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Acrylic paint is a fast-drying paint made of pigment suspended in acrylic polymer emulsion and plasticizers, silicone oils, defoamers, stabilizers, or metal soaps. Most acrylic paints are water-based, but become water-resistant when dry. Depending on how much the paint is diluted with water, or modified with acrylic gels, mediums, or pastes, the finished acrylic painting can resemble a watercolor, a gouache, or an oil painting, or have its own unique characteristics not attainable with other media.
Jacques Maroger was a painter and the technical director of the Louvre Museum's laboratory in Paris. He devoted his life to understanding the oil-based media of the Old Masters. He emigrated to the United States in 1939 and became an influential teacher. His book, The Secret Formulas and Techniques of the Masters, has been criticized by some modern writers on painting who say that the painting medium Maroger promoted is unsound.
Oil painting is the process of painting with pigments with a medium of drying oil as the binder. It has been the most common technique for artistic painting on wood panel or canvas for several centuries, spreading from Europe to the rest of the world. The advantages of oil for painting images include "greater flexibility, richer and denser colour, and a wider range from light to dark". But the process is slower, especially when one layer of paint needs to be allowed to dry before another is applied.
Paint is any pigmented liquid, liquefiable, or solid mastic composition that, after application to a substrate in a thin layer, converts to a solid film. It is most commonly used to protect, color, or provide texture to objects. Paint can be made or purchased in many colors—and in many different types, such as watercolor or synthetic. Paint is typically stored, sold, and applied as a liquid, but most types dry into a solid. Most paints are either oil-based or water-based and each has distinct characteristics. For one, it is illegal in most municipalities to discard oil-based paint down household drains or sewers. Clean-up solvents are also different for water-based paint than they are for oil-based paint. Water-based paints and oil-based paints will cure differently based on the outside ambient temperature of the object being painted Usually, the object being painted must be over 10 °C (50 °F), although some manufacturers of external paints/primers claim they can be applied when temperatures are as low as 2 °C (35 °F).
Impasto is a technique used in painting, where paint is laid on an area of the surface in very thick layers, usually thick enough that the brush or painting-knife strokes are visible. Paint can also be mixed right on the canvas. When dry, impasto provides texture; the paint appears to be coming out of the canvas.
Varnish is a clear transparent hard protective coating or film. It is not a stain. It usually has a yellowish shade from the manufacturing process and materials used, but it may also be pigmented as desired, and is sold commercially in various shades.
Linseed oil, also known as flaxseed oil or flax oil, is a colourless to yellowish oil obtained from the dried, ripened seeds of the flax plant. The oil is obtained by pressing, sometimes followed by solvent extraction. Linseed oil is a drying oil, meaning it can polymerize into a solid form. Owing to its polymer-forming properties, linseed oil can be used on its own or blended with combinations of other oils, resins or solvents as an impregnator, drying oil finish or varnish in wood finishing, as a pigment binder in oil paints, as a plasticizer and hardener in putty, and in the manufacture of linoleum. Linseed oil use has declined over the past several decades with increased availability of synthetic alkyd resins—which function similarly but resist yellowing.
Enamel paint is paint that air-dries to a hard, usually glossy, finish, used for coating surfaces that are outdoors or otherwise subject to hard wear or variations in temperature; it should not be confused with decorated objects in "painted enamel", where vitreous enamel is applied with brushes and fired in a kiln. The name is something of a misnomer, as in reality, most commercially available enamel paints are significantly softer than either vitreous enamel or stoved synthetic resins, and are totally different in composition; vitreous enamel is applied as a powder or paste and then fired at high temperature. There is no generally accepted definition or standard for use of the term "enamel paint", and not all enamel-type paints may use it.
Water-miscible oil paint is oil paint either engineered or to which an emulsifier has been added, allowing it to be thinned and cleaned up with water. These paints make it possible to avoid using, or at least reduce volatile organic compounds such as turpentine that may be harmful if inhaled. Water-miscible oil paint can be mixed and applied using the same techniques as traditional oil-based paint, but while still wet it can be removed from brushes, palettes, and rags with ordinary soap and water. One of the ways its water solubility comes from is the use of an oil medium in which one end of the molecule has been engineered to be hydrophilic and thus bind loosely to water molecules, as in a solution. This type of paint is different to those that are engineered to enable cleaning of brushes and application equipment in water but are not in themselves water reducible.
Fat over lean refers to the principle in oil painting of applying paint with a higher oil to pigment ratio ('fat') over paint with a lower oil to pigment ratio ('lean') to ensure a stable paint film, since it is believed that the paint with the higher oil content remains more flexible.
An oil pastel is a painting and drawing medium formed into a stick which consists of pigment mixed with a binder mixture of non-drying oil and wax, in contrast to other pastel sticks which are made with a gum or methyl cellulose binder, and in contrast to wax crayons which are made without oil. The surface of an oil pastel painting is less powdery than one made from gum pastels, but more difficult to protect with a fixative. Oil pastels are bold and bright. They can be blended easily but they can break easily too.
A primer or undercoat is a preparatory coating put on materials before painting. Priming ensures better adhesion of paint to the surface, increases paint durability, and provides additional protection for the material being painted.
An alkyd is a polyester resin modified by the addition of fatty acids and other components. Alkyds are derived from polyols and organic acids including dicarboxylic acids or carboxylic acid anhydride and triglyceride oils. The term alkyd is a modification of the original name "alcid", reflecting the fact that they are derived from alcohol and organic acids. The inclusion of a fatty acid confers a tendency to form flexible coatings. Alkyds are used in paints, varnishes and in moulds for casting. They are the dominant resin or binder in most commercial oil-based coatings. Approximately 200,000 tons of alkyd resins are produced each year. The original alkyds were compounds of glycerol and phthalic acid sold under the name Glyptal. These were sold as substitutes for the darker-colored copal resins, thus creating alkyd varnishes that were much paler in colour. From these, the alkyds that are known today were developed.
Winsor & Newton is an English manufacturing company based in London that produces a wide variety of fine art products, including acrylics, oils, watercolour, gouache, brushes, canvases, papers, inks, graphite and coloured pencils, markers, and charcoals.
A glaze is a thin transparent or semi-transparent layer on a painting which modifies the appearance of the underlying paint layer. Glazes can change the chroma, value, hue and texture of a surface. Glazes consist of a great amount of binding medium in relation to a very small amount of pigment. Drying time will depend on the amount and type of paint medium used in the glaze. The medium, base, or vehicle is the mixture to which the dry pigment is added. Different media can increase or decrease the rate at which oil paints dry.
Rangsazi Iran - Iran Paint Manufacturing Company - شرکت رنگسازي ايران, was founded in 1939 as the first paint producer in Iran as well as the Middle East. Rangsazi Iran is currently the top producer in decorative and industrial paints within the country in terms of volume of sales and quality.
The practice of conserving an unstable painting on panel by transferring it from its original decayed, worm-eaten, cracked, or distorted wood support to canvas or a new panel has been practised since the 18th century. It has now been largely superseded by improved methods of wood conservation.
The lining of paintings is a process of conservation science and art restoration used to strengthen, flatten or consolidate oil or tempera paintings on canvas by attaching a new support to the back of the existing one. The process is sometimes referred to as relining. Most often a new support will be added directly to the back of an existing canvas. In cases of extreme decay, however, the original canvas may be completely removed and replaced. The height of the practice's use peaked in the late 19th century and in the following years its usefulness has been debated. There are many different factors that influence whether lining a painting will be successful. By paying close attention to an artwork's condition and response to treatment, conservation professionals better understand the lining process and when to apply it.
The conservation and restoration of paintings is carried out by professional painting conservators. Paintings cover a wide range of various mediums, materials, and their supports. Painting types include fine art to decorative and functional objects spanning from acrylics, frescoes, and oil paint on various surfaces, egg tempera on panels and canvas, lacquer painting, water color and more. Knowing the materials of any given painting and its support allows for the proper restoration and conservation practices. All components of a painting will react to its environment differently, and impact the artwork as a whole. These material components along with collections care will determine the longevity of a painting. The first steps to conservation and restoration is preventive conservation followed by active restoration with the artist's intent in mind.
An oil base or oil pedestal is a water, dirt and fat repellent paint, which is applied directly as a coating on the rough plaster to protect it. Mostly it consists of a coating of paint, which is based on alkyd resin and is often applied in staircases, but also in kitchens and bathrooms of old buildings. It is sometimes found in heavy traffic hallways.
References
- ↑ Winsor & Newton:Understanding The 3 Oil Painting Rules
- ↑ Winsor & Newton, Winsor & Newton (2015-08-25). "SAFETY DATA SHEET WINSOR & NEWTON LIQUIN ORIGINAL" (PDF). Winsor & Newton. Winsor & Newton. Archived from the original (PDF) on 2016-03-04. Retrieved 2016-01-09.
- ↑ Winsor & Newton, Winsor & Newton (2015-04-07). "SAFETY DATA SHEET WINSOR & NEWTON LIQUIN LIGHT GEL MEDIUM" (PDF). Winsor & Newton. Winsor & Newton. Archived from the original (PDF) on 2015-12-08. Retrieved 2016-01-09.
- ↑ Winsor & Newton, Winsor & Newton (2011-06-03). "SAFETY DATA SHEET WINSOR & NEWTON LIQUIN OLEOPASTO" (PDF). Winsor & Newton. Winsor & Newton. Archived from the original (PDF) on 2016-03-04. Retrieved 2016-01-09.
- ↑ Winsor & Newton, Winsor & Newton (2011-06-03). "SAFETY DATA SHEET WINSOR & NEWTON LIQUIN IMPASTO" (PDF). Winsor & Newton. Winsor & Newton. Archived from the original (PDF) on 2016-03-04. Retrieved 2016-01-09.
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