on the Alamo, Santa Anna offered them one last chance to surrender. Travis replied by opening fire on the Mexican forces and, in doing so, effectively sealed their fate. The siege ended when the Mexican Army launched an early-morning assault on March 6. Almost all of the defenders were killed, although several civilians survived.

<span class="mw-page-title-main">Alamo Cenotaph</span> United States historic place

The Alamo Cenotaph, also known as The Spirit of Sacrifice, is a monument in San Antonio, Texas, United States, commemorating the Battle of the Alamo of the Texas Revolution, which was fought at the adjacent Alamo Mission. The monument was erected in celebration of the centenary of the battle, and bears the names of those known to have fought there on the Texas side.

Juan Valentín Amador (1793–1848) was a general in the Mexican army of the 19th century. He served under Mexican President Antonio López de Santa Anna during the Texas revolution.

The red line, or "to cross the red line", is a phrase used worldwide to mean a figurative point of no return or line in the sand, or "the fastest, farthest, or highest point or degree considered safe."

<span class="mw-page-title-main">Joe Travis</span>

Joe Travis was an enslaved man who was one of the only survivors of the Battle of the Alamo. Joe was sold four times in his life, with his most well known owner being William B. Travis, a 19th century lawyer and soldier, who would later be the lieutenant colonel for The Battle of the Alamo.

References

  1. Oxford English Dictionary, line n.2, Draft additions June 2003
  2. "www.parkviewdargaville.co.nz - 1st Domains".
  3. Mike Cox, "Line in the Sand"