Lisa C. Ravensbergen is a multi-disciplinary artist and writer of Ojibwe/Swampy Cree and English/Irish descent, based in Vancouver, British Columbia. Ravensbergen is a Jessie-nominated actor, dramaturge, director and dancer. [1] Ravensbergen is an Associate Artist with Full Circle First Nations Performance Group and Playwright-in-Residence with Delinquent Theatre. [2] She holds undergraduate degrees from Trinity Western University and Simon Fraser University and an MA in Cultural Studies from Queens University. [2]
In 2019, Ravensbergen wrote a play titled The Seventh Fire produced by Delinquent Theatre and in association with the Neworld Theatre company. [3] [4] The Seventh Fire looks at sourcing traditional, oral Anishinaabe stories and societal roles as a way to explore ceremony in the everyday. [3] Set in the present, past, and future, it tells the story of a woman's return to the Ojibwe community she believes has rejected her. [3] In 2018, she was featured in an experimental performance titled Hearing, finding, translating Kiyoko by Julie Tamiko Manning at the Tableau D'Hôte Theatre in Montreal, QC as well as the Powell Street Festival in Vancouver, BC. [5] [6] [7] In March 2018, she directed a play titled Daughter Cafe, which took place at the Belfry Theatre, in Victoria, BC. [8] [9] [10] In 2017, she worked as dramaturge for the play titled In the Shadow of the Mountains by Valerie Sing Turner, which took place at Studio 1398, Festival House, in Vancouver, BC. [11] [12] In 2009, she performed in the Western Canadian Theatre's production of The Ecstasy of Rita Joe , playing the name character Rita Joe. [13] [14]
In June 2001, Ravensbergen co-curated the show Taking Stick Cabaret with Daina Warren at Grunt Gallery, in Vancouver, BC. [15] In September 2020, Ravensbergen was featured in Soundings: An Exhibition in Five Parts curated by Candice Hopkins and Dylan Robinson which exhibited at The Gund Gallery at Kenyon College in Gambier, Ohio, Agnes Etherington Art Centre, Kingston, ON, the Kitchener-Waterloo Art Gallery, Kitchener-Waterloo, the Morris and Helen Belkin Art Gallery, Vancouver, BC and Kamloops Art Gallery, Kamloops, BC. [1] [16] [17] In February 2021, Ravensbergen participated in an online group exhibition project titled PushOFF 2021: Speculative Futures in collaboration with Theatre Company and Company 605. [18] [19] [20]
Year | Title | Role | Notes |
---|---|---|---|
2010 | Shattered | Heather | TV series |
2010 | Craven | Rita | Short Film |
2014 | The Unauthorized Saved by the Bell Story | Hair Person | TV movie |
Germaine Koh is a Malaysian-born and Canadian conceptual artist based in Vancouver. Her works incorporate the artistic styles of neo-conceptual art, minimalism, and environmental art, and is concerned with the significance of everyday actions, familiar objects and common places.
The Morris and Helen Belkin Art Gallery is a contemporary art gallery in Vancouver, British Columbia, on the campus of the University of British Columbia. The gallery is housed in a building designed by architect Peter Cardew which opened in 1995. Cardew received a RAIC gold medal for the building's design in 2012. It houses UBC's growing collection of contemporary art as well as archives containing objects and records related to the history of art in Vancouver.
Julie Andreyev is a Vancouver-based multidisciplinary artist whose practice explores themes of animal agency and consciousness. Her ongoing Animal Lover work explores nonhuman animal agency and creativity through modes of interspecies collaboration and aleatoric methods. The Animal Lover projects seek to contribute towards an ethic of compassion and regard for the intrinsic worth of other-than-human individuals. She was born in Burnaby, British Columbia.
Interactive Futures (IF) was a biennial conference and exhibition, hosted in Vancouver, British Columbia, Canada, that explored current tendencies, research and dialogue related to the intersection of technology and art. Interactive Futures included a variety of events such as lectures, workshops, exhibitions, and panels in an effort to provide opportunities for discourse by local, national and international researchers and practitioners.
Judy Radul is a Canadian multidisciplinary artist, writer and educator. She is known for her performance art and media installations, as well as her critical writing.
Yvette Nolan (Algonquin) (1961) is a Canadian playwright, director, actor, and educator based out of Saskatchewan, Canada. She was born in Prince Albert, Saskatchewan. She has contributed significantly to the creation and performance of Indigenous theatre in Canada.
Laiwan is a Zimbabwean interdisciplinary artist, art critic, gallerist, writer, curator and educator. Her wide-ranging practice is based in poetics and philosophy. She lives in Vancouver, British Columbia.
Kathy Slade (1966) is a Canadian artist, author, curator, editor, and publisher born in Montreal, Quebec, and based in Vancouver, British Columbia. She is currently a Term Lecturer at Simon Fraser University's School for the Contemporary Arts.
Candice Hopkins is a Carcross/Tagish First Nation independent curator, writer, and researcher who predominantly explores areas of indigenous history, and art.
Tanya Lukin Linklater is an artist-choreographer of Alutiiq descent. Her work consists of performance collaborations, videos, photographs, and installations.
Cecily Nicholson is a Canadian poet, arts administrator, independent curator, and activist. Originally from Ontario, she is now based in British Columbia. As a writer and a poet, Nicholson has published collections of poetry, contributed to collected literary works, presented public lectures and readings, and collaborated with numerous community organizations. As an arts administrator, she has worked at the Surrey Art Gallery in Surrey, British Columbia, and the artist-run centre Gallery Gachet in Vancouver.
Tsēma Igharas, formerly known as Tamara Skubovius, is an interdisciplinary artist and member of the Tāłtān First Nation based in Vancouver, British Columbia. Igharas uses Potlatch methodology in making art, to assert the relationships between bodies and the world, and to challenge colonial systems of value and measurement of land and resources.
Tʼuyʼtʼtanat-Cease Wyss is a Skwxwú7mesh (Squamish), Stó꞉lō, Kānaka Maoli (Hawaiian), Irish-Métis, and Swiss multi-media artist, ethnobotanist, independent curator, educator, activist, and small business owner based in Vancouver, British Columbia. Tʼuyʼtʼtanat is Wyss's ancestral name, which means “woman who travels by canoe to gather medicines for all people.” Wyss's interdisciplinary practice encompasses aspects of visual art, fiber arts, ethnobotany, storytelling, and community education, among other interdisciplinary approaches, and she has been working with new media, performance, and interdisciplinary arts for more than 30 years. As a Coast Salish weaver, Wyss works with wool and cedar and uses indigenous plants in the dyeing process. Wyss also engages with beekeeping and gardening practices as part of community-led initiatives and as a way to explore aspects of land remediation - the ability of plants to remediate soil that has been contaminated with colonial toxins.
Anne Riley is an interdisciplinary artist of Slavey Dene and German ancestry. Born in Dallas, Texas, Riley currently lives and works in Vancouver, Canada. Several of Riley's works derive from her identity as Indigiqueer, a term coined by Cree artist TJ Cuthand, and commonly used by Indigenous artists including Oji-Cree storyteller, Joshua Whitehead. The term is interconnected with Two-spirit, an identity and role that continues to be vital within and across many Indigenous nations. Through artistic projects, Riley engages Indigenous methodologies that prioritize learning through embodiment, nurturing communities as well as the non-human world. Riley received her BFA from the University of Texas at Austin in 2012. Riley is a recipient of the City of Vancouver Studio Award (2018–2021).
Helen Goodwin was an English-born, British Columbia-based artist, dancer, teacher, and organizer who specialized in dance and choreography. Goodwin was an active member of Vancouver experimental art community in the 1960s and 1970s, organizing and performing at festivals, exhibitions and artist-run centres. She is best known for co-founding Intermedia and for forming TheCo, a dance troupe.
Cindy Mochizuki is a multimedia Japanese Canadian artist based in Vancouver, British Columbia. In her drawings, installations, performance, and video works created through community-engaged and location-specific research projects, Mochizuki explores how historical and family memories are passed down in the form of narratives, folktales, rituals and archives. Mochizuki's works have been exhibited in multiple countries including Japan, the United States, and Canada. Mochizuki received MFA in Interdisciplinary Studies from the School For Contemporary Arts at Simon Fraser University in 2006. She received Vancouver's Mayor's Arts Award in New Media and Film in 2015 and the VIVA and Max Wyman awards in 2020.
Diamond Point is a contemporary Coast Salish artist and member of the Musqueam Indian Band.
Olivia Whetung is a contemporary artist, printmaker, writer, and member of the Curve Lake First Nation and citizen of the Nishnaabeg Nation.
Maggie Groat is an artist and educator who lives in Canada. She received her Master of Fine Arts at the University of Guelph in 2010. Groat has taught at the University of Guelph, University of Toronto, and at Emily Carr University of Art and Design, where she was the Audain Artist Scholar in Residence in 2014.
Dylan Robinson is a xwélmexw (Stó:lō/Skwah) artist, curator and writer whose "research focuses on the sensory politics of Indigenous activism and the arts, and questions how Indigenous rights and settler colonialism are embodied and spatialized in public space." Robinson holds the Canada Research Chair in Indigenous Arts and is the co-chair of the recently formed Indigenous Advisory Council for the Canadian Music Centre. In November 2021, the University of British Columbia School of Music announced that Robinson was appointed Associate Professor and will begin as of July 1, 2022. Robinson is also learner of Halq'eméylem, the language spoken by the Stó:lō people.