El Escorial, or the Royal Site of San Lorenzo de El Escorial, or Monasterio del Escorial, is a historical residence of the King of Spain located in the town of San Lorenzo de El Escorial, 2.06 kilometres (1.28 mi) up the valley from the town of El Escorial and about 45 kilometres (28 mi) northwest of the Spanish capital Madrid. Built between 1563 and 1584 by order of King Philip II, El Escorial is the largest Renaissance building in the world. It is one of the Spanish royal sites and functions as a monastery, basilica, royal palace, pantheon, library, museum, university, school, and hospital.
An altarpiece is an artwork such as a painting, sculpture or relief representing a religious subject made for placing at the back of or behind the altar of a Christian church. Though most commonly used for a single work of art such as a painting or sculpture, or a set of them, the word can also be used of the whole ensemble behind an altar, otherwise known as a reredos, including what is often an elaborate frame for the central image or images. Altarpieces were one of the most important products of Christian art especially from the late Middle Ages to the era of the Counter-Reformation.
In religion, a relic is an object or article of religious significance from the past. It usually consists of the physical remains or personal effects of a saint or other person preserved for the purpose of veneration as a tangible memorial. Relics are an important aspect of some forms of Buddhism, Christianity, Islam, shamanism, and many other religions. Relic derives from the Latin reliquiae, meaning "remains", and a form of the Latin verb relinquere, to "leave behind, or abandon". A reliquary is a shrine that houses one or more religious relics.
Gothic art was a style of medieval art that developed in Northern France out of Romanesque art in the 12th century AD, led by the concurrent development of Gothic architecture. It spread to all of Western Europe, and much of Northern, Southern and Central Europe, never quite effacing more classical styles in Italy. In the late 14th century, the sophisticated court style of International Gothic developed, which continued to evolve until the late 15th century. In many areas, especially Germany, Late Gothic art continued well into the 16th century, before being subsumed into Renaissance art. Primary media in the Gothic period included sculpture, panel painting, stained glass, fresco and illuminated manuscripts. The easily recognizable shifts in architecture from Romanesque to Gothic, and Gothic to Renaissance styles, are typically used to define the periods in art in all media, although in many ways figurative art developed at a different pace.
A reliquary is a container for relics. A portable reliquary may be called a fereter, and a chapel in which it is housed a feretory.
A casket is a decorative box or container that is usually smaller than a chest and is typically decorated. In recent centuries they are often used as boxes for jewelry, but in earlier periods they were also used for keeping important documents and many other purposes. Many ancient caskets are reliquaries, for both Buddhist and Christian relics.
The Basilica of Saint Nicholas of Tolentino is a Roman Catholic church and minor basilica that is part of the Augustinian monastery in the hill-town of Tolentino, province of Macerata, Marche, central Italy. The church is a former cathedral of the Roman Catholic Diocese of Tolentino, suppressed in 1586.
The altar in the Catholic Church is used for the celebration of the Sacrifice of the Mass.
Limoges enamel has been produced at Limoges, in south-western France, over several centuries up to the present. There are two periods when it was of European importance. From the 12th century to 1370 there was a large industry producing metal objects decorated in enamel using the champlevé technique, of which most of the survivals, and probably most of the original production, are religious objects such as reliquaries.
The Basilica of Our Lady is a Romanesque church in the historic center of Maastricht, Netherlands. The church is dedicated to Our Lady of the Assumption and is a Roman Catholic parish church in the Diocese of Roermond. The church is often referred to as the Star of the Sea, after the church's main devotion, Our Lady, Star of the Sea.
A chasse, châsse or box reliquary is a shape commonly used in medieval metalwork for reliquaries and other containers. To the modern eye the form resembles a house, though a tomb or church was more the intention, with an oblong base, straight sides and two sloping top faces meeting at a central ridge, often marked by a raised strip and decoration. From the sides there are therefore triangular "gable" areas.
The Treasury of the Basilica of Saint Servatius is a museum of religious art and artifacts inside the Basilica of Saint Servatius in Maastricht, Netherlands.
The Abbey of Santa Giustina is a 10th-century Benedictine abbey complex located in front of the Prato della Valle in central Padua, region of Veneto, Italy. Adjacent to the former monastery is the basilica church of Santa Giustina, initially built in the 6th century, but whose present form derives from a 17th-century reconstruction.
The church of Sant'Afra in Brescia, also known as the church of Sant'Afra in Sant'Eufemia, is located on Corso Magenta, near Piazzale Arnaldo.
The Brescia Casket, also called the lipsanotheca of Brescia or reliquary of Brescia, is an ivory box, perhaps a reliquary, from the late 4th century, which is now in the Museo di Santa Giulia at San Salvatore in Brescia, Italy. It is a virtually unique survival of a complete Early Christian ivory box in generally good condition. The 36 subjects depicted on the box represent a wide range of the images found in the evolving Christian art of the period, and their identification has generated a great deal of art-historical discussion, though the high quality of the carving has never been in question. According to one scholar: "despite an abundance of resourceful and often astute exegesis, its date, use, provenance, and meaning remain among the most formidable and enduring enigmas in the study of early Christian art."
The casket of Sant Cugat is a reliquary of gold from the beginning of the fourteenth century. It is made with embossed silver plates engraved and partly superimposed on a golden casket of wood, depicting scenes from the life and death of the martyr Saint Cugat. Its makers were Joan de Gènova and Arnau Campredon. During the seventeenth century, it was dismantled and built in a smaller size in which the plates were reused from the previous silver.
The Fieschi Morgan Staurotheke is a small reliquary designed to hold a relic of the true cross, it is 1 1/16 x 4 1/16 x 2 13/16 inches overall with lid. It is an example of Byzantine enameling. The box is dated to 843. Both dates hover around the second wave of Byzantine Iconoclasm from 814 to 842, allowing this piece to become a lens into the post iconoclastic art. These reliquaries doubled as an icon in style and purpose. The physical material of icons and the content within the reliquary were believed to contained a spirit or energy. It was believed that reliquaries contained great power, thus explains its preservation throughout the years. There are numerous theories of where this piece was created and its movement. It's currently on display at the Metropolitan Museum.
The Pilgrimage of the Relics or Maastricht Septennial Pilgrimage is a seven-yearly Catholic event in the Dutch city of Maastricht. Originating in the Middle Ages, it developed from a pilgrimage to the grave of Saint Servatius into the present-day religious, historical, cultural and commercial enterprise. Highlights in the programme are the displaying or unveiling of the relics in the main churches and secondly, the processions with the town's main relics. The next pilgrimage will take place in 2025.
House-shaped shrine are early medieval portable metal reliquary formed in the shape of the roof of a rectangular building. They originate from both Ireland and Scotland and mostly date from the 8th or 9th centuries. Typical example consist of a wooden core covered with silver and copper alloy plates, and were built to hold relics of saints or martyrs from the early Church era; a number held corporeal remains when found in the modern period, presumably they were parts of the saint's body. Others, including the Breac Maodhóg, held manuscripts associated with the commemorated saint. Like many Insular shrines, they were heavily reworked and embellished in the centuries following their initial construction, often with metal adornments or figures influenced by Romanesque sculpture.
The Embriachi workshop was an important producer of objects in carved ivory and carved bone, set in a framework of inlaid wood, in north Italy from around 1375 to perhaps as late as 1433, apparently moving from Florence to Venice about 1395. They are especially known for what are now called marriage caskets or wedding caskets, hexagonal or oblong caskets about a foot across, with lids that rise up in the centre. Their output of these was probably made for stock rather than individual commissions, and filled a market for gifts for betrothals and weddings. They sold mirrors framed in a similar style, though fewer of these have survived, and religious pieces both small and in a few cases very large.
