Lippmann, Rosenthal & Co. or LiroBank originally a Dutch Jewish bank, was seized and used by Nazis for looting Jewish property during the German occupation of the Netherlands during World War II. [1]
At Nieuwe Spiegelstraat, in Amsterdam, the Germans used the bank's name for a separate branch for looting Jews at the Sarphatistraat. [2]
The branch was used for robbing the Dutch Jews living mainly in Amsterdam of their possessions. [3] Bank accounts at other banks were confiscated, and Jews were also forced to deposit their art collections, jewels, etc. at the bank. [4] [5] If a Jewish family was deported from their home, their possessions were sold. The money was used for various purposes such as to finance the Westerbork transit camp. High-level Nazis could pick from the art collections. In addition, important artworks were sent to German museums. [6]
After the war, the original bank had lost its good name and was finally taken over by another bank, the Hollandse Koopmansbank. [7] [8]
In 2003, a plaque about the Nazi robber bank was unveiled on the building of the ABN Amro Bank in Amsterdam. [9]
Arthur Seyss-Inquart was an Austrian Nazi politician who served as Chancellor of Austria in 1938 for two days before the Anschluss. His positions in Nazi Germany included deputy governor to Hans Frank in the General Government of Occupied Poland, and Reichskommissar for the German-occupied Netherlands. In the latter role, he shared responsibility for the deportation of Dutch Jews and the shooting of hostages.
Nazi plunder was organized stealing of art and other items which occurred as a result of the organized looting of European countries during the time of the Nazi Party in Germany.
The Devisenschutzkommando, or DSK, was a Nazi special looting unit of handpicked SS soldiers which operated in Belgium, France and the Netherlands and Czechoslovakia. The unit was established in 1940 and operated through the duration of World War II.
The Bavarian State Painting Collections, based in Munich, Germany, oversees artwork held by the Free State of Bavaria. It was established in 1799 as Centralgemäldegaleriedirektion. Artwork includes paintings, sculptures, photographs, video art and installation art. Pieces are on display in numerous galleries and museums throughout Bavaria.
Maximiliaan Henricus Hubertus Franssen was a Dutch lawyer. In 1941, he was appointed by the Nazis to act as curator (Verwalter) of enemy properties during the Nazi occupation of The Netherlands in World War II. As a Verwalter, Franssen took control of—and in many 23 cases liquidated—estates, businesses, political parties, and other organizations owned or controlled by persons or organizations designated by the Nazis as enemies, or otherwise deemed unworthy or unnecessary. Dutch National Archive documents indicate that Franssen was assigned as Verwalter for nearly 60 estates and businesses. Specific private estate examples include seizing control of the Larsen estate. and Stodel estate.
The Reichsleiter Rosenberg Taskforce was a Nazi Party organization dedicated to appropriating cultural property during the Second World War. It was led by the chief ideologue of the Nazi Party, Alfred Rosenberg, from within the NSDAP Office of Foreign Affairs. Between 1940 and 1945, the ERR operated in France, Netherlands, Belgium, Poland, Lithuania, Latvia, Estonia, Greece, Italy, and on the territory of the Soviet Union in the Reichskommissariat Ostland and Reichskommissariat Ukraine. Much of the looted material was recovered by the Allies after the war, and returned to rightful owners, but there remains a substantial part that has been lost or remains with the Allied powers.
Alois Miedl was a naturalized Dutch art dealer, originally a German Nazi banker, born in Munich, who had moved to and was mainly active in the Netherlands, involved with the sales of properties stolen from Jews who had fled or had been deported.
Dr. Hans Otto Carl Wendland was a German art dealer who was implicated in the trade in art looted by the Nazi regime during World War II. Among his key contacts were the French industrialist and collaborator Achille Boitel, Hugo Engel, Allen Loebl, Yves Perdoux and others in Paris and Charles Montag, Théodore Fischer, Alexander von Frey and Albert Skira in Switzerland.
The Holocaust in the Netherlands was organized by Nazi Germany in occupied Netherlands as part of the Holocaust across Europe during the Second World War. The Nazi occupation in 1940 immediately began disrupting the norms of Dutch society, separating Dutch Jews in multiple ways from the general Dutch population. The Nazis used existing Dutch civil administration as well as the Dutch Jewish Council "as an invaluable means to their end".
Many priceless artworks by the Dutch Post-Impressionist artist Vincent van Gogh were looted by Nazis during 1933–1945, mostly from Jewish collectors forced into exile or murdered.
The Hermann Göring Collection, also known as the Kunstsammlung Hermann Göring, was an extensive private art collection of Nazi Reichsmarschall Hermann Göring, formed for the most part by looting of Jewish property in Nazi-occupied areas between 1936 and 1945.
Walter Westfeld or Westfield was a German Jewish art collector and art dealer whose collection was plundered by Nazis. Westfield was murdered in the Holocaust.
National Museum Recuperation is the French state organization that manages the looted artworks recovered from Nazi Germany and returned to France after the Second World War. Of 61,000 looted artworks returned to France, 2143 remain in custody of the MNR.
Lempertz is a German auction house which emerged from a bookstore and art gallery founded 1845 in Bonn, Germany. It is entirely owned and controlled by the Lempertz family and headquartered in Cologne, Germany.
Erhard Göpel was a German art historian and high level Nazi agent who acquired art, including looted art, for Hitler’s Führermuseum.
Johanna Margarethe Stern-Lippmann was a German Jewish art collector and victim of the Holocaust.
The Netherlands Art Property Collection is an art collection of recovered works of art that accrued to the Dutch state after World War II. This concerns works of art that were looted by the Nazi regime in the Netherlands or were purchased under duress or otherwise. The collection is managed by the Cultural Heritage Agency and is part of the national collection. The works may be on loan from Dutch museums or government buildings, and some are also stored in depots.
Richard Semmel was a German entrepreneur and art collector who was persecuted by the Nazis because of his Jewish heritage. His heirs have filed restitution claims for artworks.
David Cornelis Röell was a Dutch museum director.
But the heart of this book is Aalder's discussion of the operations of the "Liro" Bank or Robber Bank, which was the central clearinghouse in the Netherlands for the looting of Jewish property. Here the technique of utilizing the Jews' own institutions against them, employed throughout the Third Reich by the Nazis, reached its peak. The Liro Bank was set up in the former premises of the highly respected, Jewish-owned Lippmann Rosenthal Bank which had existed for years in Amsterdam. The new entity was not really a bank but a Nazi government agency specialized in theft.
The palace's investigation into tens of thousands of artworks in the House of Orange's collection brought to light convincing evidence that the owner of the van der Haagen painting, depicting a view of Huis ten Bosch Palace, had been forced to hand it over to a Nazi bank, Lippmann, Rosenthal & Co, in Amsterdam.
During the next five years, thousands of paintings were moved from Holland into Germany, most of them having been confiscated or extorted from Jews. A large number of artworks were stolen through an institution that came to be called the Liro Bank. Established by the Germans on the shell of the expropriated Jewish-owned bank Lippmann, Rosenthal and Co., it became the major vehicle for wholesale, but nominally legal theft from the Dutch Jews.
Na de Tweede Wereldoorlog hernam de echte Lippmann en Rosenthal bank haar activiteiten, maar de associatie met de gelijknamige roofbank bleek nadelig te zijn voor de bank. In 1964 werd een nauwe samenwerking met de Hollandse Koopmansbank aangegaan, die in 1974 leidde tot een volledige overname door laatstgenoemde bank.